The Circus of Dr. Lao (Bison Frontiers of Imagination)

The Circus of Dr. Lao (Bison Frontiers of Imagination)
by Charles G. Finney

The Circus of Dr. Lao (Bison Frontiers of Imagination)
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Book Summary Information

Author: Charles G. Finney
Introduction: John Marco
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-04-01
ISBN: 0803269072
Number of pages: 169
Publisher: Bison Books

Book Reviews of The Circus of Dr. Lao (Bison Frontiers of Imagination)

Book Review: I shall not be more explicit
Summary: 5 Stars

Reviewing this book feels vaguely of sacrilege to me. I comfort myself with the idea that most of you won't get the joke. Did you ever get the feeling that people around you lack the ability to think and feel? That most people are animated sacks of protoplasm whose only purpose in the grand scheme of things is keeping money in circulation? Do you hear music when other people hear noise? Feel a sense of wonder when others remain indifferent? I feel like that all the time. If what I have just described is foreign and alarming, forget about this book. It's a confusing racist kid's story about an old Chinaman with a weird Circus.

If you're my sort of misanthrope, reading this book is like discovering fire. Every tent contains a parable. Every wonder an allegory. There isn't a wasted word in the entire 150 pages; it all means something. Even the illustrator Boris Artzybasheff is a mystery. How did the author pick this guy? Who the heck is Boris Artzybasheff? He paints like Stanislav Szukalski, but I never heard of him before. What kind of artist is named "Artsy-whayever" anyway? Is this some kind of joke? Who the heck was Charles G. Finney? Wikipedia tells me he was a soldier adventurer reporter type of fellow; like Kipling crossed with Mencken. He was named after a famed tent revival preacher. His book indicates that he is the exact opposite sort of character. Here was a man who had no illusions about human nature. I'm pretty sure he was also a traveling fellow. Certainly, he knows about hiding mysteries in plain sight.

If you have any understanding, it is possible to have entire conversations with fellow initiates based only on references to the book. There are feelings and thoughts for which there are no words, but which are real and important feelings and thoughts which are evoked by this book. Modern conceptions of heroism and valour are everlastingly colored by what Homer wrote in the Iliad. Similarly, if you read the Circus of Dr. Lao, and I say to you, "I will stand there and watch her swim out into the tide," you will know I refer to the mermaid, and the ineffable feelings of loss and sadness and nostalgia and hope in that scene in the story. And you will know that no matter how well I describe my inexpressible feelings for the mermaid, some clown will ask me what the mermaid eats (seafoods -duh, she's a mermaid, what do you think she eats?).

It's also beautifully evocative of the way people were and talked in the Depression era; sort of like Ring Lardner, another misanthropic storyteller from that era. They made a special effects laden kid's movie out of it starring Tony Randall; don't bother: it's garbage. The prose is crystal clear, and as I said, not a word is wasted. It bubbles with the cruelty and laughter and irony and joy of life. I tell people; if you don't understand this book, you'll probably always be confused by me. Not that there is anything wrong with that.

Summary of The Circus of Dr. Lao (Bison Frontiers of Imagination)

Abalone, Arizona, is a sleepy southwestern town whose chief concerns are boredom and surviving the Great Depression. That is, until the circus of Dr. Lao arrives and immensely and irrevocably changes the lives of everyone drawn to its tents.
 
Expecting a sideshow spectacle, the citizens of Abalone instead confront and learn profound lessons from the mythical made real--a chimera, a Medusa, a talking sphinx, a sea serpent, witches, the Hound of the Hedges, a werewolf, a mermaid, an ancient god, and the elusive, ever-changing Dr. Lao. The circus unfolds, spinning magical, dark strands that ensnare the town's populace: the sea serpent's tale shatters love's illusions; the fortune-teller's shocking pronouncements toll the tedium and secret dread of every person's life; sensual undercurrents pour forth for men and women alike; and the dead walk again.
 
Dazzling and macabre, literary and philosophical, The Circus of Dr. Lao has been acclaimed as a masterpiece of speculative fiction and influenced such writers as Ray Bradbury. This Bison Frontiers of Imagination edition features a new introduction by noted fantasy writer John Marco and striking illustrations by Boris Artzybasheff from the first edition.

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