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The Complete Maus: A Survivor's Tale by Art Spiegelman
Book Summary InformationAuthor: Art Spiegelman Edition: Hardcover Published: 1996-11-19 ISBN: 0679406417 Number of pages: 296 Publisher: Pantheon
Book Reviews of The Complete Maus: A Survivor's TaleBook Review: Important Educational Information with Range, Good Creativity and Comic-Style Art Summary: 5 StarsAlthough I am not Jewish I feel the same as the Jews that Holocaust books MUST be read. I was horrified to learn recently that a 37-year-old cousin did not know what a fascist was. This is NOT okay. Already thing are happening in the U.S. that mirror what happened in Germany before World War II, but that is not what you will find in this book.
What you will find in this book is the story from one man's experience and memory. It is both touchingly and brutally honest, written by the son of Holocaust survivors -- the story told to him only by his father.
Spiegelman's use of the comic media to draw Jews as mice, Nazis as cats, Poles as Pigs, French as Frogs, Americans as Dogs and the Swiss as Elk was ingenious. There are some VERY disturbing things that happen in this story which come as no surprise to those who have read other books on the Holocaust, and which make it so difficult to read more on the subject. Somehow reading about it through the comic medium creates an artificial distance from the topic that makes it easier to bear.
I read the whole thing in one day -- would have taken longer if I did not dedicate myself to reading the entire day, but still, that is not bad. It was "just right." I also found the depictions of some of his father's neuroses depicted as very interesting. He sure hated to spend money, but no matter how much money he had you just can't blame him when you see what he has gone through.
Good book. I would recommend this book for ages 12 and up.
Summary of The Complete Maus: A Survivor's TaleAt last! Here is the definitive edition of the book acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker). It now appears as it was originally envisioned by the author: The Complete Maus.
It is the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).
Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.
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