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The Thirteenth Tale by Diane Setterfield
Book Summary InformationAuthor: Diane Setterfield Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Format: Deckle Edge Published: 2006-09-12 ISBN: 0743298020 Number of pages: 416 Publisher: Atria Books
Book Reviews of The Thirteenth TaleBook Review: a praising, non-spoiler review Summary: 5 Stars
It is a dark and stormy night as I write this. Or, to be more accurate, a dark and stormy morning. The weather reflects the exquisite melancholy that has settled itself upon me at the completion of The Thirteenth Tale. Diane Setterfield's debut novel is one of those all-too-rare stories that gets under your skin, that grabs hold of your imagination with both hands and won't let go.
I have cherised the reading of this book over the last week. All other books were set aside. When I wasn't reading The Thirteenth Tale, I was thinking about it, remembering it. I looked forward to those stolen moments when I might be able to read but a few pages as much as I did those hours that I could devote to the tale. I hung on every word and savored The Thirteenth Tale as one would a well-prepared meal. And now it has ended and, contrary to my normal habits I am not anxious to pick up the next story. I am not yet ready to move on.
To put it plainly, The Thirteenth Tale was bound to fail. It had to overcome the weight of considerable expectations. It seemed that everywhere I turned prior to its release someone or some thing was inducing me to buy this book. Comparisons to Daphne du Maurier's Rebecca only served to heighten those expectations. And as I stood in the bookstore holding this beautiful volume in my hands (raised letter dust jacket with an image to make a book lover swoon, serrated pages that smelled of new paper and fresh ink, gold embossed designs on the spine of the book itself) my expectations were at a fever pitch.
As I read those first pages I was nervous. Diane Setterfield was obviously attempting to speak with the voice of her gothic ancestors a century or more gone. A few of the initial sentences worried me. This style of writing seems always to be balanced on the edge of a precipice...one sentence fragment too many will tip it over that edge. I needn't have been concerned. Within a few pages it was apparent that Setterfield was a skilled performer. And really, if you think about it, she had an ace up her sleeve. Her protagonist, Margaret Lea, is a book lover. Sentences like:
"There is something about words. In expert hands, manipulated deftly, they take you prisoner. Wind themselves around your limbs like spider silk, and when you are so enthralled you cannot move, they pierce you skin, enter your blood, numb your thoughts. Inside you they work their magic."
and
"I still believe in stories. I still forget myself when I am in the middle of a good book."
could be mantras for those of us who have shared our love of books of late. With the kindred spirit of the bibliophile I was willing and anxious to follow Margaret on her adventure. And what an adventure it was.
As I indicated at the beginning I will not spoil any part of the story for you. Simply put, The Thirteenth Tale is a grand novel in the gothic tradition. If you have read the book jacket you know that the story features a ghost, a grand old house, and family secrets. The novel allows us to witness the act of one person telling their story to another and in those moments Diane Setterfield's writing transports you to the very side of this storyteller, making you feel like the story is being told you and you alone. A delicious air of suspense pervades this story in both its revelation of the nature of evil and in its resolution of the various plot threads that are skillfully woven together by Setterfield.
The back inside flap of the book jacket promises that Setterfield will, "in the end, deposit you breathless yet satisfied back upon the shore of your everyday life". She keeps her promise.
Summary of The Thirteenth Tale When Margaret Lea opened the door to the past, what she confronted was her destiny. All children mythologize their birth. . . . So begins the prologue of reclusive author Vida Winter's beloved collection of stories, long famous for the mystery of the missing thirteenth tale. The enigmatic Winter has always kept her violent and tragic past a secret. Now old and ailing, she summons a biographer to tell the truth about her extraordinary life: Margaret Lea, a young woman for whom the secret of her own birth remains an ever-present pain. Disinterring the life she meant to bury for good, Vida mesmerizes Margaret with the power of her storytelling. Hers is a tale of gothic strangeness, featuring the Angelfield family -- including the beautiful and willful Isabelle, and the feral twins Adeline and Emmeline -- a ghost, a governess, and a devastating fire. Struck by a curious parallel between their stories, Margaret demands the truth from Vida, and together they confront the ghosts that have haunted them. The Thirteenth Tale is a return to that rich vein of storytelling that our parents loved and we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter, and in the end, deposit you breathless yet satisfied back upon the shore of your everyday life. Settle down to enjoy a rousing good ghost story with Diane Setterfield's debut novel, The Thirteenth Tale. Setterfield has rejuvenated the genre with this closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths. She never cheats by pulling a rabbit out of a hat; this atmospheric story hangs together perfectly. There are two heroines here: Vida Winter, a famous author, whose life story is coming to an end, and Margaret Lea, a young, unworldly, bookish girl who is a bookseller in her father's shop. Vida has been confounding her biographers and fans for years by giving everybody a different version of her life, each time swearing it's the truth. Because of a biography that Margaret has written about brothers, Vida chooses Margaret to tell her story, all of it, for the first time. At their initial meeting, the conversation begins: "You have given nineteen different versions of your life story to journalists in the last two years alone." She [Vida] shrugged. "It's my profession. I'm a storyteller." "I am a biographer, I work with facts." The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan. The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan
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