The Chisellers

The Chisellers
by Brendan O'Carroll

The Chisellers
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Book Summary Information

Author: Brendan O'Carroll
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2000-03-01
ISBN: 0452281229
Number of pages: 190
Publisher: Plume

Book Reviews of The Chisellers

Book Review: Without Qualification, Flawless The Sequel
Summary: 5 Stars

A sequel to a wonderful book is inherently at risk. For when it is to be read by a person familiar with the initial experience, part two is almost predestined to be disappointment. Book one has the advantage of introducing all that is new. The final of the three can tie all the experiences together, can bring closure. But the middle event must maintain the reader's enthusiasm. When the story and its execution are excellent, the reader is enthusiastic for the final event. The last book is not read just to complete the cycle. Happily there are no absolutes, exceptions ensure that there will be pleasant surprises, not all repeated experience need be as expected.

With, "The Chisellers", Mr. Brendan O'Carroll has repeated the brilliance of, "The Mammy", without resorting to repeating himself as a writer, or forcing his characters to remain unchanged. This writer brings all of the people you love in part one and he allows them to evolve as a person would in their own life. The mood of this book is different, but is also a natural progression. The Browne Clan is getting older; adulthood envelops some, while it still awaits the younger children. Agnes too is aging, adapting to the dramatic changes she was forced to cope with in the first book. However as I mentioned when commenting upon, "The Mammy", Mr. O'Carroll tells a wonderful story, which happens to take place with an Irish Family. While it is true this brings with it some detail that may be familiar, the fact that this is an Irish Family is never what drives this book. He never allows his work to cheat and use the easy cliché.

The Author also brings to this wonderful trilogy people that are not Catholic, that are not Irish, and they are not by default the evil players. His story is inclusive; the world he writes about is not a fantasyland where the pains and trials of life are absent. But neither is it a world that when suffering appears, it appears as a certain brand, a certain nationality, a certain group of worn clichés.

And in this second book there is great pain, there is senseless destruction and loss. And while it would be very easy of accusing the Author of being a bit too neat with finding the lining of silver in one cloud too many, it is no more than most tales of Ireland when every cloud contains a granite mountain.

This amazing writer is two for two, and now it remains to be seen if he has the final third of the hat trick within him. For this middle installment is as good as number one, so he has nothing to improve upon, as the first two were uniformly tremendous.

Summary of The Chisellers

The Mrs. Browne trilogy became an instant bestselling success in author Brendan O'Carroll's native Ireland. Similarly, when Plume introduced The Mammy (the first book in the series, May 1999) in the United States, it was greeted with overwhelming enthusiasm from American readers. Fans of Agnes Browne craving further hilarious and heartwarming adventures will be delighted with The Chisellers. Agnes, the lovable and determined heroine, returns with her seven children?whom she affectionately calls "the chisellers"?all struggling to make their way in the world with varying degrees of success. To make matters more difficult, as Agnes struggles along the bumpy road of parenting, she learns that the family is about to be forced out of their tenement home in the name of urban renewal. Pierre, Agnes' persistent suitor, is thankfully on hand to console her. Like all good Irish stories, The Chisellers includes a wedding and a funeral, much laughter and some tears?and it is sure to please newcomers as well as loyal fans of this terrific series.

In his introduction to this second episode in the rollicking trilogy that began with The Mammy (1994), Brendan O'Carroll explains that his greatest surprise and pleasure, in the wake of his newfound literary success, was meeting people who told him it was the first book they had ever read. And it's easy to imagine how new readers would be drawn in by engaging, larger-than-life characters, colorful dialogue, and high-spirited plot. The Chisellers opens in 1970, with the widow Agnes Browne still struggling to raise her brood (the chisellers of the title) alone, although the broad-shouldered Mark is now an apprentice carpenter and Rory, his gay brother, is an apprentice hair stylist. Agnes may be too caught up in her exciting bingo win of 310 pounds to notice that little Dermot is developing a dangerous taste for shoplifting, but she frequently wrings her hands over Frankie, a neo-Nazi thug who has been expelled from school.

Into this flurry of daily concerns and excitements comes a letter from the local housing authority, notifying her that all the indigent families in her neighborhood are being relocated from their shabby but familiar tenements in the center of Dublin to new houses in a distant suburb. At the sad but raucous farewell party at the pub, Agnes sits drinking cider "in her usual corner," remembering her best friend, Marion, who died three years before: "Ah Jaysus, Marion, listen to them!" she muses. "The music of The Jarro! Will we ever hear the likes of it again?"

The music to which Agnes referred could not be played on any instrument, but was the cackle of voices and rhythmic banter of the inner-city folk, the symphony of unanswered questions and impossible statements, that were so much of the colour of Dublin: "Hey, Mr. Foley. A vodka with ice--and fresh ice, none of that frozen stuff!" This would be followed by a howl of laughter.
As you read, it is impossible not to envision a feel-good film of The Chisellers (Anjelica Huston directed The Mammy) and to admire O'Carroll's comic skill, even if his sunny, too-tidy conclusion to the novel makes Frank McCourt read like Dostoyevsky. --Regina Marler

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