The Hero with a Thousand Faces (Mythos Books)

The Hero with a Thousand Faces (Mythos Books)
by Joseph Campbell

The Hero with a Thousand Faces (Mythos Books)
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Book Summary Information

Author: Joseph Campbell
Edition: Paperback
Published: 1972-03-01
ISBN: 0691017840
Number of pages: 464
Publisher: Princeton University Press

Book Reviews of The Hero with a Thousand Faces (Mythos Books)

Book Review: What's the big deal?
Summary: 3 Stars

I read this book as a recommendation from a friend, supposedly I wasn't going to be able to put it down. While I didn't find the book as difficult to read as some, the writing style is still dry and somewhat unapproachable. I was also told that the underlying ideology of the book was distinctly non-western in tone and content. However, when you scutinize the basic logic of the philosophy that he derives from the observation that many myths are similar in cross-culturally relevant ways, one sees that his concept is essentially Christian in nature.

Campbell asserts, toward the end of the text, that mankind is unified not only to the rest of humanity but to the whole of reality. Somehow he concludes that because many stories originating from many disperate cultures are basically similar man must not be the summation of his parts or the combination of his actions, body, thoughts and deeds. In fact all of the characteristics and actions of man are mere accidents and it is simply the foible of turning away from our underlying unified "essence" toward the dividing ego that causes all of the suffering in the world.

Supposedly this is a non-christian concept, however, if we replace essence with God we see that these two supposedly different ideas are nearly identical. Basic theology asserts that God is one, much like the oneness of Campbell's unifying essence. God is also the ground from which all being arises, much like the fundemental essence of reality to which man and all things are connected, and from which all things are derived. Also, in Christianity man causes suffering in his life by turning from God toward himself, seeking to worship the value of ego over the value of man's connectedness to God. How does this differ from the assertion by Campbell that man cuses much of his own strife by turning away from the fundamental "essence" of all reality toward the purely, transitory, non-eternal, accidental ego which is supposedly only an illusion of who each one of us truly is.

Ultimately it's deep philosophy for a thirteen year old who thinks it's neat to wonder about the coyote eating the rabbit and the coyote dying and decomposing and a plant eating the coyote and then a rabbit eating the plant. Aside from that it's a pretty decent, though biased introduction to world mythology, espesially if you're lazy (like me) and don't intend to actually read most of the myths and stories mentioned in the book.

Summary of The Hero with a Thousand Faces (Mythos Books)

Originally written by Campbell in the '40s-- in his pre-Bill Moyers days -- and famous as George Lucas' inspiration for "Star Wars," this book will likewise inspire any writer or reader in its well considered assertion that while all stories have already been told, this is *not* a bad thing, since the *retelling* is still necessary. And while our own life's journey must always be ended alone, the travel is undertaken in the company not only of immediate loved ones and primal passion, but of the heroes and heroines -- and myth-cycles -- that have preceded us.

Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special.

The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages of mythology but also its relevance to our lives today--and to the life of any person seeking a fully realized existence.

Myth, according to Campbell, is the projection of a culture's dreams onto a large screen; Campbell's book, like Star Wars, the film it helped inspire, is an exploration of the big-picture moments from the stage that is our world. It is a must-have resource for both experienced students of mythology and the explorer just beginning to approach myth as a source of knowledge.

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