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The Patchwork Girl of Oz (Books of Wonder) by L. Frank Baum
Book Summary InformationAuthor: L. Frank Baum Illustrator: John R. Neill Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 1995-03-15 ISBN: 0688133541 Number of pages: 352 Publisher: HarperCollins
Book Reviews of The Patchwork Girl of Oz (Books of Wonder)Book Review: Whee! But There's A Gaudy Dame! Summary: 5 Stars
Recognizing the increasing danger from lands beyond, at the end of 1910's The Emerald City Of Oz, child ruler Ozma and sorceress Glinda decided to magically close Oz off from the outside world forever. In reality, Baum was tired of Oz and wanted to develop other ideas and projects. But hounded by young fans to provide more stories of the utopist fairyland, in 1913 Baum again took up his pen as Royal Historian. Explaining to readers that he had begun receiving new tales from the Shaggy Man via a wireless telegraph in Oz, the fruit of this partnership was The Patchwork Girl Of Oz, probably the general favorite of Baum's novels among dedicated Oz enthusiasts. In fact, the Patchwork Girl Of Oz is the book appreciated even by those who dislike the Oz series as a whole. In poetry - spouting Scraps the Patchwork Girl, Baum introduced a vibrant, riveting figure to his fairyland, one equal to earlier classic creations the Scarecrow, the Tin Woodman, Jack Pumpkinhead, the Wooglebug, and the Gnome King. Rowdy, grotesque Scraps was perhaps Baum's last great character; indefatigable and indomitable, Scraps was also Baum's most original and fully realized female character, whether human, fairy, sorceress, or otherwise. A winning combination of common sense and nonsense, Scraps, a kind of nightmare version of Raggedy Ann, is pleasantly naive, utterly free, tactless, curious, and enthusiastic about all facets of life, including romance. Though stuffed with cotton, Scraps finds the straw - packed Scarecrow a perfect dreamboat, and finds twig - bodied Jack Pumpkinhead attractive as well. John R. Neill's illustrations of the Scraps and the Scarecrow's ' hearts aflutter ' first meeting is hilarious. A reconfiguration of the happy peasant figure who blissfully notices that the emperor is naked and doesn't hesitate to say so, Scraps, though not an outright trickster figure, approaches trickster status. The Patchwork Girl Of Oz is Baum's most fluid, well rounded, and detailed children's novel. Unlike some of the other titles in the series that have a predominantly sketchy narrative, the Patchwork Girl Of Oz is composed of enthusiastic, rollicking prose that allows the reader to happily suspend disbelief. All Oz titles have filler chapters that pad the books and add little to their forward motion, and the Patchwork Girl Of Oz has its share. However, the filler chapters here -- 'The Troublesome Phonograph' and 'The Foolish Owl and the Wise Donkey' -- don't irritate or distract from the story's forward motion as much as they might. Far from being finished with Oz, in 1913 Baum was still working out the magical laws that would govern his fairyland kingdom; readers will note that those laws applied here differ somewhat from those provided in 1918's The Tin Woodman Of Oz. Most noticeably, young Ojo the Unlucky is described as a growing boy; in the later books, all characters would be permanently fixed in their ages and physical growth or decline would become impossible. The Patchwork Girl Of Oz is almost free of the occasionally unsettling, cruel, or bizarre elements that Baum unconsciously allowed to mar his books; there is a brief explanation of how "meat" beings, if chopped into pieces, would continue to live, if not thrive, in their newly minced state. Unlike some of the other books in the series, the natural world in the Patchwork Girl Of Oz is lushly underscored and doesn't seem to be a brittle facsimile of the natural world known to readers. There is a loving description of Jack Pumpkinhead's pumpkin patch home, of the Munchkin gardens of "blue flowers, blue cabbages, blue carrots, and blue lettuce," and a defense of country living by the itinerant Shaggy Man. A classic of children's literature, the Patchwork Girl Of Oz is Baum's best, and a far better book than its more famous antecedent, the Wonderful Wizard Of Oz. Highly recommended.
Summary of The Patchwork Girl of Oz (Books of Wonder)In this dazzling tale, L. Frank Baum proves once again his power to delight and enchant readers of all ages. Follow the adventures of a charming new band of characters as they explore the wondrous land of Oz and discover that you learn more by traveling than by staying at home. Forced to venture out of the dark forest, Unc Nunkie and Ojo the Unlucky call on the Crooked Magician, who introduces them to his latest creation: a living girl made out of patchwork quilts and cotton stuffing. But when an accident leaves beloved Unc Nunkie a motionless statue, it is up to Ojo to save him. In his search for the magic ingredients that will restore his uncle to life, Ojo is joined by the Patchwork Girl and by the conceited Glass Cat, who boasts of her hard ruby heart, the resourceful Shaggy Man, and the lovable block-headed Woozy, whose tail hairs are just one of the things Ojo needs to rescue Une Nunkie. As they travel to the Emerald City, home of the wise and powerful Ozma, they meet Dorothy, the kind and sensible girl from Kansas; the gallant Scarecrow; and, of course, Toto. But no one proves more loyal than the spirited Patchwork Girl, who, although she was brought to life as a servant, is determined to see the wide world for herself. The Patchwork Girl of Oz has captivated readers for over eighty years. Now, in this stunning new edition--featuring all fifty-one of John R. Neill's original full-color plates as well as eighty black-and-white illustrations--a whole new generation can discover the beauty and wonder of Oz that have made this classic series an enduring favorite. Follow the adventures of a charming band of characters as they join Dorothy and the Scarecrow to explore the wondrous Land of Oz. Meet a living girl made out of patchwork quilts, a conceited Glass Cat, and the lovable block-headed Woozy. A favorite for over eighty years, this stunning facsimile of the rare fist edition features all fifty-one of Neill's full-color plates as well as eighty black-and-white illustrations. A Books of Wonder Classic.
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