The Thirteenth Tale: A Novel
by Diane Setterfield
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Book Summary Information
Author: Diane SetterfieldBrand: Simon & Schuster Audio
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2007-10-09
ISBN: 0743298039
Number of pages: 432
Publisher: Washington Square Press
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Book Reviews of The Thirteenth Tale: A Novel
Book Review: Spellbinding!!!
Summary: 5 Stars
The "High Expectations" tag is a huge burden to carry for any book. But The thirteenth Tale does not disappoint even for a moment. I subconsciously kept waiting for the moment when I would say to myself that this book is good but not as good as I heard it was. That moment never came. In fact it was so much better than I thought it would be.
First of all, how can any book lover not love this book? With the beautiful writing and the numerous passages on libraries and books and stories and Jane Eyre, it's very difficult to disappoint. I stopped underlying phrases that caught my fancy after 20 pages. I would have ended up highlighting 50% of the book.
The Thirteenth Tale starts with a letter from a very famous author, Vida Winter to Margaret who is an amateur biographer and whose father owns an antique book store. Winter does not request but orders Margaret to come to her villa so that they can start working on her biography together. She entices Margaret with the words, `Tell me the truth`. But Margaret is skeptical. After numerous false biographies of Winter already in the market, she is not sure that she'll get to know the truth.
But she takes a chance. She reaches Vida Winter's villa and finds a frail and dying woman. As they start working towards the biography, Vida Winter spins a tale of her past. A past that is terrifying, sad and so ugly that it deserves to be kept in wraps.
The Thirteenth Tale was like a roller coaster ride. It's a gothic style mystery that will keep you turning the pages late into the night. It leaves a lot of blank spaces and doubts in your mind and you start guessing and doubting and making sense of the story with Margaret.
The only thing I didn't get was probably Margaret's obsession with her own past. I understand why her relationship with her mother is the way it is, but what I don't understand is her obsession and attachment with her twin sister whom she has never even seen. Another thing was that I thought Vida's Winter's story was purposely told in a scandalous way. The thing that Margaret discovers at the end should ideally be told with the main story itself. I don't see how you can omit that. But then that's how Vida Winters character was like. She was a storyteller and she told the story in the most interesting and haunting way she could. That's the only explanation I could come up with.
My favorite character though was neither Margaret nor Ms. Winter. It was Aurelius, the baking giant. He was the one whom I felt most sympathy for and I was definitely satisfied with the ending that the author gave him.
Favorite passages: (without spoilers)
I read old novels. The reason is simple: I prefer proper endings. Marriages and deaths, noble sacrifices and miraculous restorations, tragic separations and unhoped-for reunions, great falls and dreams fulfilled; these, in my view, constitute an ending worth the wait. They should come after adventures, perils, dangers and dilemmas, and wind everything up nice and neatly. Endings like this are to be found more commonly in old novels than new ones, so I read old novels.
There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce your skin, enter your blood, numb your thoughts. Inside you they work their magic.
My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth, at midnight, in the dark, when the wind is roaring like a bear in the chimney? When the lightning strikes shadows on the bedroom wall and the rain taps at the window with its long fingernails? No. When fear and cold make a statue of you in your bed, don't expect hard-boned and fleshless truth to come running to your aid. What you need are the plump comforts of a story. The soothing, rocking safety of a lie.
Our lives are so important to us that we tend to think the story of them begins with our birth. First there was nothing, then I was born...Yet that is not so. Human lives are not pieces of string that can be separated out from a knot of others and laid out straight. Families are webs. Impossible to touch one part of it without setting the rest vibrating. Impossible to understand one part without having a sense of the whole.
Summary of The Thirteenth Tale: A Novel
Sometimes, when you open the door to the past, what you confront is your destiny.Reclusive author Vida Winter, famous for her collection of twelve enchanting stories, has spent the past six decades penning a series of alternate lives for herself. Now old and ailing, she is ready to reveal the truth about her extraordinary existence and the violent and tragic past she has kept secret for so long. Calling on Margaret Lea, a young biographer troubled by her own painful history, Vida disinters the life she meant to bury for good. Margaret is mesmerized by the author's tale of gothic strangeness -- featuring the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess,a topiary garden and a devastating fire. Together, Margaret and Vida confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.
Settle down to enjoy a rousing good ghost story with Diane Setterfield's debut novel, The Thirteenth Tale. Setterfield has rejuvenated the genre with this closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths. She never cheats by pulling a rabbit out of a hat; this atmospheric story hangs together perfectly.
There are two heroines here: Vida Winter, a famous author, whose life story is coming to an end, and Margaret Lea, a young, unworldly, bookish girl who is a bookseller in her father's shop. Vida has been confounding her biographers and fans for years by giving everybody a different version of her life, each time swearing it's the truth. Because of a biography that Margaret has written about brothers, Vida chooses Margaret to tell her story, all of it, for the first time. At their initial meeting, the conversation begins:
"You have given nineteen different versions of your life story to journalists in the last two years alone."
She [Vida] shrugged. "It's my profession. I'm a storyteller."
"I am a biographer, I work with facts."
The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan. The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan
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