The Ghost Stories of Edith Wharton

The Ghost Stories of Edith Wharton
by Edith Wharton

The Ghost Stories of Edith Wharton
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Book Summary Information

Author: Edith Wharton
Edition: Paperback
Published: 1997-10-10
ISBN: 0684842572
Number of pages: 304
Publisher: Scribner

Book Reviews of The Ghost Stories of Edith Wharton

Book Review: This book needs to come with a disclaimer!
Summary: 5 Stars

Edith Wharton is an acknowleged giant of the fiction novel. But this particular book of hers needs to come complete with a disclaimer. I would suggest: DON'T EXPECT TO READ THE AVERAGE GHOST STORY HERE. My one negative thing to say about this book is actually a positive. I could only read one of these stories at a time because I had to think one story over before I went on to the next . My tendency is to sit down with a book and read it cover to cover with minor stops along the way for everyday life to intervene. I have been reading this book for over a week now because each story makes me stop after I have read it to have a nice long thinking session regarding what I have just read. I loved that.

My favorite story of the eleven story collection is titled, "Afterward". The title means that a person did not know if they had met the ghost at Lyng in Dorsetshire until long, long afterward. A superb rendering of a mystery which began so quietly that Mary Boyne didn't even know she was involved in it until it was too late.

Another favorite is "Kerfol" which takes place in Brittany and involves a pack of dogs and how they got where they were. Or were they there at all?

And then there is "Bewitched" a masterpiece which made me shiver while reading about the frozen New England winter even though it was 90 degrees outside my house. Wharton's descriptions of the physical appearances of all those involved in this wonderfully frightening tale is straight from the Grant Wood painting American Gothic, except with all the wintery background painted in by Edith Wharton.

Very highly recommended. These are not the modern man's ghost stories even though they were published in 1973. Some have no resolution, you have to decide for yourself how you think the situation ended. Some may not seem like ghost stories at all until you think about them afterward. Some are like those odd occurrances which make you wonder if you really got all your information straight and if you might, just might, be imagining things. A bonus for me were the black and white drawings which accompanied each story. The writing is wonderful but I had expected that from Edith Wharton. What I had not expected was to be so totally engrossed.

Summary of The Ghost Stories of Edith Wharton

"'No, I don't believe in ghosts, but I'm afraid of them,' is much more than the cheap paradox it seems to many. To 'believe,' in that sense, is a conscious act of the intellect, and it is in the warm darkness of the prenatal fluid far below our conscious reason that the faculty dwells with which we apprehend ghosts." Edith Wharton, known for her keen observations of an emotionally stifling upper-class social world, was so afraid of ghosts that for many years she couldn't even sleep in a room with a book containing a ghost story. As horror scholar Jack Sullivan writes, "It is this sharply felt sensation of supernatural dread filtered through a skeptical sensibility that made Wharton a master of the ghost story." This collection contains 11 of her elegant, chilling tales, including "Afterword," "The Triumph of Night," and "Pomegranate Seed," plus Wharton's 1937 preface and an autobiographical postscript.
One might not expect a woman of Edith Wharton's literary stature to be a believer of ghost stories, much less be frightened by them, but as she admits in her postscript to this spine-tingling collection, "...till I was twenty-seven or -eight, I could not sleep in the room with a book containing a ghost story." Once her fear was overcome, however, she took to writing tales of the supernatural for publication in the magazines of the day. These eleven finely wrought pieces showcase her mastery of the traditional New England ghost story and her fascination with spirits, hauntings, and other supernatural phenomena. Called "flawlessly eerie" by Ms. magazine, this collection includes "Pomegranate Seed," "The Eyes," "All Souls'," "The Looking Glass," and "The Triumph of Night."

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