WEST AFRICAN AND HAITIAN INFLUENCES ON THE RITUAL AND POPULAR MUSIC OF CARRIACOU, TRINIDAD, AND CUBA.: An article from: Black Music Research Journal
by Donald R. Hill
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Book Summary Information
Author: Donald R. HillEdition: Digital
Format: HTML
Published: 1998-03-22
ISBN: N/A
Number of pages: 29
Publisher: Center For Black Music Research
Summary of WEST AFRICAN AND HAITIAN INFLUENCES ON THE RITUAL AND POPULAR MUSIC OF CARRIACOU, TRINIDAD, AND CUBA.: An article from: Black Music Research Journal
This digital document is an article from Black Music Research Journal, published by Center For Black Music Research on March 22, 1998. The length of the article is 8639 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.From the supplier: Commonalities in the music of Carriacou, Cuba and Trinidad are explored. These include themes of unity between humanity and the divine, the secular and the sacred, and between different ethnic and gender groups.
Citation Details
Title: WEST AFRICAN AND HAITIAN INFLUENCES ON THE RITUAL AND POPULAR MUSIC OF CARRIACOU, TRINIDAD, AND CUBA.
Author: Donald R. Hill
Publication: Black Music Research Journal (Refereed)
Date: March 22, 1998
Publisher: Center For Black Music Research
Page: 183
Distributed by Thomson Gale
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