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The House of Paper by Carlos Maria Dominguez
Book Summary InformationAuthor: Carlos Maria Dominguez Illustrator: Peter Sis Translator: Nick Caistor Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2005-11-07 ISBN: 0151011478 Number of pages: 112 Publisher: Houghton Mifflin Harcourt
Book Reviews of The House of PaperBook Review: Is reading books dangerous? * Summary: 5 Stars
This week, I spent one afternoon reading The House of Paper, by the Argentinean writer Carlos Maria Dominguez. It took only one afternoon. Still I had the time to savor the text; to re-read the novel and to read a couple of passages aloud to my husband. It is a small book; almost a novella: ninety-eight pages long. And yet, it was delightful to enter the magic world of Mr. Dominguez and to play along with him in the room of mirrors he so carefully created.
This novel also depicts the behavior of book collectors; or even collectors in general. For their attitudes despite the objects collected (matchbooks, Japanese porcelain or books), their passion, their quirks, and their oddness, are the same. Carlos Maria Dominguez makes us think about excesses, about extreme behavior. His book questions the line between a mad and a sane mind. He focused on books, exploring the consequences of passion for books as objects and repositories of ideas; he shows the traps of purchasing, gathering and collecting them. Where is the limit? He deftly touches on every book lover's nightmare: which one to keep, where to store it and for how long? After a while, what do you do with books you will no longer read?
Indeed, The House of Paper is a long reflection on the art of reading, of studying and of collecting books and ideas. The text is packed full of literary allusions. Several writers and their intriguing lives are mentioned. The ultimate reference or perhaps I should say great affinity this book demonstrates, however, is to Joseph Conrad's tale of 1917, Shadowline - a title that's woven through the text, making it the central point of the narrative spread. In Conrad's story a sailor who wants to leave his profession is seduced into one last trip in which he will captain the ship. He accepts. The trip becomes a nightmare and the men on the boat are led in despair to the edge of madness. Can collecting lead to a form of madness? Where is the line that divides sane from insane when collecting?
It is impossible to read this jewel in one single sitting without losing much of its charm, and certainly all of the text's possible twists and kinship to others you have already read. It is very compact: a second reading only enriches the experience. Do it, once and then again. You won't regret it. Five stars. You will love it.
* This review was based on the Brazilian edition of the book, translated from the Spanish by Maria Paula Gurgel Ribeiro.
Summary of The House of PaperBluma Lennon, distinguished professor of Latin American literature at Cambridge, is hit by a car while crossing the street, immersed in a volume of Emily Dickinson's poems. Several months after her untimely demise, a package arrives for her from Argentina-a copy of a Conrad novel, encrusted in cement and inscribed with a mysterious dedication. Bluma's successor in the department (and a former lover) travels to Buenos Aires to track down the sender, one Carlos Brauer, who turns out to have disappeared.
The last thing known is that he moved to a remote stretch of the Uruguayan coastline and built himself a house out of his enormous and valuable library. How he got there, and why, is the subject of this seductive novel-part mystery, part social comedy, and part examination of all the many forms of bibliomania.
Charmingly illustrated by Peter Sís, The House of Paper is a tribute to the strange and passionate relationship between people and their books.
(20051204)
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