The Stranger

The Stranger
by Albert Camus

The Stranger
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Book Summary Information

Author: Albert Camus
Translator: Matthew Ward
Edition: Paperback
Published: 1989-03-13
ISBN: 0679720200
Number of pages: 144
Publisher: Vintage

Book Reviews of The Stranger

Book Review: Undeniably interesting...
Summary: 5 Stars

Camus was well known for defending values of justice, freedom and human dignity, I don't think his great work "the stranger" was a negative portrayal of human life in any way. The stranger is simply Camus' way of presenting his philosophy of absurdity in a very artistic, logical way.

Camus's absurdist philosophy implies that life has no rational meaning, and there isn't a rational reason for the order of events in this world, therefore existence itself is absurd, which of course would contradict all religious beliefs that there is a divine reason for everything that happens and that life itself is divine. However, Camus in pursuit of his absurdist philosophy never believed that the absence of meaning in our lives should push humans into despair and agony, rather he believed in humans dignity under the pressure of this indifferent world.

The stranger, or the main character of the novel: Meursault, who lived in Algiers, (Algiers was a French colony, Albert Camus was born there) is an emotionally indifferent person, who moves through life reacting to no event, even his mother's death. Meursault doesn't believe in God and doesn't have any emotional attachment to anything or anybody. Meursault on the other hand is an honest person who doesn't lie about his feelings and tells it as he sees it; he's simply a person with no hidden agendas and no mysterious motives.

Meursault's life exists as a series of random events with seemingly no logic to why or when the event occur, not even his marriage decision or the support that he gives to certain friends seem logical. For no clear motive or reason, Meursault commits a murder and is taken to prison. The trial that takes place in the second part of the book is the most intense and mentally engaging part of Camus' stranger.

The main focus of the trial shifts radically from the murder to an analysis of Meursault's character: his atheism, his lack of emotions at his mom's funeral, his brief interactions with people he met at his mom's funeral and even his conversation with the priest who came to prison to redeem Meursault and ask him to take Jesus as his savior. The court is trying to find the reason behind this irrational crime, just like society and religion are trying to find reason behind irrational events of life.

Meursault is sentenced to death and pressured again by the priest to choose religion before he dies. At this point, Meursault, who was never emotional about any thing in his life, becomes very emotional about his rejection of religion and accepts death as the only destiny awaiting all humans. Getting rid of all hope, and accepting death was the only conclusion that allowed Meursault his inner peace.

At a time of intense intellectual confusion after the second world war, Camus is not to be blamed for thinking that existence was absurd, at a time where lives are being lost for no reason and religion was being misused all over the world for political ,controlling, and non spiritual reasons. If the reader is interested in philosophy, religion, or literature, the stranger is a fascinating journey into the human mind and an exploration of life's purpose.

Summary of The Stranger

The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.

The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial's proceedings are absurd, a parsing of incidental trivialities--that Meursault, for instance, seemed unmoved by his own mother's death and then attended a comic movie the evening after her funeral are two ostensibly damning facts--so that the eventual sentence the jury issues is both ridiculous and inevitable.

Meursault remains a cipher nearly to the story's end--dispassionate, clinical, disengaged from his own emotions. "She wanted to know if I loved her," he says of his girlfriend. "I answered the same way I had the last time, that it didn't mean anything but that I probably didn't." There's a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It's undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with "the gentle indifference of the world" remains as compelling as it was when Camus first recounted it. --Ben Guterson


Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in 1946; now in a new translation by Matthew Ward.

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