The IFILM Digital Video Filmmaker's Handbook

The IFILM Digital Video Filmmaker's Handbook
by Maxie Collier

The IFILM Digital Video Filmmaker's Handbook
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Book Summary Information

Author: Maxie Collier
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Format: Illustrated
Published: 2001-01-15
ISBN: 1580650317
Number of pages: 325
Publisher: Lone Eagle Publishing Company

Book Reviews of The IFILM Digital Video Filmmaker's Handbook

Book Review: If I Could Only Have One Filmmaking Book
Summary: 5 Stars

I have ordered many books from Amazon in the past, but this is the first review I have written. After reading the poor review of Maxie Collier's IFILM Digital Video Filmmaker's Handbook, I had to offer my feedback.

I have purchased and read dozens of books about digital filmmaking and low budget filmmaking and Collier's book is undoubtedly one of the most comprehensive. The book covers everything from film basics to an excellent explantion of digital production and post production technology and technics. I learned alot just reading the very informative glossary.

I have to agree with the review below that it is not the best edited book but the writing is excellent. I was impressed with the personal and inspiring tone of the book. Unlike one of the other digital filmmaking book I recently read (Digital Moviemaking by Scott Billups), this book is a great read. And, Collier's book cost less and comes with a DVD. (The DVD was kind of boring, but it has some real handy production forms on it that you can print out on your computer.)

While I'm a fan of other filmmaking books such as Feature Filmmaking at Used Car Prices (Rick Schmidt's classic), Collier's book covers digital technology far more thoroughly. If there is a better digital filmmaking book available, somebody PLEASE let me know the title and I'll order that one as well. Otherwise, the IFILM Digital Video Filmmaker's Handbooks gets my vote.

Summary of The IFILM Digital Video Filmmaker's Handbook

Digital technology is changing the way filmmakers compose images and tell stories.

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