Women, Art, and Society (World of Art)

Women, Art, and Society (World of Art)
by Whitney Chadwick

Women, Art, and Society (World of Art)
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Book Summary Information

Author: Whitney Chadwick
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2007-03-26
ISBN: 0500203938
Number of pages: 512
Publisher: Thames & Hudson

Book Reviews of Women, Art, and Society (World of Art)

Book Review: Brilliant Study
Summary: 5 Stars

This was a brilliant Study that highlights the achievement of often neglected female artists. Chadwick's approach does not only look at the artist themselves, but she delves into their specific works to unveil the mask of what has been viewed with a gender bias eye. It takes a look at art dating back from the middle ages, up until now. Definitely a phenomenal piece and very well written.

If you enjoyed this as much as I have, I would recommend checking out, Who Does She Think She Is? Its a documentary about 5 women who struggle to balance time between artistic expression and practical living in a world where most people cannot name 1 single female artist. Who Does She Think She Is? House Party Kit

Summary of Women, Art, and Society (World of Art)

"A wave of new scholarship floods her text?.Chadwick opens up whole new ways of thinking about familiar images."?Women's Art Journal

This acclaimed study challenges the assumption that great women artists are exceptions to the rule who transcended their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality.

This expanded edition incorporates recent developments in contemporary art. Chadwick addresses the turn toward autobiography in much recent women's art. She considers issues such as the personal versus the political and the private versus the public, and analyzes the differences between women's art today and the seminal feminist work of the 1970s and 1980s. 325 illustrations, 90 in color

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