The Studio

The Studio
by John Gregory Dunne

The Studio
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Book Summary Information

Author: John Gregory Dunne
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1998-04-14
ISBN: 0375700080
Number of pages: 272
Publisher: Vintage

Book Reviews of The Studio

Book Review: Inside the insider's view of a major Hollywood Studio
Summary: 5 Stars

This is a terribly funny and telling documentary. Mr. Dunne, who had a considerable reputation and experience as a screenwriter, somehow convinced the powers at Twentieth Century Fox to give him carte blanche and complete access to every peculiar nook and sneaky cranny at the studio. Sitting in on major meetings with the Zanucks,writers, producers, agents, stars, attending gala openings and hanging about sets, Dunne was the ultimate fly-on-the-wall. The movies in production during the year (1967)he spent soaking up this rarified atmosphere included "Dr. Doolittle," "Star," and "Hello Dolly," which means we get great dish on Rex Harrison, Barbra Streisand, Anthony Newley, Gene Kelly and Walter Matthau, to name only a few.

The stories are told in a droll, straight-ahead manner, which makes the gags even funnier. One can scarcely believe the kinds of things that Hollywood Heavies utter, apparently unashamed and on a fairly regular basis.

For the record, Mr. Dunne, also the author of a number of first-rate novels, was the late husband of writer Joan Didion, whose current memoir about dealing with his death - "The Year of Magical Thinking" - is deservedly at the top of the charts these days.

Summary of The Studio

In 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business.

Whether he is recounting a showdown between Fox's studio head and two suave shark-like agents, watching a producer's girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype. Not since F. Scott Fitzgerald and Nathanael West has anyone done Hollywood better.

"Reads as racily as a novel...(Dunne) has a novelist's ear for speech and eye for revealing detail...Anyone who has tiptoed along those corridors of power is bound to say that Dunne's impressionism rings true."--Los Angeles Times

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