Steppenwolf: A Novel

Steppenwolf: A Novel
by Hermann Hesse

Steppenwolf: A Novel
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Book Summary Information

Author: Hermann Hesse
Translator: Basil Creighton
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-12-01
ISBN: 0312278675
Number of pages: 224
Publisher: Picador
Product features:
  • ISBN13: 9780312278670
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Book Reviews of Steppenwolf: A Novel

Book Review: A book for healing the troubled spirit
Summary: 5 Stars

"Steppenwolf" is in part an autobiographical novel exploring the mid-life crisis of Hermann Hesse. Readers should be aware that German nationalists up to this point had criticised Hesse for his pacifist writings and activities during WWI. He like so many of his generation had helplessly watched the socio-economic turmoil and transition of Germany during the Weimar Republic, although he had long ago immigrated to Switzerland. He witnessed the deterioration of his first wife's mental health, which subsequently lead to their divorce. And he was afflicted with gout and other physical ailments, some of which are mentioned in the novel. With these tragic events weighing heavily on Hesse, he suffered a nervous break down, whereupon he underwent Jungian psychoanalysis and was inspired by it to put his accounts to paper.

The result was "Steppenwolf", a poetic tale about a middle-aged man who is spiritually, emotionally and physically sick. Any doubt to its subject matter can be easily dispelled in the book of poetry entitled "Crisis" or Crisis Pages From a Diary (Noonday), which Hesse published in 1927 at the same time as "Steppenwolf". It contains two poems found in "Steppenwolf" and a number of confessional poems describing his despair and personal loss.

Despite the abundance of reviews and narratives written on "Steppenwolf" and Hesse's philosophical position it was, he confided in the preface of editions printed after 1961, his most "violently misunderstood" work. Hippies in the late sixties embraced the book's references to drug use, anti-war activity, provocative music and sexual promiscuity. Even counter-culture guru and psychiatrist Dr. Timothy Leary speculated in his book The Politics of Ecstasy (Leary, Timothy) what types of medication Hesse had been prescribed, based on his dream and surrealistic images in the novel.

In truth, Hesse's intention was to paint the picture of Steppenwolf's (or Harry Haller's) state of mind. To portray this personality, Hesse resorted to Jungian psychology, particularly the principals of `ego', `animus/anima' and `self'. Harry Haller is his `ego'. Hermine is his `anima' (animus in women). Pablo and Maria are his `self'. Harry Haller (whose initials H.H. are the same as Hermann Hesse's), however, is unable to integrate the opposite and multiple pieces in his psychological make up. Unity of the personality is attainable by emulating the immortals' (Mozart, Goethe, Nietzsche, Novalis) sense of humour or adaptability whenever confronted with rigid conformity and resistance to change.

When Hesse introduces the reader to Hermine, he is referring to the `anima' in himself; Hermine is the feminine name for Hermann. In Jungian psychology, this is the feminine principal present in the male consciousness or the inner personality in communication with the subconscious. Hermine is in effect the inner voice of Harry Haller (Hermann Hesse) helping him to unify his `ego' and `self'. She encourages the intellectual and serious side of Harry - the `ego' - to recognise and accept the sensual and animal (Steppenwolf) side of his personality - the `self' - which jazz musician Pablo and escort Maria are only too willing to nurture. Hermine is the unifying force of the `ego' and `self', leading to the realm of the immortals in The Magic Theatre where multiple aspects of his personality are synthesised and made whole.

In this respect, The Magic Theatre becomes a metaphorical extension of Harry Haller's mind. All that Harry loathes about the mediocrity of the bourgeois, all that he loves about Mozart, Goethe, Novalis and Nietzsche, all the passion he feels for past loves and Hermine -- in essence, all that comprises Harry -- is distilled and fused as one. For instance, the music of his revered Mozart is played through the radio he so despises; the ugliness of war he dislikes, he embraces with a theologian friend in a war against the automobile (or machine); and when he figuratively kills Hermine, expecting the jury of immortals to sentence him to the gallows, he is heartily laughed down by them.

As for the structure of the novel, one literary critic has compared it to a sonata. "Steppenwolf" is comprised of three movements. In the first movement the narrator introduces us to Harry Haller and his peculiarities; the second movement elaborates on the "Treatise Of The Steppenwolf" to explain his personality and behaviour; and the third movement resolves the psychological conflict in The Magic Theatre. It is a plausible premise, considering Hesse's knowledge of classical music and his allusions to classical musicians in this novel.

Despite the complexities of "Steppenwolf", it is a fascinating novel to read. Every word and passage is heartfelt and meaningful. Hesse pours out his soul, probing his psyche, confessing his insecurities and beliefs, his sorrows and joys, his sensuality and intellect, analysing his (the individual's) role in society and offering some form of spiritual solace. He speaks to us all, regardless of age, sex, race or culture. For we have all at some point in life experienced the bittersweet condition of the Steppenwolf.

As a companion piece to the novel, I would recommend the 1974 movie, Steppenwolf. Max von Sydow (Harry Haller), Dominique Sanda (Hermine), Pierre Clementi (Pablo) and Carla Romanelli (Maria) deliver credible performances, faithful to their respective characters. Storyline is true to the book as well. The editing is hurried and choppy in the first half of the film, making it difficult to connect emotionally with the Steppenwolf's plight, whereas the surrealistic scenes in The Magic Theatre are superbly executed (pardon the pun). Nevertheless, it's a movie not to be overlooked if you love this amazing book by one of the 20th century's great writers.



Summary of Steppenwolf: A Novel

With its blend of Eastern mysticism and Western culture, Hesse?s best-known and most autobiographical work is one of literature?s most poetic evocations of the soul?s journey to liberation

Harry Haller is a sad and lonely figure, a reclusive intellectual for whom life holds no joy. He struggles to reconcile the wild primeval wolf and the rational man within himself without surrendering to the bourgeois values he despises. His life changes dramatically when he meets a woman who is his opposite, the carefree and elusive Hermine. The tale of the Steppenwolf culminates in the surreal Magic Theater?For Madmen Only!

Originally published in English in 1929, Steppenwolf ?s wisdom continues to speak to our souls and marks it as a classic of modern literature.

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