Sweet Hereafter: A Novel

Sweet Hereafter: A Novel
by Russell Banks

Sweet Hereafter: A Novel
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Book Summary Information

Author: Russell Banks
Edition: Paperback
Audio: English (Published)
Format: Bargain Price
Published: 1992-08-05
ISBN: N/A
Number of pages: 272
Publisher: Harper Perennial

Book Reviews of Sweet Hereafter: A Novel

Book Review: "There's no such thing as the simple truth."
Summary: 4 Stars

Four individuals. Delores Driscoll - the school bus driver, Billy Ansel - a widower/father, Nicole Burnell - the perfect schoolgirl, Mitchell Stephens - a slick lawyer. These are the narrators of "The Sweet Hereafter", a story about a tragic school bus accident in a small upstate NY town, where everybody knows everybody. Or do they? That's the question at the heart of this story. Each of these four people have personal truths that are different from the impression they give others. These truths are central to how each interprets the tragedy, and it's aftermath. Without giving anything away, the biggest surprise comes when one narrator reveals a dark secret of private turmoil. I was quite shocked!

My only quibble: I thought the four narrators sounded a bit alike, despite their individual perspectives. All in all, Russell Banks has written a fascinating character profile here, which would make for great discussion. I recommend to book clubs.

Spoiler:

Why was Delores "relieved" when Nicole lied about her causing the bus accident? Was she relieved to be the town's scapegoat, thus creating a way for them to move on from the tragedy? That doesn't ring true to me. What am I missing here? (Guess I could use a book club!)

Summary of Sweet Hereafter: A Novel

In The Sweet Hereafter, Russell Banks tells a story that begins with a school bus accident. Using four different narrators, Banks creates a small-town morality play that addresses one of life's most agonizing questions: when the worst thing happens, who do you blame?


Atom Egoyan's Oscar-nominated The Sweet Hereafter is a good movie, remarkably faithful to the spirit of Russell Banks's novel of the same name, but Banks's book is twice as good. With the cool logic of accreting snowflakes, his prose builds a world--a small U.S. town near Canada--and peoples it with four vivid, sensitive souls linked by a school-bus tragedy: the bus driver; the widowed Vietnam vet who was driving behind the bus, waving at his kids, when it went off the road; the perpetually peeved negligence lawyer who tries to shape the victims' heartaches into a winning case; and the beauty-queen cheerleader crippled by the crash, whose testimony will determine everyone's fate.

We experience the story from inside the heads of the four characters in turn--each knowing things the others don't, each misunderstanding the facts in his or her own way. The method resembles Faulkner's The Sound and the Fury and Gilbert Sorrentino's stunning Aberration of Starlight, but Banks's achievement is most comparable to John Updike's tales of ordinary small-towners preternaturally gifted with slangy eloquence, psychological insights, and alertness to life's tiniest details.

Egoyan's film is haunting but vague--it leaves viewers in the dark regarding several critical plot points. Banks's book is more haunting still, and precise, making every revelation count, with a finale far superior to that of the film. It's also wittier than the too-sober flick: the lawyer dismisses the dome-dwelling hippie parents of one of the crash victims as being "lost in their Zen Little Indians fantasy," which casts a sharp light on them and him, too. He's lost in his calculations of how each parent will fit into the legal system, and the ways in which he fits into the tragedy are lost on him. If only he and the Vietnam-vet dad could read each other's account of their tense first encounter, both of them might get what the other is missing.

Banks's wit is pitiless--it's painful when we discover that the bus driver, who prides herself on interpreting for her stroke-impaired husband, is translating his wise but garbled observations all wrong. The crash turns out not to be the ultimate tragedy: in the cold northern light of its aftermath, we discover that we're all in this alone.

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