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The Forest of Hands and Teeth by Carrie Ryan
Book Summary InformationAuthor: Carrie Ryan Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2009-03-10 ISBN: 0385736819 Number of pages: 320 Publisher: Delacorte Books for Young Readers
Book Reviews of The Forest of Hands and TeethBook Review: And The Undead Shall Inherit The Earth Summary: 5 Stars
I read many books and though most of it is popular fiction, I find myself attracted time and again to the Young Adult genre. I've read the "Twilight" books and for the most part enjoyed the series. I'm a fan of Stephenie Meyer, Annette Curtis Klause, Maggie Stiefvater and J.K. Rowling (among others). Now Carrie Ryan has made the list with a fantastical tale that blazes a new path in YA Fiction and its appeal is more than obvious to those who happen upon it.
The first thing to draw a teenage girl (or a 30-something woman like myself who still nurses the teenager within her) to read this book is its gothic cover art, the hardcover edition's jacket featuring a beautiful pale-skinned young woman with full, pouty lips and long, jet-black hair (think Angelina Jolie) breezed from her shoulder, eyes half-open and downcast as if lost in thought or mourning. Coupled with a backdrop of the title's aforementioned forest, all filled with spindly naked branches veiled by mist, its ominous yet melancholic romanticism is a visual magnet.
The second thing to suck us girls in is these two words: ZOMBIE APOCALYPSE. "So," we wonder, "does that mean that this beautiful girl I see will be a tragic heroine of sorts while fighting off gruesome creatures tooth and nail?" You betcha. Zombies are one of the most beloved monsters in modern entertainment, next to vampires and werewolves. We have our evidence in all the zombie movies that have come along in the last 10 years (28 Days Later, Shaun of the Dead, Dawn of the Dead, I Am Legend, etc.) along with their resurgence in literature (e.g. "Pride and Prejudice and Zombies"). With vampire and werewolf stories becoming overly abundant, it's pretty refreshing to read about moaning and lumbering beings whose blood-smeared faces and feral eyes bespeak their yen for human flesh.
The third and final aspect is a love story. Now you've really got us - hook, line and sinker. A zombie-infested world just wasn't enough to complicate matters so Ryan threw in a few more hurdles for her characters with a love quadrangle, making things even more interesting. Though many adults (mostly women) will read this right along with teens, it wouldn't be good YA Fiction if it didn't sate the raging hormones and idealism of its primary demographic with the inarguably intriguing complexities of young love.
The story begins with Mary (the main character and narrator) envisaging the ocean, something she has never seen and only heard about from stories her mother has told her growing up. Mary lives in a fenced-in community, one protected at its borders at all times by Guardians, appointed sentinels who are responsible for preventing an invasion. The Guardians and fence together protect the people from The Unconsecrated, a horde of zombies whose low, perpetual moans have become like a white noise to the townspeople, a constant hum in the background of daily life. It is presumed by everyone that because of The Return (a term Ryan uses to refer to the zombie apocalypse) no life exists beyond the fence due to the rampant spread of the zombie virus (they surround the village at all times in untold numbers). This belief is consistently reinforced by The Sisterhood, a religious order with parochial and unbending views. Mary refuses to subscribe to the notion that theirs is the only community, the only haven, and when a new breed of zombie manages to breach the fence, she and six others begin following a path that she hopes will lead them to the waters of which she has so fiercely dreamt.
The way in which Mary and the others lived constantly brought to mind the M. Night Shymalan film "The Village" (there was a border with watchmen around that town being threatened by a monster of sorts). Some might accuse Ryan of taking that set-up and running off with it but there really isn't anything new under the sun. It's all been done before - you just have to put your own interesting twist on it and I think Ryan has managed that with the zombies and the addition of the somewhat oppressive Sisterhood.
She has also managed it with an interesting cast of characters. Mary has admirable traits, such as her tenacity, her refusal to simply believe what others tell her and her will to survive (she fights and kills zombies just as savagely as the men) but where she falters is in matters of the heart. Even though she claims to love Travis, one has to wonder at a specific point in the story whether it was just a syndrome of her wanting what she couldn't have. She is indecisive about love, often aloof, and even when she gets what she so long coveted, it just isn't enough. Though these things round out her character (every character should have some flaws), it's nonetheless irksome. Is it a love story or is it just about a restless teen who wants to break free and see the world?
Ryan makes of Travis a bit of a dreamer as well, someone who thinks outside the box right along with Mary, their dream of a life beyond The Forest of Hands and Teeth ultimately bringing them together despite his betrothal to her childhood friend Cass. Harry, initially Mary's intended, is strong, valiant and honest and though he genuinely cares for her, he finds it hard to deny his growing feelings for Cass. Cass is emotional, sometimes bordering on hysterical, but puts her selfishness aside to act as a surrogate mother to a young boy whose parents succumbed to The Unconsecrated. Mary's brother Jed doesn't start off on such a great foot with readers, sometimes coming off antagonistic in his grief for their dead parents, but is easier to sympathize with towards the middle and at the end deserving of admiration.
Ryan's descriptions of the zombies are fantastic in their gruesomeness, depicting mangled, broken fingers pushing through flesh, chipped or missing teeth that gnash at the living, flesh sagging from atrophied muscles, the smell of death perpetually clinging to them. She even describes their life cycle: "As long as we have ever known, the Unconsecrated don't die, don't perish, unless decapitated or burned to ash. They do not rot, do not decay, only slowly pull themselves apart, a process made slower when they down themselves like hibernating animals." (pg. 183) Once the village is invaded by them, the book really takes off. It is the moment the reader has been waiting for and Ryan doesn't disappoint - all hell breaks loose.
She also depicts the sorrow and desperation of the six survivors beautifully and intimately, the reader feeling the gravity of it all. There is continued threat of death by the zombies in addition to dwindling food and water and three of the six die, two of them becoming tragic heroes. The book ends with a sense of hope despite all its chaos.
And if all that isn't enough to inspire you to pick up "The Forest of Hands and Teeth" next time you're near a B&N or a Borders, then take the time to read this stunning passage:
"Never in my life have I killed a human being. It's one thing to sit on a porch and sling arrows at the Unconsecrated below. It's another to feel the slice of a blade cut through flesh. Because even though the conscious mind knows that the Unconsecrated are no longer living human beings, there's still a part of the mind that rebels against the truth. That insists the woman, man, child coming toward you must still have some semblance of humanity. Especially for those Unconsecrated that are recently turned. That haven't lost limbs and flesh to time and the Forest. That haven't broken their fingers trying to reach through fences and doors. To see a pregnant woman, her body still large and firm, her eyes still clear, walk toward you and to know that she's dead and must still be killed takes a force of will that is almost unfathomable." (pg. 231)
Are you convinced now?
Bottom line: "The Forest of Hands and Teeth" is one of the more unique YA novels to come down the pike in the last few years. Though it does not conform to the current protocol of supernatural storytelling that is so popular right now, I would recommend it for that very reason. With the films rights for the book already optioned ([...] states Seven Star Pictures is "fast-tracking the project"), it's sure to become the next big thing for tweens, teens and their moms all over the country.
Summary of The Forest of Hands and TeethIn Mary's world there are simple truths. The Sisterhood always knows best. The Guardians will protect and serve. The Unconsecrated will never relent. And you must always mind the fence that surrounds the village; the fence that protects the village from the Forest of Hands and Teeth. But, slowly, Mary?s truths are failing her. She?s learning things she never wanted to know about the Sisterhood and its secrets, and the Guardians and their power, and about the Unconsecrated and their relentlessness. When the fence is breached and her world is thrown into chaos, she must choose between her village and her future?between the one she loves and the one who loves her. And she must face the truth about the Forest of Hands and Teeth. Could there be life outside a world surrounded in so much death?
Carrie Ryan lives in Charlotte, North Carolina. You can visit Carrie at www.carrieryan.com. Amazon Exclusive: Scott Westerfeld Reviews The Forest of Hands and Teeth Scott Westerfeld is the author of three sets of books for young adults, including the Uglies series, the Midnighters series, and a series of stand-alone novels set in contemporary New York, including So Yesterday, Peeps, and The Last Days. Both Uglies and Peeps were named Best Books for Young Adults by the American Library Association in 2006. Read his exclusive Amazon guest review of The Forest of Hands and Teeth: Teenagers love a good apocalypse. Who doesn't? All those annoying rules suspended. Society's pretenses made irrelevant. Malls to be looted. School out forever. But in The Forest and Hands and Teeth, Carrie Ryan's marvelous debut novel, the post-apocalypse is defined more by constraints than freedoms. The book begins seven generations after the Return, an undead plague that has ended civilization as we know it. Of course, a zombie outbreak usually means shotguns and mall looting--the very essence of freedom. But more than a century on from the Return, the malls have already been looted, and shotguns are a distant memory. The novel's heroine, Mary, lives in a village surrounded by one last vestige of industrial technology: a chain-link fence, beyond which is a vast forest full of shambling, eternally ravenous undead--the forest of hands and teeth. No villager ever goes outside this fence, unless they want to die. (And given this bleak scenario, some do.) Mary's world is bounded not only by the fence but by the archaic traditions of her people, which are enforced by a religious order called the Sisterhood. Marriages, childbirth, death, every stage of life must be controlled to sustain the village's precarious existence. Even the houses are circumscribed--literally--with passages of scripture carved into every entrance to remind the inhabitants of the rules that sustain human life amid the horrors of the forest. After so long an isolation, the village is beginning to forget. Some doubt that there really was a time before the Return, with giant cities and wondrous technologies. Others believe that nothing at all exists beyond the forest of hands and teeth. And nobody but Mary and her slightly mad mother believes in something called "the ocean," a huge and unbounded space beyond the reach of the undead. Mary is the sort of teenager who dreams of bigger things. Not just the ocean, but epic romance and adventure beyond the fence, maybe even other villages somewhere out there, safe behind their own fences. She believes that answers can be found to questions like, What made the Return happen? And what was it like before? Escaping the confines of home for the greater world is, of course, one of the great themes of teen literature. But few heroes in any genre have faced an obstacle as daunting as the forest of hands and teeth. Though Ryan's writing is as lyrical as her title, this novel is driven by the same grim relentlessness that animates any good zombie film. Elegant prose and undead hordes combine to create a story where high drama feels completely unforced, where tension is constant, and where an image as simple as the open sea is achingly romantic. Zombies have been metaphors for many things: consumerism, contagion in an overpopulated world, the inevitability of death. But here they resonate with a particularly teenage realization about the world--that social limits and backward traditions are numberless and unstoppable, no matter how shambling they may seem at first. And yet we must try to escape them anyway, lest we wither inside the fence.--Scott Westerfeld Amazon Exclusive: A Q&A with Carrie Ryan We had the opportunity to chat with Carrie Ryan over e-mail about her first novel, The Forest of Hands and Teeth. Here?s what Carrie had to say about George Romero, the growing popularity of young adult fiction, and how she's preparing for the zombie apocalypse. Amazon.com: You have said you began your writing career intending to write ?chick lit.? How, then, did you come to write The Forest of Hands and Teeth, which, on first glance, is a far cry from that genre? Carrie Ryan: In college many of the short stories I wrote were fairly dark but I?d always heard the advice that you should write what you read and at the time I loved to read romantic comedies and chick lit. So when I decided to attempt a novel, that?s what I tried to write even though it didn?t fit my natural tone. In fact, when I first tried to write a romantic comedy I had to constantly pull myself away from writing dark (and the reason I never tried to sell that book is because too many characters die which wasn?t very comedic!). Even the young adult chick lit I was working on tended to be dark--the main character interned at a coroners office and was surrounded by death. So writing The Forest of Hands and Teeth was more of me embracing my true voice. I think I?d been scared to just indulge in it before, afraid that there wouldn?t be a market for it (and in fact, even when I was writing The Forest of Hands and Teeth I was convinced it wasn?t saleable). As soon as I jotted down the first line I decided to write it the way I wanted--to experiment and push the bounds and not worry about the market or what other people would think. This was the story I realized I had to tell when my fiancé suggested, ?write what you love.? Amazon.com: Your book has drawn inevitable comparison to the archetypal zombie flick, Night of the Living Dead. How does Mary?s world differ from the world George Romero created more than 40 years ago? Are the movies what first got you hooked on zombies? Ryan: George Romero has really sparked a lot of imaginations and while any book or movie with zombies inevitably owes a massive debt to Romero's world, I tend not to think of The Forest of Hands and Teeth as a "zombie book," but rather a book that happens to have zombies in it. The Forest of Hands and Teeth, which takes place generations after the apocalypse, is really about a girl struggling with growing up, desire, and a controlling society set against the backdrop of a world with zombies (called ?Unconsecrated?) constantly pushing against the fences. The characters have already come to terms with the Return (the zombie apocalypse) and know nothing else: this is their world and they've accepted it. Romero's movies, on the other hand, deal more directly with the zombies--the plot arc of Night of the Living Dead is having to reckon with and defend against a zombie apocalypse as it occurs. In Romero's world the characters are still trying to fight against the zombies, still trying to reclaim the world of "before." In my book, the "before" time is lost, beyond memory, and the Unconsecrated are not so much the focal point as a part of the setting. I do think watching the remake of Dawn of the Dead sparked my interest in zombies and led to my watching other zombie movies, including Romero's. One of the things I love the best about his movies, and something that inspired me, is that while they may appear to be simply zombie flicks on the surface, they're actually a commentary on society and are often a reflection of societal fears. Like many other authors and directors, I wanted to use zombies as a mirror for the characters in my book. In the end, though, what influenced me most was the idea of a girl growing up trapped in a village that has forgotten everything and her hope that there could be something more beyond the menace in the Forest surrounding them, and that's what The Forest of Hands and Teeth is really about. Amazon.com: Many young adult books with post-apocalyptic settings have been gaining a wide adult fan base--Suzanne Collins?s The Hunger Games and Susan Beth Pfeffer?s Life As We Knew It are a couple of examples. Why do you think these books are attracting a wider audience? Ryan: It?s been really exciting to see so many young adult books find such popularity with adult readers and I?ve loved re-introducing both my mom and sister to the young adult section. In the past I think readers have ?graduated? to adult books and there?s been this feeling that young adult books are ?just for teens? and are therefore somehow lighter and less substantive. While there have always been phenomenal young adult books published every year, it?s really felt like there?s been a renaissance recently: more books that are pushing the boundaries in every way. Not only are a lot of sophisticated young adult books being published, but they?re accessible to everyone--most adults can remember those years of their life and tap into those emotions and feelings. But even more, so many of these books also tap into adult emotions and feelings: how to survive, figuring out what matters in life, struggling with changing relationships. These books make us question our decisions and ourselves and, especially in the current atmosphere of apprehension in the world, people are looking inward to what really matters to them. Ultimately, I like to think that the bottom line is there are just really really great books in the young adult section and that great books will find a wide audience, no matter where they?re placed. Amazon.com: In The Forest of Hands and Teeth, no one seems to know how the Unconsecrated (the zombies that live outside the village gates) first came into existence. What do you suspect would trigger the zombie apocalypse? Ryan: This is actually one of my favorite parts of any zombie book or movie: seeing how the apocalypse is triggered. There are so many different ways it can happen (and has happened)! Aliens, séances, military and medical experiments gone wrong, parasites, environmental mishaps. You name it, it?s caused the zombie apocalypse (I?m still waiting for a movie with chocolate overindulgence as the trigger!) But I actually made a conscious decision to leave the cause of the Return a mystery in The Forest of Hands and Teeth. One reason is that I wanted to show how knowledge and history could erode so drastically over time. The characters in my book have been so isolated and controlled that they think the ocean is a myth; they have no conception of the world before the Return. Ultimately, I recognized that the cause of the Return doesn?t matter to the characters or the story. There are so many books and movies that focus on why and how such an apocalypse occurs but my book takes place so long after the event that it?s meaningless. I really wanted to draw that distinction between my world and other zombie worlds: that it doesn?t matter how or why or what triggered the zombie apocalypse, just that it happened and that?s the world they live in now. Amazon.com: So, how are you preparing for the zombie apocalypse? Ryan: We?re not at all prepared! It?s funny, shortly after seeing my first zombie movie I dreamt there was a zombie apocalypse and how I would handle it if stuck in the apartment I was living in at the time. Even after waking up I kept trying to figure out how I would survive (how to defend myself, get water, find help, etc.). I?ve since thought through similar issues with every place we?ve lived sort of as a fun thought experiment and I?ve come to the conclusion that we were much safer when we lived in a top floor apartment than our one-story house with too many windows! To prepare, I just continue to read books, watch movies and am currently trying to train my puppy to be a zombie-sniffing dog.
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