What Is Cinema? Vol. 1
by Andre Bazin
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Book Summary Information
Author: Andre BazinTranslator: Hugh Gray
Introduction: Jean Renoir
Foreword: Dudley Andrew
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2004-12-13
ISBN: 0520242270
Number of pages: 207
Publisher: University of California Press
Book Reviews of What Is Cinema? Vol. 1
Book Review: Classic writing on cinema
Summary: 5 Stars
I would like to offer a different perspective on this particular edition. Theodoros Natsinas writes a very persuasive review detailing the translations of Bazin's work. However, I think it's important to understand that Hugh Gray was the foremost proponent of Bazin's theoretical work in the USA, as well as an accomplished scholar himself. Considering that point, it seems that Gray is actually in the best position to translate Bazin due to his intimate understanding. It's always important to remember that translation is an art and it's never as simple as translating a sentence word-by-word.
I'm sure Natsinas has reviewed the French and English in more detail than I have, but my experience with Gray's translation has been very favorable. The main point in writing this review is to encourage prospective readers to go ahead and read these volumes. I held off buying them on Natsinas' recommendation, but I feel it's overly harsh and (no offense) misleading.
Regardless - they're the only translations we have. Most Bazin in anthologies use the Gray translations, so like it or not, it's the version everyone is reading in English. I say, buy and enjoy.
Summary of What Is Cinema? Vol. 1
André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."André Bazin is a great film critic and essayist, arguably the best France ever produced. His impact on the international cinema was monumental and continues to be felt today. He popularized the auteur theory, the idea that directors were the authors of their films. He was one of the first to take American "B"" movie genres, such as Westerns and films noir, seriously. He waxed eloquently on the Italian neorealist movement of the late '40s and '50s and inspired the "New Wave" of French directors, many of whom wrote for the journal he founded and edited, the legendary Cahiers du Cinema. François Truffaut dedicated The 400 Blows to him.
Bazin had a keen eye for cinematic detail and technique, but was also one of the cinema's great sociologists, psychologists, and historians. Volume two of What Is Cinema? collects some of his most characteristic writings. It contains essays on the aesthetic of neorealism; individual neorealist films by Vittorio De Sica, Roberto Rossellini, and Federico Fellini; the brilliance of Charlie Chaplin; and the mythmaking qualities of the Western. The volume ends with an appreciation of the great Jean Gabin and three essays on sex in the movies, including the delightful "Entomology of the Pin-Up Girl." Bazin's essays are short, smoothly written, revelatory, and filled with remarkable insights and a profound love for his subject.
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