The Picture of Dorian Gray (Barnes & Noble Classics Series)
by Oscar Wilde
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Book Summary Information
Author: Oscar WildeIntroduction: Camille Cauti
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2003-05-01
ISBN: 1593080255
Number of pages: 288
Publisher: Barnes & Noble Classics
Product features:
- ISBN13: 9781593080259
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
- Click here to view our Condition Guide and Shipping Prices
Book Reviews of The Picture of Dorian Gray (Barnes & Noble Classics Series)
Book Review: Beauty is skin deep, but vanity goes to the heart
Summary: 4 Stars
Dorian Gray is an exceptionally handsome young man, but when he sees his portrait and realizes his own beauty he wishes that the painting would grow old while he could remain young. At first he is mortified when he finds changes in his painted image, but influenced by a friend Dorian begins to seek the pleasures in life. No matter what depths he sinks to his handsome face remains unchanged, while the portrait grows uglier and more hideous, burdened not only by age but by his debauched lifestyle.
I don't know if this work of literature is as widely read as it maybe once was but I was quite taken in by the story. It's interesting that Dorian, instead of using the portrait as a type of conscience to correct his actions, instead takes strange delight in observing the change. He revels in his freedom from outward consequences and digs deeper, delving into every pleasure. In some ways the separate manifestations of the individual reminded me of Dr. Jekyll and Mr. Hyde, while his recognition of his outward appeal and how it would fade seemed to have shades of Bradbury's Dandelion Wine. And the character of Lord Henry is interesting, always in the background congratulating him and encouraging Dorian's sensual hedonism. But it's also a critique of society, both Victorian and today: we spend our time and money trying to reverse the effects of age (the gym, cosmetics and cosmetic surgery, etc.); companies spend billions idealizing (or idolizing) "youth"; and some even even seek to excuse away weakness and place blame elsewhere. In all, it may not be a perfect story but it's very interesting and thought-provoking.
Summary of The Picture of Dorian Gray (Barnes & Noble Classics Series)
The Picture of Dorian Gray, by Oscar Wilde, is part of the Barnes & Noble Classics?series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences-biographical, historical, and literary-to enrich each reader's understanding of these enduring works.
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Oscar Wilde brings his enormous gifts for astute social observation and sparkling prose to The Picture of Dorian Gray, his dreamlike story of a young man who sells his soul for eternal youth and beauty. This dandy, who remains forever unchanged-petulant, hedonistic, vain, and amoral-while a painting of him ages and grows increasingly hideous with the years, has been horrifying, enchanting, obsessing, even corrupting readers for more than a hundred years.
Taking the reader in and out of London drawing rooms, to the heights of aestheticism, and to the depths of decadence, The Picture of Dorian Gray is not only a melodrama about moral corruption. Laced with bon mots and vivid depictions of upper-class refinement, it is also a fascinating look at the milieu of Wilde's fin-de-si?cle world and a manifesto of the creed "Art for Art's Sake."
The ever-quotable Wilde, who once delighted London with his scintillating plays, scandalized readers with this, his only novel. Upon publication, Dorian was condemned as dangerous, poisonous, stupid, vulgar, and immoral, and Wilde as a "driveling pedant." The novel, in fact, was used against Wilde at his much-publicized trials for "gross indecency," which led to his imprisonment and exile on the European continent. Even so, The Picture of Dorian Gray firmly established Wilde as one of the great voices of the Aesthetic movement, and endures as a classic that is as timeless as its hero.
Camille Cauti, Ph.D., is an editor and literary critic who lives in New York City. She is a specialist in the Catholic conversion trend among members of the avant-garde in London in the 1890s.
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."
Wilde, Oscar Books
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