The World of Yesterday: An Autobiography

The World of Yesterday: An Autobiography
by Stefan Zweig

The World of Yesterday: An Autobiography
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Book Summary Information

Author: Stefan Zweig
Introduction: Harry Zohn
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1964-10-01
ISBN: 0803252242
Number of pages: 461
Publisher: University of Nebraska Press

Book Reviews of The World of Yesterday: An Autobiography

Book Review: Insecurity
Summary: 5 Stars

The world of security lurched to insecurity in Zweig's lifetime. In the secure form there were insurance schemes for every eventuality. People believed they were barricaded against fate.

The author's father, a Moravian, had been a careful capitalist, the owner of a weaving establishment. He clung to a private anonymous mode of existence. Zweig's mother was a Brettauer, a member of an international banking family. The desire to be of a good family was one of the secret desires of Jewish life. There was a tendancy there to elevate the intellectual to the highest class. The drive toward cultural ideals was particularly passionate in Vienna. Love of art was a communal duty in Vienna.

Schooling to the author was wearisome and boring. The Viennese coffee houses provided intellectual stimulation where traditional education in the gymnasium did not. The Viennese had intellectual mobility and international orientation. All the new painters, the poets, and the musicians were young.

In middle class families where early marriage was not permitted, there was inner disharmony. Theodor Herzl was the feuilleton editor of the Neue Freie Presse. When the author moved from Vienna to Berlin, Berlin was just becoming a world-class city. There was a Prussian sense of orderliness.

In subsequent sections of the book Zweig covers his experiences in Brussels and Paris. Paris stood for a freedom of existence. The inheritance of the revolution was still present. Although a German poet, Paris calls to mind Rilke. Shy and retiring, he seemed most receptive in Paris. Rilke and Zweig went together to see the grave of Andre Chenier.

At age twenty-six Zweig was not bold enough to start a novel, and people he had met inspired in him inpired high standards, hindering his productivity. Two different early plays were not put on for reason of the death of actors. Zweig became hesitant.

Walter Rathenau suggested to Zweig that he go to India. The author was shocked to see all the emaciated bodies there. He saw India as an admonition that disaster loomed. Next the author traveled to America where he experienced extreme solitude since he knew so few people. He hit upon the rather good idea of pretending to be a job applicant and was struck by all of the opportunities available.

Friendships with Freud, Verhaeren, and Romain Rolland were terribly important to Zweig. Even at the time of World War I Zweig was able to take an international view of things. By 1939 it was known that war was not romantic, it was barbaric.

After World War I Austria was a mere shadow of the imperial monarchy. There was famine. Hard money, currency, disappeared, as it was hoarded. Austria, pillaged and desperate, escaped disintegration. The years 1919, 1920, 1921 were the hardest. Gewrman inflation ended in 1924. The years 1924 to 1933 were comparatively peaceful.

The author spent a fortnight in Soviet Russia. Tolstoy's grave was magnificent. When Salzberg became the summer artistic capital, Zweig found himself in the heart of Europe. He shared the fate of the Mann brothers, Werfel, Freud, and Einstein of having his work banned after the Nazis seized power. Zweig spent 1934 to 1940 in England. He led there an anonymous life. Stefan Zweig and Elizabeth Zweig died in Brazil in 1942.

Summary of The World of Yesterday: An Autobiography

Stefan Zweig (1881?1942) was a poet, novelist, and dramatist, but it was his biographies that expressed his full genius, recreating for his international audience the Elizabethan age, the French Revolution, the great days of voyages and discoveries. In this autobiography he holds the mirror up to his own age, telling the story of a generation that "was loaded down with a burden of fate as was hardly any other in the course of history." Zweig attracted to himself the best minds and loftiest souls of his era: Freud, Yeats, Borgese, Pirandello, Gorky, Ravel, Joyce, Toscanini, Jane Addams, Anatole France, and Romain Rolland are but a few of the friends he writes about.

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