Wabi-Sabi: for Artists, Designers, Poets & Philosophers

Wabi-Sabi: for Artists, Designers, Poets & Philosophers
by Leonard Koren

Wabi-Sabi: for Artists, Designers, Poets & Philosophers
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Book Summary Information

Author: Leonard Koren
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-11-01
ISBN: 0981484603
Number of pages: 96
Publisher: Imperfect Publishing

Book Reviews of Wabi-Sabi: for Artists, Designers, Poets & Philosophers

Book Review: Great book for those who are already aware
Summary: 5 Stars

You cannot learn Wabi-Sabi from a book anymore than you can learn to love music from a book. Wabi-Sabi is the name the Japanese have given to this state of mind, and Zen is the means by which they arrive at it. However, it was not unknown the the Roman Emperor Marcus Aurelius. The following paragraph is taken from Book III of his Meditations:

"This also thou must observe, that whatsoever it is that naturally doth happen to things natural, hath somewhat in itself that is pleasing and delightful: as a great loaf when it is baked, some parts of it cleave as it were, and part asunder, and make the crust of it rugged and unequal, and yet those parts of it, though in some sort it be against the art and intention of baking itself, that they are thus cleft and parted, which should have been and were first made all even and uniform, they become it well nevertheless, and have a certain peculiar property, to stir the appetite. So figs are accounted fairest and ripest then, when they begin to shrink, and wither as it were. So ripe olives, when they are next to putrefaction, then are they in their proper beauty. The hanging down of grapes--the brow of a lion, the froth of a foaming wild boar, and many other like things, though by themselves considered, they are far from any beauty, yet because they happen naturally, they both are comely, and delightful; so that if a man shall with a profound mind and apprehension, consider all things in the world, even among all those things which are but mere accessories and natural appendices as it were, there will scarce appear anything unto him, wherein he will not find matter of pleasure and delight. So will he behold with as much pleasure the true rictus of wild beasts, as those which by skilful painters and other artificers are imitated. So will he be able to perceive the proper ripeness and beauty of old age, whether in man or woman: and whatsoever else it is that is beautiful and alluring in whatsoever is, with chaste and continent eyes he will soon find out and discern. Those and many other things will he discern, not credible unto every one, but unto them only who are truly and familiarly acquainted, both with nature itself, and all natural things."

If you have spent much time outdoors for love of nature, you are likely already aware of Wabi-Sabi.

If you have had youthful, mind-altering experiences by which you came to see incredible beauty in ordinary things like a weed or a rock, you are likely already aware of Wabi-Sabi.

If you are an artist who draws inspiration from the natural world, you are likely already aware of Wabi-Sabi.

A book such as this can drive away the very spirit that it is trying to invoke by trying to capture it with intellect and reductionism. However, I think this book strikes a nice balance between simply pointing-the-way (like a Zen master) and attempting to offer some explanation. The photographs are the best, and most revealing, part of the book. Read the text, but don't think on it too much.

Summary of Wabi-Sabi: for Artists, Designers, Poets & Philosophers

This is an updated version of the enduring classic that first introduced the concept of ?imperfect beauty? to the West. Text, images, and book design seamlessly meld into a wabi-sabi-like experience.

Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete . . .
. . . wabi-sabi could even be called the ?Zen of things,? as it exemplifies many of Zen?s core spiritual-philosophical tenets . . .
Wabi-sabi is the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West . . .
Wabi-sabi, in its purest, most idealized form, is precisely about the delicate traces, the faint evidence, at the borders of nothingness . . .

Author Leonard Koren was trained as an architect but never built anything?except an eccentric Japanese tea house?because he found large, permanent objects too philosophically vexing to design. Instead he created WET: The Magazine of Gourmet Bathing, one of the premier avant-garde magazines of the 1970s. Subsequently Koren has produced unusual books about design- and aesthetics-related subjects. Koren resides in both America and Japan. For more information, visit www.leonardkoren.com.

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