The Portable Dorothy Parker
by Dorothy Parker
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Book Summary Information
Author: Dorothy ParkerIntroduction: Brendan Gill
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1976-12-09
ISBN: 0140150749
Number of pages: 640
Publisher: Penguin (Non-Classics)
Book Reviews of The Portable Dorothy Parker
Book Review: Sardonic Wit, Whimsy and Heart
Summary: 5 Stars
Lips that taste of tears, they say,
Are the best for kissing. ~Dorothy Parker
Dorothy Parker died the year I was born and yet she seems like a modern writer you'd like to meet and talk to for hours. While she lived a troubled life she is a fascinating study. While in France she became friends with Earnest Hemingway and soon thereafter published her first book of poetry, "Enough Rope." She writes about her friendship with Earnest in the Uncollected Articles section.
Of all her writing, her poems strike me as her true self. She reveals so much in her poetry and many times her feelings reach new levels of desperation. She doesn't seem to find as many beautiful moments as Anais Nin, but then again she manages to continue the struggle of life without taking her life in a river like Virginia Woolf.
The true irony of her life is that she dies of natural causes after spending a life embraced in a dream of death. When she wishes people were dead, it might be because she sees death as some beautiful way to escape reality.
The memorable short stories make extended points about human nature and page 48 is an especially good example of a page dripping heavily with sardonic wit. Where did all this angst come from? She is a woman living in a time where she cannot always speak her mind and she is deeply frustrated in many of her "internal dialogue" confessions.
When given the choice between creating and curing, she seems to create from a place of deep emotional pain. She seems to fall into similar patterns and actually seems to revel the idea of: "I wore my heart like a wet, red stain on the breast of a velvet gown."
Dorothy Parker's poems seem to be more of her desire to break free from the brutal revelation of life. She has a typical love-hate relationship with men and is an astute observer of cultural trends. I have a feeling she wrote many of her poems while she was in a manic state of some sort because she reveals so many of her feelings and comments so deeply on her life experience. The first few lines of "Wisdom," show her frustration.
This I say, and this I know:
Love has seen the last of me.
Love's a trodden lane to woe,
Love's a path to misery.
She seems to be having a bipolar diatribe during the story of the Telephone Call. Her mean streak can be a bit shocking at times, but she does love rain and has other sensitive qualities which seem to balance this more sarcastic and vindictive side of her personality.
Dorothy Parker wrote reviews under the title "The Constant Reader." There are quite a few reviews from The New Yorker. She reviews The Journal of Katherine Mansfield and We Have Always Lived in a Castle by Shirley Jackson. I enjoyed her conversational style and the way she thinks through her writing while she writes. It is as if you are observing the entire thought process. You can read her thoughts about Oscar Wilde's An Ideal Husband from Vanity Fair.
One of my friends reads me Hemingway and I read him Dorothy Parker poems. It is a friendship made in heaven. He also knows all about Dorothy Parker and the Algonquin Round Table and has lists of books for me to read. This book is my first Dorothy Parker experience and I found many poems that I loved and quotes that are definitely collectable. This is an enjoyable introduction to Dorothy Parker that may end up with many highlighted pages.
You may also enjoy reading: Touched with Fire: Manic-Depressive Illness and the Artistic Temperament
~The Rebecca Review
Summary of The Portable Dorothy Parker
Before there was Fran Leibowitz, there was Dorothy Parker. Before there was practically anyone, there was Dorothy Parker. When it comes to expressing the pleasure and pain of being just a touch too smart to be happy, she's winner and still champion after all these years. Along with Robert Benchley, Alexander Woollcott, and the rest of the Algonquin Round Table, she dominated American pop lit in the '20s and '30s; like Ginger Rogers, she did it all backwards. Parker's held up well--maybe the best of all of them.This book is essential for any Parker fan, and an excellent way for new readers to make her acquaintance. It reprints her finest short stories and poems, some later articles, and all of her excellent "Constant Reader" book reviews from the Depression-era glory days of the New Yorker. The poetry, always light, has become brittle, sorry to say. But you've only to pick any story to be reminded that no middle-distance writer was better than Parker at her best.
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