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The Historian by Elizabeth Kostova
Book Summary InformationAuthor: Elizabeth Kostova Edition: Mass Market Paperback Audio: English (Original Language); English (Unknown); English (Published) Published: 2008-06-01 ISBN: 0316067946 Number of pages: 928 Publisher: Little, Brown and Company
Book Reviews of The HistorianBook Review: This is a book about art history, not historians. Summary: 2 StarsThe book could have been great but ended up falling far from it. I love big books. However this book just got lost and was extremely hard to finish. The characters were all carbon copies of each other. It is a sure sign of an inexperienced writer when every single character speaks in the same voice.
As a history major I can say that I have never read anything like what her characters write. There is nothing scholarly about any of the work in the novel. They go off on tangents about a rock or food they eat all the while using the same adjectives and adverbs. I am also wondering if she missed the day in English class where they tell you to avoid using the same word twice.
She has obviously done a lot of work for the book. On her website it says that it took 10 years to write as if that is supposed to wow the reader. As a follower of Coleen McCullough and her books on Rome I can say that that is in fact a pitiful amount of time. I think she should have spent at least twice as much time on the book. Any good book dealing with history can easily take decades to effectively do the research and writing. Shoot even a research paper that has significantly less pages end up taking years to write.
I only give the book two stars because I know she did a significant about of work, jut not enough for the subject. She should have not pretended to be a historian.
Summary of The HistorianBreathtakingly suspenseful and beautifully written, The Historian is the story of a young woman plunged into a labyrinth where the secrets of her family's past connect to an inconceivable evil: the dark fifteenth-century reign of Vlad the Impaler and a time-defying pact that may have kept his awful work alive through the ages. The search for the truth becomes an adventure of monumental proportions, taking us from monasteries and dusty libraries to the capitals of Eastern Europe - in a feat of storytelling so rich, so hypnotic, so exciting that it has enthralled readers around the world.
"Never was a ghost story so casually erudite, nor a historical travelogue such gripping entertainment." ---New York Magazine
"Impossible to resist. . . . Kostova blends fact and fantasy to remind us that the original Dracula legend is rooted in monstrous acts of unblinking evil." ---Miami Herald
"A richly told story about family and the dark side of human nature. . . . This cry of the heart will appeal to readers beyond those who are drawn by a fascaination with the legend of Dracula." ---Chicago Tribune
"Genuinely terrifying." ---Boston Globe
"Nearly impossible to put down once you crack the spine. . . . It won't take you long to get to the end." ---Houston Chronicle
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula--Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century--was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also. As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight--one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland--sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union. Although the book is appropriately suspenseful and a delight to read--even the minor characters are distinctive and vividly seen--its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words. --Regina Marler
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