The War of the Worlds (Penguin Classics)

The War of the Worlds (Penguin Classics)
by H.G. Wells

The War of the Worlds (Penguin Classics)
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Book Summary Information

Author: H.G. Wells
Editor: Andy Sawyer
Editor: Patrick Parrinder
Introduction: Brian Aldiss
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2005-05-04
ISBN: 0141441038
Number of pages: 240
Publisher: Penguin Classics

Book Reviews of The War of the Worlds (Penguin Classics)

Book Review: Still the best telling even though time has past by some its plot points
Summary: 5 Stars

Published in 1898 and set in and around turn of the century London, the story evokes the latest that was known at the time in astronomy, mechanics, and biology. Man had not yet flown and rockets were basically for fireworks. The story has been portrayed on radio, on the movie screen, and I believe even on television. Every telling requires some updating of the story so that modern audiences can get the effect of Wells' tale from more than a century ago.

Mars was thought to have canals and that would imply a civilization. Suddenly there are huge artillery blasts. Gargantuan enough to be seen from earth. These blasts continue for several days and shortly afterward a cylinder crashes into suburban London. It is too hot to touch and nothing more is aroused than curiosity. Finally, the end of the cylinder is screwed off from the inside and exit and begin working on something unseen. The sounds of hammering and machinery tell the people something is being built, but what they do not suspect or understand. Then the craft arises and the heat ray begins laying waste to the people, buildings, and anything in their path.

There are a couple things in the story that are different from most presentations. The creatures fire a canister of a black mist that seems to be a forerunner of the chemical agents of World War I. And the creatures are powerful, but not invulnerable. The people take a couple of them out along the way, but the creatures learn and become tougher in their attacks. More canisters arrive and more machines are built as the attack grows.

The life of the citizens in late Victorian society is also so different that modern life that the details of the story are also often changed, but you can read these differences for yourself. They make for interesting reading as a window on the past. Remember, the story was quite modern when written. And the violence and destruction was quite hyper-real for its audience, but seems tame by modern standards. Have we gained or lost?

Another fact that is often lost on modern audiences is that London was the capital of an empire that spanned the entire globe and controlled 40% of the world's land mass and a similar proportion of its population. The Martians were subjugated the greatest nation on earth as if they were, well, impotent natives out in the reaches of the British Empire. This aspect was not lost on its first audience.

It is still a powerful story and reads better than most of the adaptations show. The narrator is always merely an observer and escapes with the most fortunate of circumstances, but the story lets us meet more people than we get in a movie, and all the adaptations have to leave holes where some of the problems that time has forced into the story because of modern advances make the story implausible.

Still, the Martians end up the same way in every telling and for the same reasons. It is am important plot point, but knowing what we know now, probably quite faulty for an advanced civilization deciding to come and conquer Earth. Our own knowledge of bacteria and viruses would allow us to largely protect ourselves from such things as took the Martians and I doubt we would be so foolish as to enter another world so unprepared for this issue. But the people of the story were quite happy that the Martians were so foolish.

Read this book and you will be able to better judge the adaptations.

Summary of The War of the Worlds (Penguin Classics)

Famous for the mistaken panic that ensued from Orson Welles?s 1938 radio dramatization, The War of the Worlds remains one of the most influential of all science fiction works. The night after a shooting star is seen streaking through the sky from Mars, a cylinder is discovered on Horsell Common in London. Naïve locals approach the cylinder armed just with a white flag?only to be quickly killed by an all-destroying heat ray, as terrifying tentacled invaders emerge. Soon the whole of human civilization is under threat as powerful Martians build gigantic killing machines, destroying all life in their path with black gas and burning ray. The forces of Earth, however, may prove harder to beat than they appear.

-Includes a newly established text, a full biographical essay on Wells, a list of further reading, and detailed notes
-Brian Aldiss?s introduction considers the novel?s view of religion and society


This is the granddaddy of all alien invasion stories, first published by H.G. Wells in 1898. The novel begins ominously, as the lone voice of a narrator tells readers that "No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's..."

Things then progress from a series of seemingly mundane reports about odd atmospheric disturbances taking place on Mars to the arrival of Martians just outside of London. At first the Martians seem laughable, hardly able to move in Earth's comparatively heavy gravity even enough to raise themselves out of the pit created when their spaceship landed. But soon the Martians reveal their true nature as death machines 100-feet tall rise up from the pit and begin laying waste to the surrounding land. Wells quickly moves the story from the countryside to the evacuation of London itself and the loss of all hope as England's military suffers defeat after defeat. With horror his narrator describes how the Martians suck the blood from living humans for sustenance, and how it's clear that man is not being conquered so much a corralled. --Craig E. Engler

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