The Siege of Krishnapur (New York Review Books Classics)

The Siege of Krishnapur (New York Review Books Classics)
by J.G. Farrell

The Siege of Krishnapur (New York Review Books Classics)
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Book Summary Information

Author: J.G. Farrell
Introduction: Pankaj Mishra
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2004-07-31
ISBN: 159017092X
Number of pages: 376
Publisher: NYRB Classics

Book Reviews of The Siege of Krishnapur (New York Review Books Classics)

Book Review: A great, thought-provoking, and strange historical fiction
Summary: 5 Stars

Count me among the enthusiastic fans of this great novel, many of whom have already submitted reviews in this forum. I am grateful for their enthusiasm and passion. The earlier reviews persuaded me to buy the book. I bought and listened to the marvelous recording of the novel by Sam Dastor, an actor and reader previously unknown to me.

Nearly all of the narrative takes place during the Indian Mutiny (1857). The events are based loosely on the siege of Lucknow, a terrible and famous conflict between rebelling Indian troops, on the one hand, and British civilians, active and retired British troops, and a small number of Indian soldiers who remained loyal to the British, on the other. The events are related primarily from the point of view of besieged British civilians. The narrative begins a few weeks before the onset of the Mutiny, and the reader initially glimpses the mindset of British civilians, both old hands and new visitors to the subcontinent, when British power was thought to be unchallenged. Of course, British civilians and troops and the Indians who felt some loyalty to the British were comparatively few. There were over 150 million people in India at the time of the mutiny, and British citizens and Indian loyalists probably accounted for a small fraction of one percent of that number. Before the mutiny, the British in India constituted a well-established and confident community with a history that already stretched back a century. They were used to being in charge, and they had very little knowledge of, much less appreciation of, the lives and interests of the natives. The "Siege of Krishnapur" shows the un-doing and utter demoralization of the British community in one provincial capital.

Strange to say, even though the narrative covers many terrible events, all of which are vividly rendered from the point of view of upper middle class Britons, the book may be legitimately classed a comedy. It is very funny, and in some sense it has [SPOILER ALERT!] a happy ending. The story is told through the consciousness of about a half dozen old India hands or recent arrivals in the country. The personalities and idiosyncrasies of these Britons are distinct, believable, and more than slightly comic. Even the saner of the major characters harbor prejudices that readers may nowadays find either bizarre or offensive, but certainly comical. Yet even under the pressure of a long, unnerving, and awful siege most of these characters remain true to their original conception of themselves. Notwithstanding his ironical and somewhat mocking attitude towards his main characters, J.G. Farrell gives us a convincing portrait of a community that has the grit, character, cleverness, and possibly the foolishness to withstand the onslaught of a much larger and better equipped (though worse led) opposing force. The genius of the book is its detached and ironical view of the British community in India (and its illusions and self-deceptions) and the undoubted courage of this community in defending itself and its somewhat ridiculous mission.

Since I am not an expert on Victorian Britain, it is hard for me to judge the accuracy of the book's portrait of the characters' intellectual beliefs. The events take place in the year Dickens completed "Little Dorrit" and "A Christmas Carol" and Trollope published "Barchester Towers." The intellectual preoccupations of characters in "Siege of Krishnapur" are hardly the same as those in the three Victorian novels, but neither are they the same as those of Britons today or in the year "Krishnapur" was published (1973). On the whole, I find Farrell's portraits credible. A couple of characters have a fervent belief in material progress (and the indispensable role of Britain in bringing progress to the dark parts of the world), another is infused with intense but murky romanticism, and still another has comical belligerency toward any sentiment that smacks of opposition to Victorian Christian doctrine. Not one Briton, regardless of his or her attitude toward progress or religious doctrine, gives a moment's thought to the views or experiences of Indians. Amusingly, this is just as true when the siege is over (and the sepoys have almost succeeded in destroying the British community) as it was at the beginning, when British rule was uncontested.

According to L.P. Hartley, "The past is another country; they do things differently there." It is never easy to show convincingly *how* they did things differently. This great novel succeeds, and it does so comically and movingly. It is well worth reading.


Summary of The Siege of Krishnapur (New York Review Books Classics)

Winner of The Booker Prize.

 

India, 1857?the year of the Great Mutiny, when Muslim soldiers turned in bloody rebellion on their British overlords. This time of convulsion is the subject of J. G. Farrell's The Siege of Krishnapur, widely considered one of the finest British novels of the last fifty years.

 

Farrell's story is set in an isolated Victorian outpost on the subcontinent. Rumors of strife filter in from afar, and yet the members of the colonial community remain confident of their military and, above all, moral superiority. But when they find themselves under actual siege, the true character of their dominion?at once brutal, blundering, and wistful?is soon revealed. The Siege of Krishnapur is a companion to Troubles, about the Easter 1916 rebellion in Ireland, and The Singapore Grip, which takes place just before World War II, as the sun begins to set upon the British Empire. Together these three novels offer an unequaled picture of the follies of empire.


"The first sign of trouble at Krishnapur came with a mysterious distribution of chapatis, made of coarse flour and about the size and thickness of a biscuit; towards the end of February 1857, they swept the countryside like an epidemic."

Students of history will recognize 1857 as the year of the Sepoy rebellion in India--an uprising of native soldiers against the British, brought on by Hindu and Muslim recruits' belief that the rifle cartridges they were provided had been greased with pig or cow fat. This seminal event in Anglo-Indian relations provides the backdrop for J.G. Farrell's Booker Prize-winning exploration of race, culture, and class, The Siege of Krishnapur.

Like the mysteriously appearing chapatis, life in British India seems, on the surface, innocuous enough. Farrell introduces us gradually to a large cast of characters as he paints a vivid portrait of the Victorians' daily routines that are accompanied by heat, boredom, class consciousness, and the pursuit of genteel pastimes intended for cooler climates. Even the siege begins slowly, with disquieting news of massacres in cities far away. When Krishnapur itself is finally attacked, the Europeans withdraw inside the grounds of the Residency where very soon conditions begin to deteriorate: food and water run out, disease is rampant, people begin to go a little mad. Soon the very proper British are reduced to eating insects and consorting across class lines. Farrell's descriptions of life inside the Residency are simultaneously horrifying and blackly humorous. The siege, for example, is conducted under the avid eyes of the local populace, who clearly anticipate an enjoyable massacre and thus arrive every morning laden with picnic lunches (plainly visible to the starving Europeans). By turns witty and compassionate, The Siege of Krishnapur comprises the best of all fictional worlds: unforgettable characters, an epic adventure, and at its heart a cultural clash for the ages. Quite simply, this is a splendid novel. --Alix Wilber

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