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The Last Crossing: A Novel by Guy Vanderhaeghe
Book Summary InformationAuthor: Guy Vanderhaeghe Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2004-11-30 ISBN: 0802141757 Number of pages: 416 Publisher: Grove Press
Book Reviews of The Last Crossing: A NovelBook Review: The Gaunts Put the 'Dis' in Dysfunctional Summary: 5 Stars
Young Englishman Simon Gaunt, religious zealot, has gone missing in the Old American West (specifically Canada). Dear old dad Henry, the overbearing so-and-so, sends older brother Addington and Simon's twin Charles in search. These folks put the `dis' in a dysfunctional family. Addington, a self-centered martinet, loves only himself and his pleasures and timid Charles, an aspiring artist, seems not to know what he wants. They hire Jerry Potts, a real-life Canadian frontiersman (Vanderhaeghe is Canadian) to help find Simon and meet up with a collection of society's castoffs and loose ends and form an odd posse.
To some readers, calling this book Western literature might be a put off or a putdown - I happen to love Western writing (A.B. Guthrie and Larry McMurtry to name two) - so let's just call it literature set in the Old West. Vanderhaeghe is a tremendously talented writer.
Highly recommended for fans of Western literature or just fine writing of any kind.
Summary of The Last Crossing: A NovelThe Last Crossing is a sweeping tale of breathtaking quests, adventurous detours, and hard-won redemption. Englishmen Charles and Addington Gaunt are ordered by their tyrannical industrialist father to find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, set off to remote Fort Benton on the edge of the Montana frontier. The brothers hire the enigmatic Jerry Potts, a half Blackfoot, half Scot guide, to lead them North, where Simon was last seen. Addington takes command of the mission, buying enough provisions to fill two wagons, and hires sycophantic journalist Caleb Ayto to record the journey for posterity. As the party heads out, it grows to include the fiery Lucy Stoveall, Civil War veteran Custis Straw, and saloonkeeper Aloysius Dooley. This unlikely posse becomes entangled in an unfolding drama that forces each one of them to confront personal demons. Told from alternating points of view with vivid flashbacks, The Last Crossing is a novel of ruggedness and salvation, an epic masterpiece set in a time when worlds collided, were destroyed, and were built anew. Set in the late 19th century, The Last Crossing, Guy Vanderhaeghe's first novel since his acclaimed Englishman's Boy, is the story of three well-off English brothers: twins Simon and Charles Gaunt and their elder sibling, Addington, a former soldier and an arrogant scoundrel. At the behest of their dictatorial father, Charles and Addington travel the prairies of the U.S. and Canada in search of sensitive Simon, who has disappeared. Much of the novel concerns their journeys--bottles of port and claret rattling in their wagons--through Indian country with a cast of intricately drawn, fully realized characters. The small troupe is led through the whiskey-coloured light by Jerry Potts, a half-breed with one foot firmly in each world. The heart of the plot involves the love that Charles, a painter, feels for Lucy Stoveall, a simple but lovely country woman who accompanies them, secretly intent on avenging her sister's murder. However, the most intriguing character in this marvelous collection of all-too-human personalities is Custis Straw, a Bible-reading, heavy-drinking Civil War veteran who hides his tremendous dignity behind a bumbling facade, and who also loves Lucy. Vanderhaeghe's rich language reveals a genuine feel for the prairies and their rough settlements: "a boom town draws rogues like a jam jar draws wasps," he writes, and describes "miles of wet plain patched with apple green, new penny copper, glints of silver." Though this is a Western in the traditional sense, Vanderhaeghe never sinks into parody. Rather, he uses the Western motif to reveal a number of profound universal truths about personal honour, and human failings and strengths. His humane character depictions reach emotional depths found in few novels today. --Mark Frutkin, Amazon.ca
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