The Duchess
by Amanda Foreman
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Book Summary Information
Author: Amanda ForemanEdition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-08-19
ISBN: 0812979699
Number of pages: 512
Publisher: Random House Trade Paperbacks
Book Reviews of The Duchess
Book Review: A Modern Woman In The Eighteenth Century
Summary: 5 Stars
"The Duchess" is the movie tie in version of Amanda Foreman's excellent 1998 biography "Georgiana". Except for the cover depicting Keira Knightley as Georgiana, Duchess of Devonshire, it is essentially the same book.
Georgiana Spencer Cavendish, Duchess of Devonshire, was born in the eighteenth century and died in the early nineteenth century, but her life was very modern in many ways. She was an open activist at a time when women were supposed to stay behind the scenes, a bold and flamboyant hostess who used her social prestige to advance her political agenda, and a beautiful but ultimately self-destructive woman whose emotions helped shape British history.
Georgiana was born into one wealthy and powerful aristocratic family and married into an even wealthier and more powerful one. The Cavendishes were bastions of the Whig oligarchy, which governed Britain almost continuously through the eighteenth century until the 1760s, when King George III forced them out of power. In opposition the Whigs became the progressives or liberals of the day, calling for curbs on the King's powers, protection for the liberties of the people, and for progress and social reform (with the ultimate aim of regaining power for themselves, of course). Georgiana was married to the Duke of Devonshire, who was retiring where she was outgoing, far more interested in living a quiet life with various mistresses than in helping to advance the Whig cause. Georgiana, frustrated with a husband who did not appreciate her, threw herself into politics, becoming a friend of Whig leaders like Charles James Fox and campaigning openly for him and others.
Georgiana's private life was complicated. She and her husband were involved in a years long menage a trois with Lady Elizabeth Foster, who was simultaneously Georgiana's best friend and the Duke's mistress and mother of his illegitimate children. Georgiana was addicted to gambling and lost enormous sums which she feared to reveal to the Duke. Eventually Georgiana herself had a love affair which nearly caused her marriage to end and forced her temporarily out of sight. Although she returned to political life after some years, her health broke down and her influence remained diminished.
Amanda Foreman has produced a work of great scholarship which reads like a novel. Georgiana's life is so fascinating that I've read this biography several times just to see what she would get up to next and how she would get out of one scrape after another. Foreman makes the good point that Georgiana epitomized many women of the eighteenth century, who were far more active and involved in politics than is generally supposed, as well as being a harbinger of the kind of power base to which women in the twentieth and early twenty-first centuries still aspire.
Summary of The Duchess
A NEW YORK TIMES NOTABLE BOOKNow a major motion picture starring Keira Knightley and Ralph Fiennes
Lady Georgiana Spencer was the great-great-great-great-aunt of Diana, Princess of Wales, and was nearly as famous in her day. In 1774 Georgiana achieved immediate celebrity by marrying William Cavendish, fifth duke of Devonshire, one of England?s richest and most influential aristocrats. She became the queen of fashionable society and founder of the most important political salon of her time. But Georgiana?s public success concealed an unhappy marriage, a gambling addiction, drinking, drug-taking, and rampant love affairs with the leading politicians of the day. With penetrating insight, Amanda Foreman reveals a fascinating woman whose struggle against her own weaknesses, whose great beauty and flamboyance, and whose determination to play a part in the affairs of the world make her a vibrant, astonishingly contemporary figure.
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