The Best American Science & Nature Writing 2000

The Best American Science & Nature Writing 2000

The Best American Science & Nature Writing 2000
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Book Summary Information

Adapter: David Quammen
Adapter: Burkhard Bilger
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2000-10-26
ISBN: 0618082956
Number of pages: 320
Publisher: Houghton Mifflin

Book Reviews of The Best American Science & Nature Writing 2000

Book Review: great collection
Summary: 4 Stars

Of all the annual `best of' anthologies, Houghton Mifflin's Best American Science and Nature Writing has to be the best. I know it has only been out a few years, but in every anthology, 90% of the essays are phenomenal. In the 2000 edition I thought only Wendell Berry's and Wendy Johnson's essays didn't belong (I'm not sure that you could qualify Johnson's piece as science or nature writing). Otherwise you have great pieces by Natalie Angier, Richard Conniff, Paul de Palma, Helen Epstein, Anne Fadiman, Atul Gawande, Brian Hayes, Edward Hoagland, Judith Hooper, Ken Lamberton, Peter Matthiessen, Cullen Murphy, Richard Preston, Oliver Sacks, Hampton Sides, Craig B. Stanford, and Gary Taubes (most of them I had never heard of). And they range over all aspects of science, nature, and technology. Great collection.

Summary of The Best American Science & Nature Writing 2000

With The Best American Science and Nature Writing, Houghton Mifflin expands its stellar Best American series with a volume that honors our long and distinguished history of publishing the best writers in these fields.
David Quammen, together with series editor Burkhard Bilger, has assembled a remarkable group of writers whose selections appeared in periodicals from NATIONAL GEOGRAPHIC, SCIENCE, and THE NEW YORKER to PUERTO DEL SOL and DOUBLETAKE. Among the acclaimed writers represented in this volume are Richard Preston on "The Demon in the Freezer," John McPhee bidding "Farewell to the Nineteeth Century," Oliver Sacks remembering the "Brilliant Light" of his boyhood, and Wendell Berry going "Back to the Land."
Also including such literary lights as Anne Fadiman, David Guterson, Edward Hoagland, Natalie Angier, and Peter Matthiessen, this new collection presents selections bound together by their timelessness.
Editor David Quammen's approach with The Best American Science and Nature Writing 2000 is broad. So broad that he juxtaposes Mormon archaeology with wild African dogs, computer science with the origins of HIV. As a whole, the collection should be awkward, but it's not. Quammen's insistence that nature is bigger than we think, that science rests within culture, which rests within nature, allows each of these pieces to fit. The focus is on good writing, writing that might change your mind, or make you shout "YES!" or even make you angry. In narrowing the field, Quammen considered straight science reporting, book reviews and excerpts, and articles published in 1999.

One of the best pieces in the book is Natalie Angier's essay "Men, Women, Sex, and Darwin"--which became Woman: An Intimate Geography--a lucid and sharp challenge to the prevailing notions of evolutionary psychologists about what women want. Wendell Berry's "Back to the Land" praises the notion of an agrarian mindset, in contrast to the prevailing industrialism, and urges no less than a consumer revolt. Atul Gawande addresses the myth of the cancer cluster, Anne Fadiman recalls her reaction to a young boy's drowning, and Edward Hoagland imagines life in the third millennium in his elegant piece, "That Sense of Falling:"

Science is not sluggardly yet seems devoid of grief, because this would be a life without Mozart or other succulent choices at our fingertips, but oddly truncated, with so little sky and green and random sound or scent blowing in. We may need to grow not only hydroponic vitamins, but also oxygen, if the forests and oceanic vegetation are mauled beyond resuscitation: breathing units, to complement what may be denoted as affection units once the components of a child's emotional needs have been mapped precisely.

Millennialism drives several of the works, as a testament to our 1999 obsession with Y2K. Brief chronicles of the year's scientific revolutions are here, like Paul Ewald's work on microbiological evolution, as are more personal accounts, like Peter Matthiessen's pure naturalist prose and Oliver Sacks's "Brilliant Light," telling of his childhood obsession with chemistry. Browsers will find wonderful excerpts from the two major schools of science and nature writing that Quammen calls "Stay Home and Observe with a Gentle Heart" and "Go Forth and Observe with a Probing Mind." This collection is a very worthy addition to Houghton Mifflin's Best American series, and a science reader's dream come true. --Therese Littleton

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