The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life

The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life
by Richard Florida

The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life
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Book Summary Information

Author: Richard Florida
Edition: Paperback
Audio: English (Published)
Format: Bargain Price
Published: 2004-01
ISBN: N/A
Number of pages: 434
Publisher: Basic Books

Book Reviews of The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life

Book Review: A Compelling Thesis, but a Sometimes Frustrating Read
Summary: 3 Stars

A local newspaper just reported that Microsoft will be opening an Innovation Center here in Boston.

Having just finished Richard Florida's Rise of the Creative Class, I found the news to make a lot of sense.

In this book, Florida lays out snapshots of economic patterns, developments and innovations throughout history and then attempts to tie them all together into an arch thesis. He sees most of the economic power, and indeed the power to to form the way we work today, shifting to a class of innovative-minded, usually educated, creative workers.

Mobile, intense and diverse; the creative class, Florida points out, tends to cluster geographically around innovative centers. But unlike some long held beliefs would have it, (beliefs that still influence much public and urban economic policy,) "creatives" aren't attracted by larger capital projects like suburban industrial parks. Instead they like to live in, or close by, locations that have creative enviroments influenced by thing such as tolerance, talent and technology. (Florida calls these the 3 T's.)

Florida has a palpable despair when he talks about his adopted hometown of Pittsburg, PA. Here is a city, he tells us, that still doesn't get it. Despite many traditional urban policy efforts, that city continues its decline from a once vaunted status as an innovative center, where new methods of steel production made it an economic powerhouse. Meanwhile, a city like Austin, Texas is able to attract the most innovative young Americans and spawn startups and companies that are powering the new economy. Examining differences like these provides both the starting point and the heart of Florida's argument.

The book constructs a very compelling narrative, which feels, in some ways incomplete; it makes sense that the author has gone on to write several other books to elaborate and track his thesis as our times change.

The major problem Florida encounters, (mentioned in other reviews, and which I will second here,) is just how to define his "creative class." Who is in it? While he does segment this class into two distinct categories, sometimes it is tough to follow. At one point he seems to be saying that everybody is in the creative class because everybody is creative.

The book is easy to read, but perhaps not easy enough. What I mean is that Florida writes in very simple, understandable prose, (almost too simple at times; the most interesting passageas are quotes cited from other authors) but the overall structure of the book seems a little off. He will sometimes lead with pages of dry, statistical information, and then follow up with a narrative or colorful example. While this seems like a logical way to construct the argument, (lay out the evidence and then nail it home,) sometimes it can make for a frustrating reading experience.

Overall, Florida's book has somewhat of an identity crisis: Current Affairs/Economic Policy Paper/Self-Help/Journal Article/Memoir/Powerpoint Presentation. He intends the book for anybody, but he knows that he is dealing with statistical and economic models that may be too much for the average reader. He thinks the stories and observations bring home his point better than the data, but is concerned that critics, and even readers, may think he is centering his thesis on anecdotal evidence.

Reading the book is necessary if you are going to develop an opinion on the policy suggestions Florida is inspiring all over the country. For example, Massachusetts just appointed, in their Business Development Office, a Creative Economy Director. A superficial synopsis of the ideas presented in Rise of the Creative Class tends to betray the larger and more complicated development issues with which the author is concerned.

The book will keep you thinking for a long time afterwards.

Summary of The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life

Many writers have commented on the massive social changes of the past few decades, but most of them have treated these shifts as something imposed on us, by technology or the marketplace. This is wrong, says Richard Florida: we've chosen to alter our values, work, and lifestyle, and for good economic reasons. Why have we done this?Florida finds the answer in the rise of a new social class. Like other classes, its basis is economic. Just as the feudal aristocracy derived its identity and values from its hereditary control of land and people, and the bourgeoisie derived its identity and values from its role as merchants of goods, the Creative Class derives its identity and values from its role as purveyors of creativity. When we see ourselves as "creative," our self-image affects the choices we make in every area of our lives.Based on a massive body of research, The Rise of the Creative Class chronicles the ongoing sea-change in people's choices and attitudes, and shows not only what's happening but also how it stems from a fundamental economic change. The Creative Class now comprises nearly forty million Americans, or more than 25% of all employed people. The choices these people make have already had a huge economic impact, and in the future they will determine how the workplace is organized, what companies will prosper or go bankrupt, and even which cities will thrive or wither.
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