The Little Book of Plagiarism
by Richard A. Posner
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Book Summary Information
Author: Richard A. PosnerEdition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2007-01-16
ISBN: 037542475X
Number of pages: 128
Publisher: Pantheon
Book Reviews of The Little Book of Plagiarism
Book Review: Big Subject, Small and Accessible Book
Summary: 5 Stars
Plagiarism is not a legal offense in itself. Thus, you might think that Judge Richard Posner might not be the best of guides to it, even though he has written books about non-legal issues before. But plagiarism does sometimes include fraud, copyright infringement, theft, and unfair competition, issues that are clearly legal in nature. In _The Little Book of Plagiarism_ (Pantheon), Posner has turned a legal view onto the very gray areas of plagiarism, an offense that everyone thinks is bad, but which comes in many forms, each with variants that are not offenses at all. Plagiarism has been in the news a lot lately, with famous (or potentially famous) people damaged by the charge. In the digital age, plagiarism is easier, and so Posner has written a useful volume to guide logical thinking on a hot issue. It is indeed a little book, 109 pages of text, but there are plenty of big ideas here, expressed in pithy prose that calls out for re-reading just to appreciate its clarity and lack of superfluity.
People weren't always so picky. One of Posner's examples is that of Shakespeare's use of Sir Thomas North's translation of Plutarch's description of Cleopatra's barge, which shows up in blank-verse paraphrase in _Antony and Cleopatra_. Posner includes both passages here, and it clear that Shakespeare really did borrow North, and also clear that Shakespeare's description is more colorful and fun to read. ("If this is plagiarism," jokes Posner, "we need more plagiarism.") If Shakespeare were writing today, he'd probably be in trouble for all his borrowed plots and characters. Plagiarism changes depending upon time, locale, and profession. So, how do we know when something is plagiarism and when it isn't? Posner suggests, among other things, that we evaluate the harm done. An example Posner returns to repeatedly is that of Kaavya Viswanathan whose novel _How Opal Mehta Got Kissed, Got Wild, and Got a Life_ came out in April 2006. She was a sophomore at Harvard University (Posner gives many examples from Harvard here, and maintains that plagiarism is no more common in that estimable school, just more conspicuous, and more enjoyed by the public when revealed). She got a half million dollar advance for her work and a film deal with DreamWorks. Attentive readers, however, found that there were passages that had been lifted from the work of a fellow "chick-lit" author Megan McCafferty. Viswanathan didn't do her readers any real harm; her book is as good as they found it. She didn't harm her publisher (until she was caught), and she herself brought any harmful consequences to herself. The harm is done to McCafferty, and not simply because McCafferty's words were lifted and re-used, but because by doing so, Viswanathan boosted herself up as a competitor within the chick-lit field, an unfair advantage.
So a key for finding plagiarism is finding that harm has been done, but Posner does not wish to see it among the harms dealt with by the criminal courts: "The harms it causes are too slight to warrant cranking up the costly and clumsy machinery of the criminal law", and often the harm is insufficient to crank up the civil courts, either. Viswanathan got her measure of "... disgrace, humiliation, ostracism, and other shaming penalties imposed by public opinion on people who violate social norms whether or not they are also legal norms." So did Doris Kearns Goodwin, Stephen Ambrose, and Alan Dershowitz, whose cases are examined here. That high-profile authors would risk getting caught in such thefts is something that Posner cannot explain, but he does make the case that the digital technology which makes plagiarism particularly easy these days is also going to make it more detectable. There are programs on the market like Turnitin which are doing better sleuthing for plagiarism than any professor or general reader. Thousands of colleges license the program; Harvard doesn't, and Posner accuses it of being naïve. Turnitin looks for similar passages in previous works, especially those on the web (and remember that many quotations from modern books are found on the web, even if full books are not). The program also looks for similarities within papers that have been submitted to it for inspection before. Publishers aren't themselves using such programs much yet, because they would simply rather not know beforehand, but Little, Brown lost plenty on the Viswanathan affair. Posner says, "We may be entering the twilight of plagiarism." It is a rewarding intellectual amusement to share Posner's thinking about the subject, which presents plagiarism with penetrating originality.
Summary of The Little Book of Plagiarism
A concise, lively, and bracing exploration of an issue bedeviling our cultural landscape?plagiarism in literature, academia, music, art, and film?by one of our most influential and controversial legal scholars. Best-selling novelists J. K. Rowling and Dan Brown, popular historians Doris Kearns Goodwin and Stephen Ambrose, Harvard law professor Charles Ogletree, first novelist Kaavya Viswanathan: all have rightly or wrongly been accused of plagiarism?theft of intellectual property?provoking widespread media punditry. But what exactly is plagiarism? How has the meaning of this notoriously ambiguous term changed over time as a consequence of historical and cultural transformations? Is the practice on the rise, or just more easily detectable by technological advances? How does the current market for expressive goods inform our own understanding of plagiarism? Is there really such a thing as ?cryptomnesia,? the unconscious, unintentional appropriation of another?s work? What are the mysterious motives and curious excuses of plagiarists? What forms of punishment and absolution does this ?sin? elicit? What is the good in certain types of plagiarism?Provocative, insightful, and extraordinary for its clarity and forthrightness, The Little Book of Plagiarism is an analytical tour de force in small, the work of ?one of the top twenty legal thinkers in America? (Legal Affairs), a distinguished jurist renowned for his adventuresome intellect and daring iconoclasm.
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