The Lady and the Unicorn: A Novel

The Lady and the Unicorn: A Novel
by Tracy Chevalier

The Lady and the Unicorn: A Novel
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Book Summary Information

Author: Tracy Chevalier
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2004-12-28
ISBN: 0452285453
Number of pages: 256
Publisher: Plume
Product features:
  • ISBN13: 9780452285453
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of The Lady and the Unicorn: A Novel

Book Review: A TAPESTRY OF MEDIEVAL LIFE AND ART...
Summary: 5 Stars

Once again, Tracy Chevalier, author of a number of well-written works of historical fiction, lets her imagination run wild, weaving her story around another actual work of art. In this book, the author builds her story around the series of medieval tapestries known as "The Lady and the Unicorn", currently hanging in a museum in France, creating a work of historical fiction that is somewhat interesting and moderately enjoyable. Although not as well written as her best selling novel, "Girl with a Pearl Earring", or even her debut novel, "The Virgin Blue", those who like their historical fiction with some romantic overtones will be pleased with the author's efforts.

Towards the end of the fifteenth century, a talented, handsome, and cocky painter, Nicolas des Innocents, is commissioned to design and paint scenes depicting the Battle of Nancy for a series of tapestries. His paintings would then be enlarged in preparation for having the images woven into tapestries by a master weaver in Brussels. The commission is given to Nicholas by a prominent French nobleman, Jean Le Viste, a cold man who is given to self-importance and wishes to memorialize his status, as his star is on the ascendancy in the Royal Court.

Nicolas soon discovers, however, that it was Jean Le Viste's wife, Genevieve de Nanterre, who suggested him for the commission. She lets him know, however, that she does not wish for the tapestries to depict the Battle of Nancy but, rather, scenes of a lady and a unicorn. Genevieve de Nanterre, a pious and unhappily married woman, leaves it to him to convince her husband that this new idea should replace the Battle of Nancy as the subject of the tapestries. Nicolas manages to do this, and so it begins.

Nicolas is not only a fine painter but also a confirmed lothario who falls for Le Viste's daughter, a beautiful teenager named Claude. Of course, Nicholas has already dallied with Marie-Celeste, one of the household's maids with the usual, not unexpected, result, a fact that will eventually lead to some serious personal consequences for him. Meanwhile, Genevieve de Nanterre, who would rather be a nun than married to Jean Le Viste, discovers that her daughter reciprocates the painter's passion. Claude is ultimately shipped off to a nunnery to repent for her sins and to remain chaste until a suitable betrothal may be made for her. Genevieve's motives in doing so, however, are not wholly altruistic.

Eventually, Nicholas travels to the workshop of master weaver Georges de la Chappelle, who has been selected to convert the paintings to tapestries. Nicholas meets with cartoonist, Philippe de la Tour, to ensure that the tapestries stay true to his paintings and that the process of enlarging them does not substantively change his seductive design. Of course, his stay in Brussels is made more pleasant by the fact that Georges de la Chappelle has a lovely daughter named Alienor, who is ripe for the picking. Unfortunately, her father, for business reasons, wishes to marry her off to the local tanner, a smelly brute whose noxious scent is a result of an expected occupational hazard. Unbeknownst to them all, however, Alienor has a secret admirer, whose love will eventually make right all that goes wrong.

This is a mildly entertaining novel in which the underlying theme is seduction. The tale is told from the perspectives of each of the main characters through individual first person narratives. The lives of some of them become intertwined, because Nicolas des Innocents has come into contact with them. The story describes their lives and loves, as well as the impact that their lives have on the actual tapestries. The novel also gives a good deal of interesting information on the weavers' guild of the time and its practices, as well as information on the painstaking art of weaving high quality tapestries, such as that of "The Lady and the Unicorn". It should be noted that the cover of the hardcover book is of unusual quality. When one removes the dust jacket, the boards are embossed with a lovely image taken from the actual tapestry.

Summary of The Lady and the Unicorn: A Novel

A tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier?s answer to the mystery behind one of the art world?s great masterpieces?a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown?until now.

Paris, 1490.  A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house?mother and daughter, servant, and lady-in-waiting?before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries?his finest, most intricate work?on time for his exacting French client. The results change all their lives?lives that have been captured in the tapestries, for those who know where to look.

In The Lady and the Unicorn, Tracy Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry?an extraordinary story exquisitely told.


If you think you wouldn't raise your skirts for a rakish legend about the purifying powers of a unicorn's horn, then maybe you aren't a 15th-century serving girl under the sway of a velvet-tongued court painter of ill repute. In keeping with her bestselling Girl with a Pearl Earring, and its Edwardian-era follow-up, Falling Angels, Tracy Chevalier's tale of artistic creation and late-medieval amours, The Lady and the Unicorn is a subtle study in social power, and the conflicts between love and duty. Nicolas des Innocents has been commissioned by the Parisian nobleman Jean Le Viste to design a series of large tapestries for his great hall (in real life, the famous Lady and the Unicorn cycle, now in Paris's Musee National du Moyen-Age Thermes de Cluny). While Nicolas is measuring the walls, he meets a beautiful girl who turns out to be Jean Le Viste's daughter. Their passion is impossible for their world--so forbidden, given their class differences, that its only avenue of expression turns out to be those magnificent tapestries. The historical evidence on which this story is based is slight enough to allow the full play of Chevalier's imagination in this cleverly woven tale. --Regina Marler

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