The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party

The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party
by M.T. Anderson

The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party
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Book Summary Information

Author: M.T. Anderson
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-09-12
ISBN: 0763624020
Number of pages: 368
Publisher: Candlewick

Book Reviews of The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party

Book Review: I am in awe
Summary: 5 Stars

This book was profoundly disturbing to me on so many levels. At various points in the book, I almost had to put it down because I was so heartsick. (Before I begin my praise of this amazing work - I do have to ask...this is a work for young adults? Seriously?)

When I added this book to my list - I tagged it as Fiction and Science Fiction. When I started the book - I was sure I was reading some sort of Gothic, maybe post-apocalyptic cautionary tale. When I found out the book was set in pre-Revolutionary Boston - I was shocked.

Once I got over that...I was then shocked to find out that Octavian and his mother were slaves. I kept having to change my mindset as I went through the book...one of the reasons I think I was so affected by it. I was just starting to wrap my mind around the "knowledge for knowledge's sake - consequences be damned" philosophy of the "college" when the sickening reality of Octavian and his mother's imprisonment set in. The frills and finery were torn away to reveal the true inhumanity of their situation.

Again - this book was disturbing on so many levels. Was I more bothered by Octavian's defense mechanisms when confronted by despicable acts" "...after I saw the philosophers of this college acquire a docile child deprived of reason and speech...beat her to the point of gagging and swooning; after such experiments as these, I became most wondrous observant, and often stared unmoving at a wall for some hours together." (Reading that passage again turns my stomach.)

Or was I more disturbed by the complete lack of hope that permeates the book: "Do you feel it child?" he asked. "The wall is gone. Space is gone from behind us." I could feel nothing. "He said, "All that is there now is the eye of God." He shivered. "The pupil is black, and as large as a world." And later, "At long last, you may no longer distinguish what binds you from what is you."

Or was I most saddened by the hideous irony that the men who gave Octavian freedom of the mind were the ones that denied him the freedom of his body. "They gave me a tongue; and the stopped it up, so they would not have to hear it crying." And "...they told me of color, that it was an illusion of the eye, an event in the perceiver's mind, not in the object, they told me that color had no reality...And then they imprisoned me in darkness; and though there was no color there, I still was black, and they still were white; and for that, they bound and gagged me."

And I don't even have the words to address the powerful juxtaposition of the colonists struggle and cries for "Freedom from tyranny!" against the silent reality of slavery.

The way that Anderson phrases the most hideous of realities in the most matter of fact ways is by turns, startling and beautiful. It makes me think that there are no other ways these words could be put together - that the way they are set upon the page is the only way they can exist together.

"What have you observed?"

"The solidity of shackles. They increase the solidity of the body. When I walk free, I am not conscious of my solidity."

"Yes. Shackles, like all matter, are defined by resistance."

"Do not tell me," I said to them, "what is defined by resistance."

As I start into the above paragraph, I am observing as Octavian does. Then I am considering the truth of what he observes - that one does not FEEL freedom until one loses it. That it is difficult to experience a positive without knowing the negative. And then - with a killing blow - my eyes absorb that final sentence...and I feel ridiculous for not mourning Octavian's shackles with him...and then I feel a fierce admiration of his spirit and his refusal to accept shackles of the mind along with shackles of the body. All this - in under 50 words.

I am in awe.

This book made me feel like I do when watching movies like "Schindler's List" or "Saving Private Ryan". Every molecule in my body and soul rebels against the horror I am a witness to. All I can think about is turning my eyes away, making it stop, which is the one thing I am not allowed to do. These atrocities existed, they were real. Humans were and are capable of such evil, such cruelty, such viciousness. It is important to me that every once in a while, I remind myself of this. I am so incredibly lucky to have been born in the circumstances I was, and to have been given the privileges I have, and to have lived in the time an place I do. The least I can do is to acknowledge the pain of those who are not as lucky as I.

This book, like those movies, is one where the reader cannot put aside after finishing and think, "It was just a movie/book." These times and events were real. These things happened, even if details have been changed.

Octavian, and those real people he is representative of, experienced horrors I hope I never do. Horrors that most of our world would say happened in the past..and yet we all know are happening every day - somewhere, to someone. My soul aches for those who are robbed of their humanity by beings inhuman themselves.

Because I am who I am, I must end this review with a beautiful and tragic set of passages - mirror images of the same truth:

"I lifted up the first, blank, page, and surveyed those beneath, to see, as Bono quoth, what the man on the street was wearing. It was a catalogue of horrors. Page after page of Negroes in bridles, strapped to walls,...masks of iron with metal mouth bits...razored necklaces...collars of spikes that supported the head..."

"...Mr. Gitney burned Bono's fashion catallogue an hour later."

"Let us rid ourselves," he said, "of this noisome object."

"But I could not rid myself of it. It was the common property of us all."

Previous to this - there was one of the few glimmers of hope in the book:

"Music hath its land of origin; and yet it is also its own country, its own sovereign power, and all make take refuge there, and all, once settled, may claim it as their own, and all may meet there in amity; and these instruments, as surely as instruments of torture, belong to all of us."

Octavian and his story belongs to all of us. Though not as fully to those who experience such events in their lifetime...it belongs to those of us who must make sure that the realities contained within the fiction become less and less prevalent. We need these "noisome objects" today more than ever.

Any time I find myself feeling complacent about our world? I need only look at the cover of this book.

Summary of The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party

A gothic tale becomes all too shockingly real in this mesmerizing magnum opus by the acclaimed author of FEED.

It sounds like a fairy tale. He is a boy dressed in silks and white wigs and given the finest of classical educations. Raised by a group of rational philosophers known only by numbers, the boy and his mother ? a princess in exile from a faraway land ? are the only persons in their household assigned names. As the boy's regal mother, Cassiopeia, entertains the house scholars with her beauty and wit, young Octavian begins to question the purpose behind his guardians' fanatical studies. Only after he dares to open a forbidden door does he learn the hideous nature of their experiments ? and his own chilling role in them. Set against the disquiet of Revolutionary Boston, M. T. Anderson's extraordinary novel takes place at a time when American Patriots rioted and battled to win liberty while African slaves were entreated to risk their lives for a freedom they would never claim. The first of two parts, this deeply provocative novel reimagines the past as an eerie place that has startling resonance for readers today.

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