Story: Substance, Structure, Style and The Principles of Screenwriting

Story: Substance, Structure, Style and The Principles of Screenwriting
by Robert Mckee

Story: Substance, Structure, Style and The Principles of Screenwriting
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Book Summary Information

Author: Robert Mckee
Edition: Hardcover
Audio: English (Original Language); English (Unknown); English (Published)
Published: 1997-12-17
ISBN: 0060391685
Number of pages: 480
Publisher: It Books
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Book Reviews of Story: Substance, Structure, Style and The Principles of Screenwriting

Book Review: An Author's Essential
Summary: 5 Stars

I understand why McKee is a king in the literary world. His direction, ideas and instructions are priceless to anyone soaked by the writing of words. It's a book that must be on the desk of anyone sincere about their writing craft. When I learned that best selling author Eric Jerome Dickey bought this book, I had to have it and knew whatever the price it had to be worth it. It was and still is a tool I will continue to re-read and implement into my writing. I can't wait to attend one of McKee's live seminars.

Author & Poet Rachel Berry
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Summary of Story: Substance, Structure, Style and The Principles of Screenwriting

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni.Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.

In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.


Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ("As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ") In Story, McKee puts into book form what he has been teaching screenwriters for years in his seminar on story structure, which is considered by many to be a prerequisite to the film biz. (The long list of film and television projects that McKee's students have written, directed, or produced includes Air Force One, The Deer Hunter, E.R., A Fish Called Wanda, Forrest Gump, NYPD Blue, and Sleepless in Seattle.) Legions of writers flock to Hollywood in search of easy money, calculating the best way to get rich quick. This book is not for them. McKee is passionate about the art of screenwriting. "No one needs yet another recipe book on how to reheat Hollywood leftovers," he writes. "We need a rediscovery of the underlying tenets of our art, the guiding principles that liberate talent." Story is a true path to just such a rediscovery. In it, McKee offers so much sound advice, drawing from sources as wide ranging as Aristotle and Casablanca, Stanislavski and Chinatown, that it is impossible not to come away feeling immeasurably better equipped to write a screenplay and infinitely more inspired to write a brilliant one.--Jane Steinberg

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