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The Yasukuni Swords: Rare Weapons of Japan, 1933-1945 by Tom Kishida
Book Summary InformationAuthor: Tom Kishida Translator: Kenji Mishina Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2004-10-29 ISBN: 4770027540 Number of pages: 168 Publisher: Kodansha USA
Book Reviews of The Yasukuni Swords: Rare Weapons of Japan, 1933-1945Book Review: The preservation of the art of Japanese swordsmithing Summary: 5 Stars
Few things carry the taint of Imperialism like Yasukuni Shrine. Dedicated to war dead, the shrine became a symbol for the Emperor cult of WWII Axis Japan, with Class A war criminals such as General Tojo being honored there. In modern Japan, it is a last remaining relic, after State Shinto was banned by the US occupation forces, and even today an official visit by a government official creates an uproar in the Asian nations abused by the Japanese army.
With this in mind, a book titled "The Yasukuni Swords" carries the same aura as a book titled "The Auschwitz Bayonets" or "The Mai Lai Guns." Even amongst Nihonto enthusiasts, WWII era swords were known for their inferior quality and mass production, handed off to soldiers before being sent off to slaughter. But this book, "The Yasukuni Swords: Rare Weapons of Japan 1933-1945" is not about ignominious history or garbage blades. It is about the preservation of an ancient art, rescued from oblivion. In this case, it is the end, not the means that matter.
By the time of the inauguration of the Yasukuni Forge, in 1933, there were less than 10 swordsmiths in remaining in Japan. The sword-banning act of the Meiji Restoration had almost caused the extinction of perhaps the most refined tradition of swordcraft the world has ever known. Even of the 10, only one, Gassan Sadakatsu, was able to make blades of ancient quality. The military government in power, attempting to foster their aggression with the resurrection of the samurai spirit, gathered the remaining swordsmiths at Yasukuni Shrine, and established the forge. This is their story.
Their story is fascinating indeed, as is the tale of the slow and painful resurrection of the swordsmithing art. Not only the smiths themselves, but all the accompanying crafts needed revival. The unique ore needed was in short supply, and the oral tradition of its processing was in the minds of 80-year old men. The blade polishers and the hilt wrappers all needed to be sought out and new craftsmen trained. Specific to the Yasukuni Forge, only traditional hand-craft was used, forging blades for officers and high-ranking Imperials, rather than the machine-forged blades of the common soldier during the war.
In the end, up to 200 new swordsmiths were raised from the fires of the Yasukuni Forge, ensuring the survival of Japanese swordcraft for future generations.
In addition to this fascinating history, "The Yasukuni Swords: Rare Weapons of Japan 1933-1945" catalogs the blades of that era, showing the distinct markings and techniques and rediscovery of the art. There are articles on the Yasukuni Forge from the 1940s, as well as modern essays on the blades. Photographs bring the whole history to life, and this is one of the most fascinating books I have read for some time.
Summary of The Yasukuni Swords: Rare Weapons of Japan, 1933-1945The 8,100 swords manufactured in the grounds of the Yasukuni Shrine between 1933 and 1945 are an exceptional legacy, as artifacts that preserved not only time-honored forging methods but the aesthetic and spiritual traditions of the samurai warrior.
No other weapon in the world can boast of possessing such a high spiritual quality as the Japanese sword. For over a thousand years the sword was revered as the very soul of the samurai warriors who wielded it, commanding awe, respect, and an almost religious devotion. The tumultuous events of modern Japanese history and the nation's relentless drive toward technological advancement, however, irrevocably sealed the sword's fate, and, along with the samurai class, the sword became an anachronism, both culturally and militarily.
As Japan entered a period of unprecedented Imperial expansion in the early twentieth century, the Japanese sword, despite its limited practical effect, became a feature of the soldier's arsenal-an echo of the mythical status it enjoyed in feudal times. The Yasukuni swords emerged during the build-up to World War II, in part to help meet the huge demands of the Imperial Army, but more importantly out of a desire to preserve time-honored forging methods, and to revive the spirit of the samurai. For these reasons, they were notably distinct from so-called "Showa-to," which were mass-produced and inferior in quality and artistry.
All swords were banned in the immediate aftermath of World War II, and the decades that followed have seen a decline in the popularity of Yasukuni swords, largely because of their associations with that war and the military. Another factor has been the stigma attached to Showa-to, which has helped to stereotype wartime swords in general.
Recent years, however, have seen a renewed interest in the surviving Yasukuni swords. Many collectors and appraisers have acknowledged the workmanship of these swords as displaying a perfect blend of technology and tradition, and a quality that can rival even that of the great classical smiths.
In his tribute to the Yasukuni smiths, acclaimed photographer and sword enthusiast Tom Kishida has compiled an extensive study of these rare and exceptional swords, drawing on a variety of sources to shed light on this often little-understood chapter of Japanese sword history. With his unique eye for capturing the beauty of the blades in his photographs, he has provided the reader with the most lavishly detailed book on Yasukuni swords to date. This will be an important addition to the libraries of specialists and connoisseurs, and to those who wish to deepen their understanding of these fascinating wartime weapons.
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