The Photograph as Contemporary Art (World of Art)

The Photograph as Contemporary Art (World of Art)
by Charlotte Cotton

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Book Summary Information

Author: Charlotte Cotton
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2004-10
ISBN: 0500203806
Number of pages: 224
Publisher: Thames & Hudson

Book Reviews of The Photograph as Contemporary Art (World of Art)

Book Review: A Good Survey
Summary: 5 Stars

I am a photographer. I also live in New York City where I wander through art galleries displaying photographs with which I have a hard time coming to grips. Charlotte Cotton's book seemed to be aimed right at me.

What distinguishes a contemporary art photograph from other beautiful photographs is not always clear, but like Supreme Court Justice Stewart, I know it when I see it. From what the author suggests, it may be that contemporary art photography is less concerned with the form and more with the content, and that viewers are meant to be semiologists decoding what a photograph stands for.

Cotton begins her book with an introduction that includes a taxonomy of contemporary art photography, and to the extent that classifying an object helps us to know and understand it, the introduction alone justifies the book. Surprisingly, rather than look at style or subject matter, she organizes the book based upon the photographers' motivations and working practices. For example one of the classes is pictures of events that have been specifically organized to be photographed while another is pictures that aim to reproduce or refer back to something in the history of photography and other arts.

Each of the classes is allocated a chapter, and allocates a paragraph each to the work several artists, along with a representative photograph. Cotton explains how the photograph fits into the genre and explains something of the meaning of the work. Most of the photographs are just large enough to provide some appreciation of the work and the explanations are as concise as possible.

The book is meant to be a survey and so is more useful for providing a framework for understanding the overall categories than appreciating any individual picture. It should also be noted that the book does not cover a great deal of recent popular photography like the works of Annie Liebovitz or Art Wolfe. I expect that these photographers are seen as working in an older tradition and that they are not "post modern", again, whatever that means.

For the individual who is trying to get his arms around the direction and meaning of much of modern art photography, as well as for people who have dismissed contemporary art photography as unfathomable, this book will provide a good introduction, particularly since Cotton doesn't seem to be tied to the language of deconstruction, but rather speaks without jargon. Yet this is a field of such great variety that even if one read all of the hundreds of books listed by the author for further reading, one would have only scratched the surface.

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Summary of The Photograph as Contemporary Art (World of Art)

A short illustrated survey of the use of photography in contemporary art since the mid-1980s. The work of approximately 150 of the best-known artist-photographers are featured: Andreas Gursky, Nan Goldin, Philip-Lorca diCorcia, Richard Billingham, Juergen Teller, Thomas Demand, Yinka Shonibare, Thomas Ruff, JeffWall, Wolfgang Tillmans, and many more. Themed chapters consider subjects such as narrative and storytelling in art photography, photographing the everyday and the insignificant, the use of photography in conceptual art, and the cool, detached, objective aesthetic prevalent in current art photography.

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