The Curious Incident of the Dog in the Night-Time

The Curious Incident of the Dog in the Night-Time
by Mark Haddon

The Curious Incident of the Dog in the Night-Time
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Book Summary Information

Author: Mark Haddon
Edition: Paperback
Published: 2004-05-18
ISBN: 1400032717
Number of pages: 240
Publisher: Vintage

Book Reviews of The Curious Incident of the Dog in the Night-Time

Book Review: Misses the point
Summary: 2 Stars

"The Curious Incident of the Dog in the Night-Time," by author Mark Haddon, is the story of Christopher John Francis Boone, a fifteen-year-old boy who discovers his neighbor's dog dead and sets about to solve the mystery of who killed it, making many other discoveries along the way. In this book, readers are treated to a unique voice, not only in literature, but in life, as Christopher is developmentally disabled. He doesn't like other people and he doesn't like being touched; as a result, when confused or angry, he often screams, groans, or physically attacks others. In giving Christopher a voice, Haddon succeeds in showing us Christopher's humanity but ultimately falls short in fleshing him out as a character.

For many of us, seeing kids like Christopher can be a frightening experience. They can't communicate with us and often engage in behavior that seems unfamiliar, if not frightening. Over the course of the book, Christopher runs into many others who cast him as an outsider, if not an animal. As he goes to school, he is mocked: "[S]ometimes the children from the school down the road see us in the street when we're getting off the bus and they shout, 'Special Needs! Special Needs!'" Usually, Christopher is either at his school or with his family, so he does not engage with the public, but over the course of his journey to London, as he is forced to interact with others to figure out the train system, again Christopher's role as an outcast is clear, as people on the train term him a "train elf" and wonder whether they "should feed him some nuts." After he has an episode, he is left to sit on his bench in the train station alone, with nobody wanting to even be near him.

However, because we are allowed inside Christopher's mind, we can see that he is not an elf or a freak. In describing one of his episodes, Christopher says, "I felt giddy. It was like the room was swinging from side to side, as if it was at the top of a really tall building and the building was swinging backward and forward in a strong wind . . . I rolled onto the bed and curled up in a ball." Hearing about Christopher's outbursts in his own voice, we feel compassion for his experience instead of fear. While obviously he is different from us - he can multiply 251 by 864 in his head, he counts prime numbers when he is upset, and he lacks imagination - he is also similar. Like us, Christopher feels happiness and sadness. He is happy when he can pretend he is the only person in the whole world and sad when he finds the dead dog. Also, Christopher, like the rest of us, has dreams: he is going to pass his A-levels, take more A-levels, go to the university, and become an astronaut. In fact, by the end of the book, after he has passed his A-levels and makes plans to take further A-levels and finishes his book about who has killed his neighbor's dog, he knows he "can do anything."

Learning about Christopher's point of view, readers see that he is a person like the rest of us, but unfortunately Christopher is never fully fleshed out as a character because none of the other characters in the book are allowed to share our perspective and see him as a person. While Christopher may not be able to show his love or attachment to others, we should still see evidence that others love and are attached to Christopher. Instead, we learn from Christopher about his troubles with his mom: "Mother had hit me sometimes because she was a very hot-tempered person." His mother explains to him, "I'm not like your father. Your father is a much more pacient [sic] person." Although his mother does not seem to be able to understand or cope with Christopher, his father is the one who cooks Christopher's meals, cleans his clothes, looks after him when he is sick, and worries about him when he wanders off. Ultimately, though, his father turns out to be the book's biggest disappointment. Even before his character is sacrificed for a plot point, Christopher's father doesn't seem to be the advocate that Christopher needs or deserves. When a friend of his father's, Rhodri, treats Christopher like a trained seal and asks him to multiply 251 times 864, Christopher says, "I don't like it when Rhodri laughs at me. Rhodri laughs at me a lot. Father says it is being friendly." Instead of defending his son, Christopher's father defends the man who mocks him. Moreover, at another point, in the middle of an argument which Christopher does not understand, his father asks him, "How stupid are you?" While it is clear that Christopher's father cares about him and loves him, it is also clear that he doesn't recognize what makes Christopher special - he loves him in spite of his differences, not because of them. Christopher's father, the one who cares for him and loves him more than anyone else, does not recognize his own son's humanity.

This problem - that we, as readers, can see Christopher as a person, but the other characters in the book don't - seems to be the author's way of saying that, even though we should recognize the mentally disabled as people with their own "voice," there is still in fact a barrier that makes communicating with them difficult. Because we are able to get inside Christopher's head, he does not seem so different from us; he is someone who can, to some extent, communicate with us, and someone we can learn from. But what about other mentally disabled people whose voices we don't have access to? In the classic book, "Flowers for Algernon," we come to like the disabled protagonist, Charley Gordon, not because he is similar to us, but because he is different. His differences are what make him special, and when he loses these differences, his character becomes almost unlikeable. In the "Curious Incident of the Dog in the Night-Time," however, we come to identify with Christopher because we can see that he shares some of our qualities - he is good at math, or he likes dogs, or his parents are having problems - and we choose to ignore his differences. He is not like the other people at his school - "All the other children at my school are stupid" - because he is going to pass his A-levels. In fact, the other "stupid" kids at his school are difficult to identify with - for example, Joseph Fleming, one of Christopher's classmates, who "eats everything," including "one of the little blocks of blue disinfectant which hang inside the toilets," "a 50 pound note from his mother's wallet," "string and rubber bands and tissues and writing paper and paints and plastic forks," and also "bangs his chin and screams a lot." Is this someone we can grow to like like Christopher or is this kid more like an "elf" or freak or someone we wouldn't want to sit near in the train station? In setting himself as different from this boy, Christopher in fact becomes "one of us" - someone who is not stupid and who can feel free to disregard the other people at his school. In truth, though, we probably shouldn't like Christopher for how he is one of us, but for his differences. In the end, a book like "Flowers for Algernon" makes a stronger point: we should not, as "Curious Incident" suggests, find the developmentally disabled tolerable because somewhere, somehow, they are like us, but instead we should recognize them for their differences, because that is what makes them special.

Summary of The Curious Incident of the Dog in the Night-Time

Mark Haddon's bitterly funny debut novel, The Curious Incident of the Dog in the Night-Time, is a murder mystery of sorts--one told by an autistic version of Adrian Mole. Fifteen-year-old Christopher John Francis Boone is mathematically gifted and socially hopeless, raised in a working-class home by parents who can barely cope with their child's quirks. He takes everything that he sees (or is told) at face value, and is unable to sort out the strange behavior of his elders and peers.

Late one night, Christopher comes across his neighbor's poodle, Wellington, impaled on a garden fork. Wellington's owner finds him cradling her dead dog in his arms, and has him arrested. After spending a night in jail, Christopher resolves--against the objection of his father and neighbors--to discover just who has murdered Wellington. He is encouraged by Siobhan, a social worker at his school, to write a book about his investigations, and the result--quirkily illustrated, with each chapter given its own prime number--is The Curious Incident of the Dog in the Night-Time.

Haddon's novel is a startling performance. This is the sort of book that could turn condescending, or exploitative, or overly sentimental, or grossly tasteless very easily, but Haddon navigates those dangers with a sureness of touch that is extremely rare among first-time novelists. The Curious Incident of the Dog in the Night-Time is original, clever, and genuinely moving: this one is a must-read. --Jack Illingworth, Amazon.ca


Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color yellow.

This improbable story of Christopher’s quest to investigate the suspicious death of a neighborhood dog makes for one of the most captivating, unusual, and widely heralded novels in recent years.

Narrated by a fifteen-year-old autistic savant obsessed with Sherlock Holmes, this dazzling novel weaves together an old-fashioned mystery, a contemporary coming-of-age story, and a fascinating excursion into a mind incapable of processing emotions.

Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color yellow. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. Routine, order, and predictability shelter him from the messy, wider world. Then, at fifteen, Christopher's carefully constructed world falls apart when he finds his neighbor's dog, Wellington, impaled on a garden fork, and he is initially blamed for the killing.

Christopher decides that he will track down the real killer and turns to his favorite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents' marriage. As he tries to deal with the crisis within his own family, we are drawn into the workings of Christopher's mind.

And herein lies the key to the brilliance of Mark Haddon's choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotion. The effect is dazzling, making for a novel that is deeply funny, poignant, and fascinating in its portrayal of a person whose curse and blessing is a mind that perceives the world literally.

The Curious Incident of the Dog in the Night-Time is one of the freshest debuts in years: a comedy, a heartbreaker, a mystery story, a novel of exceptional literary merit that is great fun to read.


"Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement. He is a wise and bleakly funny writer with rare gifts of empathy."
   IAN McEWAN, AUTHOR OF ATONEMENT AND AMSTERDAM

"I have never read anything quite like Mark Haddon's funny and agonizingly honest book, or encountered a narrator more vivid and memorable. I advise you to buy two copies; you won't want to lend yours out."
   ARTHUR GOLDEN, AUTHOR OF MEMOIRS OF A GEISHA

"The Curious Incident brims with imagination, empathy, and vision -- plus it's a lot of fun to read."
   MYLA GOLDBERG, AUTHOR OF BEE SEASON


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