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The Alchemist by Paulo Coelho
Book Summary InformationAuthor: Paulo Coelho Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2006-04-25 ISBN: 0061122416 Number of pages: 208 Publisher: HarperCollins Product features: - Attractive paperback with scene of the desert and hills beyond. In
- colors of tan, orange and brown.
Book Reviews of The AlchemistBook Review: As profound a narrative and philosophy as you'll find anywhere Summary: 5 Stars
I read The Alchemist when I was 24, fifteen years ago. A friend had recommended it to me and I read it in a day or two - it is, after all, a short book. I enjoyed it but didn't think a great deal of it at the time and remember telling my friend exactly this after I finished it.
Ah, but how things change. I listened to The Alchemist on CD recently, as I was journeying to Burning Man with friends, for my third extravaganza in Black Rock City (the temporary city that springs up each year in the Nevada Desert to accommodate about 50,000 revelers). I was blown away by the profundity and beauty of the Alchemist this second time through. No, I was not on drugs.
Jeremy Irons delivers a masterful reading of the book in about four hours. Certainly his voice adds much to this book.
And yet the profundity and beauty of the book are completely independent of Irons' performance. In the fifteen years since I first read the book, I have read widely and thought deeply about philosophical issues such as the nature of mind, matter, time, soul, self, God and free will. I have also finished my own book on these topics recently (non-fiction). I found that Coelho captures what I call the "universal spiritual truths" flawlessly in his short book. His philosophical fable is essentially panpsychist in nature, and panentheist. These terms mean, respectively, that all things have some degree of mind in them ("the soul of the world," "the soul of the universe," the Sun as a conscious entity, etc.), and that the world is within God and not separate from God. These are philosophical positions most closely associated with process philosophy, a school of thought made rigorous and increasingly popular in the West by Alfred North Whitehead, Henri Bergson, Charles Hartshorne, John Cobb Jr., David Ray Griffin and many others.
Now, does the Sun really converse with people here on our planet? Of course not. But does the Sun have some type of consciousness that flickers and fluxes as its mass heaves and buckles, with a stability of sorts reached in various parts of its huge extent? Quite likely. Does the Earth display enough stability and complexity to host a mind of a sort? Quite possibly. By the same reasoning, does the universe as a whole display enough complexity and stability to host a profound intelligence? Quite likely. And should we call this God? Who cares what we call it.
The ultimate profundity of Coelho's book is, however, more subtle. When he writes that "if you truly want something, the universe will conspire to make it happen" and "all things are One," he is expressing the gnostic/samadhi/satori experience of all mystics. This experience, the basis for every religion and true spiritual tradition is the realization that all things are indeed one. There is no real separation. You are the universe, I am the universe, we are the universe. By extension, because matter and mind are two aspects of the same thing, you are God, I am God, we are God. And this is how the universe conspires to make your dreams come true: whatever happens in the universe is YOU. You are everything that happens to the temporary collection of matter and mind that you normally think of as you. And if the little you (the little self in Vedanta, as opposed to the Self, Brahman) can master these truths and live these truths, the desires of the little you may ultimately align with the big You.
Summary of The Alchemist"My heart is afraid that it will have to suffer," the boy told the alchemist one night as they looked up at the moonless sky." Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams." The Alchemist is the magical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure as extravagant as any ever found. From his home in Spain he journeys to the markets of Tangiers and across the Egyptian desert to a fateful encounter with the alchemist. The story of the treasures Santiago finds along the way teaches us, as only a few stories have done, about the essential wisdom of listening to our hearts, learning to read the omens strewn along life's path, and, above all, following our dreams. Every few decades a book is published that changes the lives of its readers forever. The Alchemist is such a book. With over a million and a half copies sold around the world, The Alchemist has already established itself as a modern classic, universally admired. Paulo Coelho's charming fable, now available in English for the first time, will enchant and inspire an even wider audience of readers for generations to come. Like the one-time bestseller Jonathan Livingston Seagull, The Alchemist presents a simple fable, based on simple truths and places it in a highly unique situation. And though we may sniff a bestselling formula, it is certainly not a new one: even the ancient tribal storytellers knew that this is the most successful method of entertaining an audience while slipping in a lesson or two. Brazilian storyteller Paulo Coehlo introduces Santiago, an Andalusian shepherd boy who one night dreams of a distant treasure in the Egyptian pyramids. And so he's off: leaving Spain to literally follow his dream. Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists--men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night. "Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity." --Gail Hudson
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