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Under the Dome: A Novel by Stephen King
Book Summary InformationAuthor: Stephen King Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2009-11-10 ISBN: 1439148503 Number of pages: 1074 Publisher: Scribner
Book Reviews of Under the Dome: A NovelBook Review: 100 mph 24/7 for King's New Novel Summary: 5 Stars
100 mph 24/7 for King's New Novel
Erik Shonstrom
It's easy to dismiss Stephen King. He's big. He's popular. He's prolific. He's a populist. He's popular. He writes blood `n guts stories that get sold in airports, grocery stores, and just about anywhere the printed word makes an appearance.
But King is an interesting beast in an age when book sales are down, but publishers are printing more and more books, seeming to flail in the wilderness to find a sure thing. Meanwhile, King pumps out novels, short story collections, screen plays, and memoirs; keeps racking up sales on Amazon, and appearing on the New York Times Bestseller list, with some 350 million books sold. The question, then, is why?
King answers this most directly in his newest novel, Under the Dome. It is, as early reviews have stated, a return to form, an apocalyptic revival of the huge, multi-cast novels of the middle of King's career like The Stand. It is actually a book King started in the mid-seventies and stopped working on after 75 pages. He states in the endnotes that he "crept away from it with my tail between my legs."
King is a master of the `what if' novel. Many of his most well known novels can be summed up by that simple equation. `What if a guy and his family were caretakers at a haunted hotel?' and we get The Shining. `What if a disease wiped out most of humanity?' and we get The Stand. Or, in his most recent tome, `What if a town in Maine was suddenly surrounded by an impenetrable bubble?'
It is, granted, kind of a silly idea. The reader is immediately forced to accept this preposterous event; a town trapped in a late autumn snow globe; right from the first pages, with no explanation forthcoming. The explanation comes later; about 1000 pages later. But that cursory dig at King's plot structure doesn't do justice to what Stephen King does well in Under the Dome, and what he does well in most books.
King walks among us. Us as in America, the TV watching, strip mall shopping, contemporary American us. But he doesn't condescend, or play some everyman role of the author. He situates us firmly in the American psyche of the latter 20th early 21st century, and tells a story. And he places his characters there too, which is the driving force of his success. The characters are us, in a way that distances King from other popular contemporary big-budget novelists. Though they write about various forms of the everyman, King writes the everyman, everywoman, everykid, everymonster. He is a shape shifter, unafraid to jump into the shoes of the hero or the boogeyman. And he wears each mask plausibly well.
The characters in King's newest run the gamut. There's Big Jim Rennie, a used car salesman and second selectman in the bubble-wrapped town of Chester Mills that becomes a local tyrant, having Jesus fed visions of being the town's savior in this time of need. The hero is Dale Barbara, `Barbie,' an Iraq war vet who's drifted into town and is now stuck, with a string of ticked off local boys gunning for him. Barbie is reeling from memories of a less than friendly tour of American inquisition methods in the Persian Gulf. There are others, too; a meth-head radio DJ obsessed with religious visions; an oxycontin addicted selectwoman too drugged to stop Big Jim's megalomaniacal schemes to run the town; a tough newspaper editor committed to the truth and outing Big Jim; and a bunch of scruffy kids getting up to no good. But as cookie-cutter obvious as much of that casting is, the skill King has is in making his own universe tick to his own warped logic, so that even these celluloid characters ring shrill in the skewed plane of King's literary landscape, and are as affecting as they are affected. The characters don't ring hollow, precisely because King is of the American template, not writing about it. He is telling a story as genuinely as any other culturally based writer. What Jose Saramago is to Portuguese identity, King is to Middle America.
Under the Dome is not destined to be held up as one of King's greats, the way Carrie and The Shining often are. But it is illustrative of why King maintains such a powerful hold on the American imagination, and why he continues to remain relevant in the publishing and reading world. Why, in fact, he still matters, when many of his contemporaries do not.
King matters because he continues to write stories that meet the reader more than halfway. King doesn't ask his readers to work through his own exercise in prosody. He tells stories in the same tradition as all great story tellers. He is on a continuum with Edgar Allen Poe and Irving Washington; all just grown-large boys, telling stories by the light of a flashlight, uttering with barely suppressed giggles late at night; `Wouldn't it be freaky if...'
The book is interesting on many levels. King is no stranger to writing a novel about a town population entire, or creating whole worlds such as those in the Gunslinger series. "I like novels with generous populations," King writes in the endnotes. Epic King novels, like The Stand and It, even The Tommyknockers, have the same large scale scope. King creates a suffocating atmosphere in Under the Dome, one that is augmented by some of the fastest, and bloodiest, plotlines King has written in a while. There is no room for respite in the novel, because no matter which character the narrative switches to, they're still trapped. And so the novel begins to take on a certain urgency, as options fade and are exhausted and the reader begins to sense, as is so often the case with King's novels, that, `uh-oh, this isn't going to end well.'
And it doesn't end well, at least by King standards, though King has never been a great end-gamer. His books are about suspense, about build-up and terror. They strike the reader because he has a knack for making things worse for his characters just when the reader thinks things can't get any worse. It's all build up, and King often seems to sow his own destruction, in creating such a self-feeding vortex of suspense and violence that any ending, save the wholesale destruction of the planet, would see anticlimactic. The ending of Under the Dome may disappoint some; it may not. But with King, the Buddhist adage always applies. Path is goal; goal is path. If you aren't along for the ride, you're missing the point.
Summary of Under the Dome: A NovelOn an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when -- or if -- it will go away. Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens -- town newspaper owner Julia Shumway, a physician's assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing -- even murder -- to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn't just short. It's running out. Amazon Exclusive: Guillermo del Toro and Chuck Hogan Reviews Under the Dome
Guillermo del Toro and Chuck Hogan share their enthusiasm for Stephen King's thriller, Under the Dome. This pair of reviewers knows a thing or two about the art of crafting a great thriller. Del Toro is the Oscar-nominated director of international blockbuster films, including Pan's Labyrinth and Hellboy. Hogan is the author of several acclaimed novels, including The Standoff and Prince of Thieves, which won the International Association of Crime Writer's Dashiell Hammett Award in 2005. The two recently collaborated to write the bestselling horror novel, The Strain, the first of a proposed trilogy. Read their exclusive Amazon guest review of Under the Dome: The first thing readers might find scary about Stephen King's Under The Dome is its length. The second is the elaborate town map and list of characters at the front of the book (including "Dogs of Note"), which sometimes portends, you know, heavy lifting. Don't you believe it. Breathless pacing and effortless characterization are the hallmarks of King's best books, and here the writing is immersive, the suspense unrelenting. The pages turn so fast that your hand--or Kindle-clicking thumb--will barely be able to keep up. You Are Here. Nobody yarns a ?What if?? like Stephen King. Nobody. The implausibility of a dome sealing off an entire city--a motif seen before in pulp magazines and on comic book covers--is given the most elaborate real-life alibi by crafting details, observations, and insights that make us nod silently while we read. Promotional materials reference The Stand in comparison, but we liken Under The Dome more to King's excellent novella, The Mist: another locked-door situation on an epic scale, a tour-de-force in which external stressors bake off the civility of a small town full of dark secrets, exposing souls both very good...and very, very bad. Yes, "The Monsters Are Due on Maple Street," but there is so much more this time. The expansion of King?s diorama does not simply take a one-street fable and turn it into a town, but finds new life for old archetypes, making them morally complex and attuned to our world today. It makes them relevant and affecting once again. And the beauty of it all is that the final lesson, the great insight that is gained at the end of this draining journey, is not a righteous 1950?s sermon but an incredibly moving and simple truth. A nugget of wisdom you'll be using as soon as you turn the last page. This Is Now. Along the way, you get bravura writing, especially featuring the town kids, and a delicious death aria involving one of the most nefarious characters--who dies alone, but not really--as well as a few laugh-out-loud moments, and a cameo (of sorts) by none other than Jack Reacher. Indeed--whether during a much-needed comfort break, or a therapeutic hand-flexing--you may find yourself wondering, "Is this a horror novel? Or is it a thriller?" The answer, of course, is: Yes, yes, yes. "...the blood hits the wall like it always hits the wall." It seems impossible that, as he enters his sixth decade of publishing, the dean of dark fiction could add to his vast readership. But that is precisely what will happen...when the Dome drops. Now Go Read It. --Guillermo Del Toro and Chuck Hogan The Story Behind the Cover Click on image to enlarge The jacket concept for Under the Dome originated as an ambitious idea from the mind of Stephen King. The artwork is a combination of photographs, illustration and 3-D rendering. This is a departure from the direction of King's most recent illustrated covers.
In order to achieve the arresting image for this jacket, Scribner art director Rex Bonomelli had to seek out artists who could do a convincing job of creating a realistic portrayal of the town of Chester's Mill, the setting of the novel. Bonomelli found the perfect team of digital artists, based in South America and New York, whose cutting edge work had previously been devoted to advertisement campaigns. This was their first book jacket and an exciting venture for them. "They are used to working with the demands of corporate clients," says Bonomelli. "We gave them freedom and are thrilled with what they came up with."
The CGI (computer generated imagery) enhanced image looks more like something made for the big screen than for the page and is sure to make a lasting impact on King fans.
Meet the Characters Dale Barbara Barbie, a drifter, ex-army, walks with a burden of guilt from the time he spent in Iraq. Working as a short-order cook at Sweetbriar Rose is the closest thing he?s had to a family life. When his old commander, Colonel Cox, calls from outside, Barbie's burden becomes the town itself.
Julia Shumway The attractive Editor and Publisher of the local town newspaper, The Chester's Mill Democrat, Julia is self-assured and Republican to the core, but she is drawn to Barbie and discovers, when it matters most, that her most vulnerable moment might be her most liberating.
Jim Rennie, Sr. "Big Jim." A used car dealer with a fierce smile and no warmth, he'd given his heart to Jesus at age sixteen and had little left for his customers, his neighbors, or his dying wife and deteriorating son. The town's Second Selectman, he?s used to having things his way. He walks like a man who has spent his life kicking ass.
Joseph McClatchey Scarecrow Joe, a 13-year-old also known as "King of the Geeks" and "Skeletor, a bona fide brain whose backpack bears the legend "fight the powers that be." He?s smarter than anyone, and proves it in a crisis.
| Chester's Mill, Maine (click on image to enlarge) |
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