The Toughest Indian in the World

The Toughest Indian in the World
by Sherman Alexie

The Toughest Indian in the World
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Book Summary Information

Author: Sherman Alexie
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2000-04-09
ISBN: 0802138004
Number of pages: 238
Publisher: Grove Press

Book Reviews of The Toughest Indian in the World

Book Review: Daring, Irreverent, and Touching
Summary: 5 Stars

Alexie's brilliant storytelling never fails to draw me in, jolt me, and make me laugh. One of Alexie's greatest talents is his ability to create dynamic, very human and very real characters, bringing them to life through realistic and often witty dialogue. They are urban Indians searching for a connection to their roots, couples straddling two cultures, and all kinds of people looking for love and solace in a complicated and sometimes lonely world. They are flawed, and one loves them all the more for it. Throughout this collection of nine short stories, these characters find themselves in situations ranging from the mundane to the ironic to the surreal: an affair amid an unsatisfying interracial marriage, a romantic encounter revealing an unexpected side of John Wayne, or an apocalyptic scenario of violence and (perhaps) cultural appropriation. In one of my favorite stories, "South by Southwest," a white man named Seymour takes off with an overweight Indian called Salmon Boy on a "nonviolent killing spree" across the West.

Alexie doesn't flinch away from taboo subjects like sex, race, and violence, but he addresses them with sensitivity and humanity. He has an uncanny knack for finding moments of tenderness in the most impossible places--mixed, perhaps, into a story about infidelity and suicide or even amid the horror of ethnic violence. This particular collection has a strong undercurrent of eroticism that daringly takes any number of forms--including adultery and homosexuality--again, always with sensitivity and nuanced emotion. Some stories deal angrily with white ignorance or injustice, usually with heavy doses of black humor. Humor mixes with a sad familial warmth in "One Good Man," in which a son scours the house for chocolate bars and Oreos his dying diabetic father has deviously hidden.

THE TOUGHEST INDIAN showcases Alexie's lyrical writing style; each story has a poetic rhythm and flow. In "One Good Man" and "Saint Junior," he achieves this poeticism through repetition: "What is an Indian?" or "I'm back." Through his masterful word craft and sweeping range of emotion, Alexie wades through this messy business of being human in ways that warm the heart, push the edges of one's comfort zone, and offer a reminder that life is best taken with a tall glass of laughter.

Summary of The Toughest Indian in the World

A beloved American writer whose books are championed by critics and readers alike, Sherman Alexie has been hailed by Time as "one of the better new novelists, Indian or otherwise." Now his acclaimed new collection, The Toughest Indian in the World, which received universal praise in hardcover, is available in paperback. In these stories, we meet the kind of American Indians we rarely see in literature -- the kind who pay their bills, hold down jobs, fall in and out of love. A Spokane Indian journalist transplanted from the reservation to the city picks up a hitchhiker, a Lummi boxer looking to take on the toughest Indian in the world. A Spokane son waits for his diabetic father to come home from the hospital, tossing out the Hershey Kisses the father has hidden all over the house. An estranged interracial couple, separated in the midst of a traffic accident, rediscover their love for each other. A white drifter holds up an International House of Pancakes, demanding a dollar per customer and someone to love, and emerges with $42 and an overweight Indian he dubs Salmon Boy. Sherman Alexie's voice is one of remarkable passion, and these stories are love stories -- between parents and children, white people and Indians, movie stars and ordinary people. Witty, tender, and fierce, The Toughest Indian in the World is a virtuoso performance by one of the country's finest writers.

Call Sherman Alexie any number of things--novelist, poet, filmmaker, thorn in the side of white liberalism--just don't call him "universal." Aside from his well-documented distaste for the word, its fuzziness misses the point. The Toughest Indian in the World, Alexie's second collection, succeeds as brilliantly as it does because of its particularity. These aren't stories about the Indian Condition; they're stories about Indians--urban and reservation, street fighters and yuppies, husbands and wives. "She understood that white people were eccentric and complicated and she only wanted to be understood as eccentric and complicated as well," thinks the Coeur d'Alene narrator of "Assimilation," who's married (unhappily) to a white man. And yet the issue of race has taken up permanent residence inside her house: the marriage survives, but it's love that's the most thorough assimilation of all.

Like The Lone Ranger and Tonto Fistfight in Heaven, much of The Toughest Indian in the World combines deft psychological realism with the kind of narrative logic more commonly found in dreams. In "South by Southwest," a white drifter finds love on a "nonviolent killing spree" with an overweight Indian he calls Salmon Boy; in "Dear John Wayne," the cowboy actor falls in love with a young Spokane woman and proves himself a charmingly feminist hero. ("Oh, sons, you're just engaging in some harmless gender play," he tells his boys when he finds them trying on lipstick.) But for every bear hibernating on top of the Catholic church, there's also a GAP-wearing, Toyota-driving urban Indian on a quest for his roots. In both realist and surrealist modes, Alexie writes incantatory prose--as well as the kind of dialogue that makes even secondary characters leap into sudden focus: "'What?' asked Wonder Horse, as simple a question as could possibly be tendered, though he made it sound as if he'd asked Where's the tumor?"

Alexie is sometimes guilty of painting his white characters with too broad a brush. (Is any anthropologist truly as obtuse as the one in "Dear John Wayne"? Could any reader really want Mary Lynn, the narrator of "Assimilation," to stay with her boorish white husband?) Yet his kind of firebrand politics still has the power to shock. A harrowing fable about whites kidnapping Indians for the medical properties of their blood, "The Sin Eaters" could be dismissed as paranoid if it weren't so hauntingly written:

On that morning, the sun rose and bloomed like blood in a glass syringe. The entire Spokane Indian Reservation and all of its people and places were clean and scrubbed. The Spokane River rose up from its bed like a man who had been healed and joyously wept all the way down to its confluence with the Columbia River. There was water everywhere: a thousand streams interrupted by makeshift waterfalls; small ponds hidden beneath a mask of thick fronds and anonymous blossoms; blankets of dew draped over the shoulders of isolated knolls. An entire civilization of insects lived in the mud puddle formed by one truck tire and a recent rain storm. The blades of grass, the narrow pine needles, and the stalks of roadside wheat were as sharp and bright as surgical tools.
It's a hard story to read, and that's only right. The Toughest Indian in the World offers so many pleasures, who could deny it the power to disturb us as well? Funny, dreamlike, heartbreaking, angry--these are stories that could have been written by no one but Sherman Alexie. --Mary Park

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