The Graveyard Book by Neil Gaiman
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Book Reviews of The Graveyard Book
Book Review: It takes a graveyard
Summary: 5 Stars
Imagine Rudyard Kipling's "Jungle Book"... but replace the animals with ghosts, ghouls, werewolves and other such supernatural creatures.
Such is the concept of "The Graveyard Book," which cleverly turns Kipling's classic story into an exquisitely-written, darkly witty fantasy. While it starts as the assorted supernatural adventures of a young boy raised by ghosts, the story slowly evolves into a beautifully ghastly confrontation between Nobody Owens and the people who want to do him harm.
"There was a hand in the darkness, and it held a knife." A man named Jack kills an innocent family at night -- except for a baby boy, who toddles out to the graveyard.
With the approval of the Lady on the Grey, the Owens ghosts adopt the boy, whom they name Nobody (or "Bod" for short), and the mysterious not-dead-or-alive Silas is appointed his guardian. Bod slowly grows up, but his upbringing is hardly ordinary -- he is taught by a Hound of God, wanders into the horrific realm of Ghulheim, watches a danse macabre, and befriends a witch's spirit from the Potter's Field.
But the man named Jack is still out there, and for some reason he (and the organization he works for) still wants to kill Bod. And though Silas and the ghosts are trying to keep him safe, Bod is becoming curious about the world of living humans -- and about the man who murdered his family. And when they come for him, he'll be ready.
The world of Neil Gaiman is never a safe place -- it's always painted in shadows and shades of grey, and something horrible may be lurking around the corner. And the world of "The Graveyard Book" is no exception to this -- it's filled with strange supernatural creatures, hellish red cities with decayed moons overhead, and midnight parades where ghosts dance with the living.
The world of the graveyard is an intriguing one -- moonlight, crumbly headstones, a little stone church, and a creepy barrow where the Sleer lurk. From a lesser author this would be kind of boring, but Gaiman's beautiful prose brings it to life ("There was a silent implosion, a flutter of velvet darkness, and Silas was gone").
And Gaiman explores Bod's childhood with dark humour ("Can you imagine how fine a drink the black ichor that collects in leaden coffins can be?") and adventure. But the tone changes as Bod grows older, especially with the creepily professional Jack and his cohorts slowly closing in on him. It's a coming-of-age tale, and a bittersweet, sometimes terrifying one.
Bod himself is a lovable kid, who slowly explores first the world of the graveyard and then the world of the living. He's both ruthless and kind, sweet and strong. The mysterious Silas -- whose true nature is only revealed late in the book -- serves as a kindly but stern mentor, who pretty clearly loves young Bod like a father.
And there's a pretty wide supporting cast -- Bod's childhood friend Scarlett is rather bratty, but the ghosts make up for that. The snappy, witty witch Eliza, the kindly Owenses, Mother Slaughter, the fussy Mr. Pennyworth, and the schoolteacherish substitute guardian Miss Lupescu all round out the cast. And with only a few lines, Gaiman makes them seem practically real.
"The Graveyard Book" is a beautifully written, bittersweet coming-of-age tale with some moments of pure creepiness. A magnificent fantasy story, which is not to be missed.
Book Review: Creepy, Well Written, and Incredibly Engaging
Summary: 5 Stars
Bod is an unusual boy who was raised in an unusual place.
As a baby, Bod miraculously escapes from a brutal murderer and makes his way to a graveyard. With his parents and older sister dead, the residents of the graveyard - the ghosts - take him in and vow to protect him. Named Nobody Owens, the boy learns practical things, like reading and writing, as well as otherworldly talents, such as fading and moving through bars and coffins. With a pale complexion and the ability to blend in with his gray surroundings, Bod feels comfortable within his shadowy home. That is, until he wishes to make friends, see the world, go to school.
In short scenes, the book follows Bod as he ages from baby to teen, growing up in contemporary Britain in and outside the graveyard. He learns that ghouls aren't always friendly and the undead still have a lot to teach as he learns his limitations and ages beyond his years. In Gaiman's chilling young adult novel, Bod finds new dangers and new strengths around every corner...and tombstone.
The Graveyard Book is not as scary as it sounds, but it is pretty chilling at times. The book is full of amazingly crafted characters and plots that all weave together in the final climactic moments. From witches to guardians that are dead, but not quite dead, the book has everything to provoke an active imagination. What I love most about Gaiman's writing is that he doesn't change is verbiage even though he's writing for young adults. Instead, he challenges his readers to keep up, giving them far more credit than many other authors would. I find that refreshing.
The Newberry award winning book is a fun journey through the streets of "Old Town" Britain. Although the book does start with a horrific murder, it's not shown, just hinted at and even in the end, the battle isn't too brutal for children to read about. The book, in it's Jungle Book way of a child being raised by ghosts, shows how to learn from mistakes, how to grow and how to follow your instincts. It shows the beauty in learning and the need for connections.
I really enjoyed The Graveyard Book. I loved the characters. Bod was adorable, but it was Silas who I liked most - his mysterious guardian who cared more than one would imagine. I loved Bod's ghost parents, Mr. And Mrs. Owens who I imagined to be happily plump and constantly baking deserts (that is, if they were alive). I loved the graveyard too, as a setting. Gaiman made it just haunting enough to be realistic, but friendly and comfortable enough so you didn't worry about Bod.
The book was a journey - a fun one that illustrated Bod growing up scene by scene. It wrapped you up and kept you interested up to the very last page, with characters and plot lines that are hard to forget. It was incredibly well done and a remarkable edition to Gaiman's already favorable list of publications. And as it's on it's 53rd week on the NY Times best seller list, I'm clearly not the only one to think so.
Book Review: Of course it's a great book, but check out the illustrations.
Summary: 5 Stars
What I can say about Neil Gaiman's The Graveyard Book that hasn't already been said? By now, everyone pretty much knows that it's an homage to the Jungle Books and that most everything that Gaiman works on is excellent. The only real item of value to add is that it's like the Mowgli stories in the Jungle Books, not the Jungle Books in their entirety. I suspect that that's what most people think of when they think of "The Jungle Books", so no one should be much disappointed at the lack of a ghoulish Rikki-Tikki-Tavi.
So, with everyone understanding that it's good and all, it's worth buying and reading and well made (as many books these days are not), I'm going to stop talking about Neil's work right now.
Instead, I'm going to talk about Dave McKean.
Dave McKean illustrated this book and did so in a style the blends dark and domineering black pen with light and subtle watercolors (in grey, of course). At the beginning of the story, it's pretty heavy and the art overwhelms the text, but after that it's just a little illustration here and a little one there. Hilary Zarychy, aside from having a last name that I have no idea how to pronounce, did a wonderful job on the typesetting, so the text flows along with the art, showing that the two work together to create one hole, but (and this is VERY important) at no point does the text become difficult to read.
See, a lot of books these days are "illustrated" simply because certain types of books are supposed to be illustrated. However, when you have a book where the illustrations blend together with the story, it creates a whole that is remembered as story and images -- forming a solid marker in the memory that forever reminds one of the experience of reading the story. There are a few books that manage to blend the art and the story together this way, Catherine Coblentz's Blue Cat of Castle Town (Illustrated by Janice Holland and available online for free here), Ruth Stiles Gannett's My Father's Dragon (Illustrated by Ruth Chrisman Gannett and available online for free here) and many of Thornton Burgess's early books (Illustrated by Harrison Cady) come to mind. The Graveyard Book joins this small set of books that will always hold a place in my mind.
I open the book to a random page, 142 to be precise, and I see a small painted stone on a bed of leaves. The lines are simple but definite. The composition is straightforward and uncomplicated. However, I immediately remember the story, the characters, the fear and the sadness. I remember sitting in my brown recliner, reading by the yellow light of my halogen lamp, with a blanket over my legs and two cats sleeping on me. The room is silent and the day's concerns have slipped away as I wander through the life that is Bod's.
That's what illustrations are supposed to do. That's why this book is special beyond the writing.
Book Review: Gaiman's Kind of People
Summary: 5 Stars
So, okay, I admit it. Like untold others, I'm a Neil Gaiman fan. The man is nice (I've had drinks with him not that he'd remember), has a vivid imagination, and writes a remarkable variety of things -- comics, poems, essays, screenplays, adult fantasy, picture books, and kid books -- all quite well. So when he began documenting the progress of writing this book I was very curious to read it. Based on what else of his I'd read (notably Coraline which I love to read aloud), I expected chills, darkness, and humor. The Graveyard Book has all of that, but it also has something I wasn't expecting -- a remarkable tenderness and sweet sadness that made it one of the best things of Gaiman's I've ever read.
This is the story of Bod, short for Nobody, a child being raised by a bevy of graveyard inhabitants. Brought there as a baby, Bod, is nurtured by the warm and affectionate Mr. and Mrs. Owens, supervised by the serious Silus, and taught by many others in this unique and lovely community of ghosts and other such beings. Bod has adventures, makes special friends (not all from within the graveyard or fantasy world), and begins to learn about his past and future.
The story has the feeling of Kipling's Mowgli stories from The Jungle Books -- favorites of mine growing up. Silus resembles Bagheera for me; while I'm not so sure if there are others that can be so easily compared a similar charm, humor, warmth, and originality are in both. And most of all, both involve a boy brought to a completely different world and raised lovingly and carefully by the inhabitants of that world.
One of my favorite chapters in the book is "The Hounds of God." Silus brings a Miss Lupescu to the graveyard to instruct and feed Bod while he is off on a trip. Having already been taught by graveyard inhabitants Letitia Borrows and Mr. Pennyworth ("Compleat Educational System for Younger Gentlemen with Additional Material for those Post Mortem"), Bod doesn't see the need for new teachers. Miss Lupescu quickly proves otherwise.
"Name the different kinds of people," said Miss Lupescu. "Now."
Bod thought for a moment. "The living, " he said. "Er. The dead." he stopped. Then, "...Cats? he offered, uncertainly.
Missing Silus and definitely not enjoying either Miss Lupescu's lessons or cooking, when three strange creatures show up calling themselves the Duke of Westminster, the Honorable Archibald Fitzhugh, and the Bishop of Bath and Wells, Bod eagerly takes off with them. The resulting adventure turns out to be wilder and harsher and more remarkable than he or the reader would expect. Funny, scary, and exciting all at once.
So is the whole book. As well as elegant, gentle, witty, pensive, and moving.
Book Review: Everybody Should Meet Nobody
Summary: 5 Stars
I first met Bod (Nobody) Owens in a short story in an anthology and desperately wanted to read more about him. A visit to Neil Gaiman's website put me out of my misery, reassuring me that the story was a chapter from an upcoming book. I've been waiting for that book ever since. So yes, today, the first day The Graveyard Book was available, I bought a copy and read it cover to cover.
Which means I just gave that contented, yet slightly desolate sigh one gives at the end of a really good book. As the author has noted, this book was inspired by the premise of The Jungle Book, except that the setting is a graveyard. (Note the parallel titles!) The Graveyard Book begins with the horrific murders of a father, mother, and daughter; only the youngest child, a toddler, escapes, meandering out the open door of the death-filled house and right up to the fence of a nearby graveyard.
There ghostly Mr. and Mrs. Owens respond to the plea of the child's dead mother and offer to act as his foster parents. A strange being named Silas further agrees to be the baby's guardian, providing protection and bringing necessary items such as food from the outside world. That same night, murderous Jack is led away by Silas, never dreaming that his lost prey will spend the next dozen years growing up within the graveyard gates. (Jack, for reasons of his own, continues to search for Bod in order to kill him.)
As the years pass, Bod is raised and tutored by the dead. He explains, "Letitia Borrows teaches me writing and words, and Mr. Pennyworth teaches me his Compleat Educational System for Younger Gentlemen with Additional Material for Those Post Mortem." Besides Bod's somewhat archaic education in ordinary subjects, he learns, whether by instruction or sad experience, how to Fade, Haunt, and Dreamwalk, as well as how to befriend a dead witch, call a nightgaunt, and avoid ghouls.
I'll just mention one of the many perfect touches: the way Gaiman includes the inscriptions on gravestones in describing some of Bod's ghostly acquaintances, e.g., the aforementioned teacher, "Miss Letitia Borrows, Spinster of this Parish (Who Did No Harm to No Man all the Dais of Her life. Reader, Can You Say Lykewise?)."
It's easy to praise the author's craftsmanship and subtle humor. And Neil Gaiman's horror/fantasy is strikingly imaginative in comparison to almost everything else out there. But most important, Nobody Owens and his ghostly community are worth falling in love with. Their interactions, along with Bod's growing pains, exhibit a quiet, matter-of-fact tenderness that is missing in most books for adults AND children these days. There's been a lot of talk about Coraline, but The Graveyard Book is even better.