The Imperfectionists: A Novel

The Imperfectionists: A Novel
by Tom Rachman

The Imperfectionists: A Novel
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Book Summary Information

Author: Tom Rachman
Edition: Kindle Edition
Audio: English (Published)
Format: Kindle eBook
Published: 2010-03-25
ISBN: N/A
Number of pages: 306
Publisher: Dial Press Trade Paperback

Book Reviews of The Imperfectionists: A Novel

Book Review: A 'warts and all' portrait of modern newspapers
Summary: 5 Stars

Back in high school as I was preparing to graduate there was only one thing I wanted to be: a journalist. We were fresh off the Watergate scandal that brought down an administration and, like so many others in my age group, I wanted to be the next Woodward and/or Bernstein. So I went to college and got my degree in journalism. Then I got my first job on a small daily newspaper. I took me about six months to discover that the glorious profession that was ahead of me in college was more of a drudgery in real life and my path to Woodward-and-Bernstein-hood was obstructed by all manor of people who might charitably be described as the north ends of southbound horses. After less than a decade and jobs at three newspapers (each one worse than the last) I career-hopped into public relations where the hours and the pay were much better and I was not likely to be stuck sitting through a planning and zoning meeting or getting called out at 3 a.m. to the scene of a train wreck.

All this is background to establish my credentials as someone who can say that Tom Rachman really gets it when he writes about the current state of journalism. I may have never worked for a wire service or at an international newspaper as Rachman did, but I can see echoes of people I have worked with in Rachman's portrayal of the denizens of the English language newspaper centered in Rome that provides the background for The Imperfectionists.

Rachman nails the egos and the insecurities that can be found in newsrooms throughout the world. He also nails the corporate culture that has been nibbling away at the edges of journalism until modern newspapers have become almost interchangable in their look and the news they cover.

The Imprefectionists tells its story through a series of interrelated chapters, each focusing on a different employee (plus one reader) of the newspaper. Each character, whether his or her story is comic or tragic or a mixture of both, is a thread in the tapestry that makes up the newspaper. Between each chapter are brief interludes that trace the history of the novel's real subject - the newspaper itself - from its birth in the '50s to its present day decline.

If you've ever worked for a newspaper ... if you've ever bemoaned the decline of journalism ... heck, if you've ever read a newspaper, then you should read The Imperfectionists.

Summary of The Imperfectionists: A Novel

BONUS: This edition contains a The Imperfectionists discussion guide.

Set against the gorgeous backdrop of Rome, Tom Rachman?s wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English language newspaper as they struggle to keep it?and themselves?afloat.

Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff?s personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family?s quirky newspaper.

As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper?s rich history is revealed, including the surprising truth about its founder?s intentions.

Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.
Amazon Best Books of the Month, April 2010 Printing presses whirr, ashtrays smolder, and the endearing complexity of humanity plays out in Tom Rachman's debut novel, The Imperfectionists. Set against the backdrop of a fictional English-language newspaper based in Rome, it begins as a celebration of the beloved and endangered role of newspapers and the original 24/7 news cycle. Yet Rachman pushes beyond nostalgia by crafting an apologue that better resembles a modern-day Dubliners than a Mad Men exploration of the halcyon past. The chaos of the newsroom becomes a stage for characters unified by a common thread of circumstance, with each chapter presenting an affecting look into the life of a different player. From the comically overmatched greenhorn to the forsaken foreign correspondent, we suffer through the painful heartbreaks of unexpected tragedy and struggle to stifle our laughter in the face of well-intentioned blunders. This cacophony of emotion blends into a single voice, as the depiction of a paper deemed a "daily report on the idiocy and the brilliance of the species" becomes more about the disillusion in everyday life than the dissolution of an industry. --Dave Callanan

Tom Rachman on The Imperfectionists

I grew up in peaceful Vancouver with two psychologists for parents, a sister with whom I squabbled in the obligatory ways, and an adorably dim-witted spaniel whose leg waggled when I tickled his belly. Not the stuff of literature, it seemed to me.

During university, I had developed a passion for reading: essays by George Orwell, short stories by Isaac Bashevis Singer, novels by Tolstoy. By graduation, books had shoved aside all other contenders. A writer--perhaps I could become one of those.

There was a slight problem: my life to date.

By 22, I hadn't engaged in a bullfight. I'd not kept a mistress or been kept by one. I'd never been stabbed in a street brawl. I'd not been mistreated by my parents, or addicted to anything sordid. I'd never fought a duel to the death with anyone.

It was time to remedy this. Or parts of it, anyway. I would see the world, read, write, and pay my bills in the process. My plan was to join the press corps, to become a foreign correspondent, to emerge on the other side with handsome scars, mussed hair, and a novel.

Years passed. I worked as an editor at the Associated Press in New York, venturing briefly to South Asia to report on war (from a very safe distance; I was never brave). Next, I was dispatched to Rome, where I wrote about the Italian government, the Mafia, the Vatican, and other reliable sources of scandal.

Suddenly--too soon for my liking--I was turning thirty. My research, I realized, had become alarmingly similar to a career. To imagine a future in journalism, a trade that I had never loved, terrified me.

So, with a fluttery stomach, I handed in my resignation, exchanging a promising job for an improbable hope. I took my life savings and moved to Paris, where I knew not a soul and whose language I spoke only haltingly. Solitude was what I sought: a cozy apartment, a cup of tea, my laptop. I switched it on. One year later, I had a novel.

And it was terrible.

My plan ? all those years in journalism--had been a blunder, it seemed. The writing I had aspired to do was beyond me. I lacked talent. And I was broke.

Dejected, I nursed myself with a little white wine, goat cheese and baguette, then took the subway to the International Herald Tribune on the outskirts of Paris to apply for a job. Weeks later, I was seated at the copy desk, composing headlines and photo captions, aching over my failure. I had bungled my twenties. I was abroad, lonely, stuck.

But after many dark months, I found myself imagining again. I strolled through Parisian streets, and characters strolled through my mind, sat themselves down, folded their arms before me, declaring, "So, do you have a story for me?"

I switched on my computer and tried once more.

This time, it was different. My previous attempt hadn't produced a book, but it had honed my technique. And I stopped fretting about whether I possessed the skill to become a writer, and focused instead on the hard work of writing. Before, I had winced at every flawed passage. Now, I toiled with my head down, rarely peeking at the words flowing across the screen.

I revised, I refined, I tweaked, I polished. Not until exhaustion--not until the novel that I had aspired to write was very nearly the one I had produced--did I allow myself to assess it.

To my amazement, a book emerged. I remain nearly incredulous that my plan, hatched over a decade ago, came together. At times, I walk to the bookshelf at my home in Italy, take down a copy of The Imperfectionists, double-check the name on the spine: Tom Rachman. Yes, I think that's me.

In the end, my travels included neither bullfights nor duels. And the book doesn't, either. Instead, it contains views over Paris, cocktails in Rome, street markets in Cairo; the ruckus of an old-style newsroom and the shuddering rise of technology; a foreign correspondent faking a news story, a media executive falling for the man she just fired. And did I mention a rather adorable if slobbery dog?



BONUS: This edition contains a The Imperfectionists discussion guide.

Set against the gorgeous backdrop of Rome, Tom Rachman?s wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English language newspaper as they struggle to keep it?and themselves?afloat.

Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff?s personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family?s quirky newspaper.

As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper?s rich history is revealed, including the surprising truth about its founder?s intentions.

Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.

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