What to Listen For in Jazz

What to Listen For in Jazz
by Mr. Barry Kernfeld

What to Listen For in Jazz
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Book Summary Information

Author: Mr. Barry Kernfeld
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1997-10-20
ISBN: 0300072597
Number of pages: 268
Publisher: Yale University Press

Book Reviews of What to Listen For in Jazz

Book Review: Well-written and practical
Summary: 5 Stars

If, like me, you know a little about Jazz (but not much), and you're looking for a way to broaden your knowledge, this is the book you want.

Kernfeld focuses on the basics. He uses 22 landmark recordings (provided on the accompanying CD)to illustrate the points he makes. The six chapters of the book deal with rhythm, forms, arrangement, composition, improvisation and sound. In the course of reading the book, you revisit the same composition several times, each time focusing on a different excerpt from it. When Kernfeld talks about backbeats, syncopation and blue notes, he explains what he means!

This book is a must-have! (A useful accompaniment to this book -though not essential- is "How to read music" by Terry Burrows, another book/cd combination.)

Note: The accompanying CD features tracks by Miles Davis ('round midnight), Billy Holiday ( georgia on my mind), Louis Armstrong (hotter than that), Duke Ellington (ko-ko, trumpet no end), Jelly Roll Morton (black bottom stomp) and Thelonious Monk (misterioso). Others on the cd include Dizzy Gillespie, Weather report, Herbie Hancock, Sun Ra, Coleman Hawkins, Earl "Fatha" Hines and Charlie Mingus.

Summary of What to Listen For in Jazz

Barry Kernfeld provides an introduction to jazz, discussing its musical concepts, procedures and styles, providing the background to this musical art. The book is organized around 21 historical jazz recordings - from the New Orleans Rhythm Kings' "Tin Roof Blues" (1923) to Ornette Coleman's "Honeymooners" (1987) - that are analyzed in the text and included in a free compact disc that accompanies the book. The author draws from these musical works to illustrate jazz rhythm, forms, arrangement, composition, improvization, style, and sound (recording fidelity, tuning systems, instrumentation, and timbre). Included in the book are 85 notated music examples keyed to the compact disc and a biographical dictionary of musicians who figure prominently on the disc. By laying out musical ideas that unify the genre, rather than by splintering it along stylistic lines, this book offers a method for enhancing enjoyment and understanding of jazz. This should be a useful resource for students and general listeners who wish to know more about this musical form.

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