The Pop, Rock, and Soul Reader: Histories and Debates

The Pop, Rock, and Soul Reader: Histories and Debates

The Pop, Rock, and Soul Reader: Histories and Debates
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Book Summary Information

Editor: David Brackett
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-11-12
ISBN: 0195365933
Number of pages: 574
Publisher: Oxford University Press, USA

Book Reviews of The Pop, Rock, and Soul Reader: Histories and Debates

Book Review: Hard to Beat
Summary: 4 Stars

This book does a shockingly good job of covering the whole 20th century in music. If there's one gap that could be filled, I wish the author had added more of himself. Choosing to view his task as being more of an editor than an author, he provides a minimum of connective material, just enough to tie things together. Tell us more, David!

Summary of The Pop, Rock, and Soul Reader: Histories and Debates

The Pop, Rock, and Soul Reader: Histories and Debates, Second Edition, traces the evolution of diverse streams of American popular music from the 1920s to the present. In this richly textured anthology, well-known scholar David Brackett brings together more than 100 readings from a wide range of sources and by writers who have played an integral part in the development of popular music criticism. Brackett includes articles from mainstream and specialized magazines, newspapers, and scholarly journals, as well as interviews and autobiographies of musicians and other music industry insiders. Organized into broad time periods, the chapters are divided into sections by genre, and these sections are organized chronologically. The chapter divisions parallel those found most frequently in textbooks on popular music.
Representing a wide variety of time periods, styles, and genres--and including groundbreaking criticism on disco, hip-hop, rap, and techno--the selections introduce students to important social and cultural issues raised by the study of popular music. Topics covered include the role of race, class conflict, gender roles, regional differences in the reception of popular music, and the relative value of artistry versus commerce. Extensive editorial introductions and headnotes supply context for the selections, provide links between different eras and genres, clarify the issues raised by the documents, and explain their historical significance. The second edition of this captivating anthology features eleven new source readings and introductions, further reading and discography selections for each chapter, and a companion website containing student and instructor resources.

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