Spike: Shadow Puppets (Spike)
by Brian Lynch, Franco Urru
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Book Summary Information
Author: Brian Lynch, Franco UrruEdition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2007-12-26
ISBN: 1600101127
Number of pages: 104
Publisher: IDW Publishing
Book Reviews of Spike: Shadow Puppets (Spike)
Book Review: Better than "Smile Time."
Summary: 4 Stars
There aren't many reasons why you shouldn't own "Shadow Puppets." The majority of IDW's previous work on the ANGEL and SPIKE series has been underwhelming, but this is a top notch comic adventure. It's by the same team that delivered Spike: Asylum, which was so good that Joss Whedon, after reading it, recruited writer Brian Lynch and penciller Franco Urru to write the long awaited canonical continuation to Angel the Series. Even if you didn't like "Smile Time," the Angel episode that this miniseries was a sequel to, you will absolutely love this book. Me? I hated "Smile Time." It was one of the worst episode of the series. But "Shadow Puppets" is one of my favorite comics, mostly because some stuff just works better in comics. But that isn't the only reason why.
Brian Lynch's comics are some of the most layered that I've read. The panels erupt with pop culture references, character moments, and in jokes aplenty. The commentary in the back will help you catch each of these little tidbits, which makes this series even more enjoyable. Another great thing about this is that it's very, very focused, nailing home a central theme with every page, giving Spike some very essential character development. Speaking of our leather-clad ensouled vampire, Lynch continues to perfect Spike's voice, especially with the internal narration that drives this book along. Both Spike and Lorne are more in-character than anything we've seen from IDW before (expect Asylum, which also captures them great), though I would have liked to see Spike say "wee little puppet man" about five less times. That Trots was brutally beat to death.
I did enjoy Asylum more, but that's only because Asylum was more consistent. The first three issues of "Shadow Puppets" are perfect, but then issue four feels WAY overstuffed. The jokes from the scene where Spike fights puppet versions of his friends all--oddly--seemed to fall flat, and the whole scene feels distinctly crammed. After the fight is over, things slow down and Brian brings the series to a close with a great final few pages, which ties the theme up nicely and almost makes up for the first half of the issue. As far as other negatives, there really aren't any, except a continuity error. A flashback shows a post-Asylum scene with Beck and says that it happened five months ago. Then, Lorne references the events of Asylum as happening four months ago. It had been pointed out by numerous fans and should have really been fixed for this TPB version, but as far as errors go, it's easily forgivable.
It's not as dark or consistent as Lynch's "Asylum," but I don't think it was meant to be. What it is is funny, light, and really kind of poignant in a few spots. Overall, it is a must-have for any Buffyverse fan.
8/10
Summary of Spike: Shadow Puppets (Spike)
Angel once put a stop to an evil children's show, but not before being turned into a puppet during his fight. Now, fresh out of the Asylum, it's Spike's turn! Writer Brian Lynch and artist Franco Urru (Spike: Asylum) are reunited in this collection that sees Spike and Lorne heading off to Japan to stop the latest Japanese kids' show... Smile Time! Will they become "puppetized" themselves? And along the way, find themselves in a fight with hundreds of ninja-puppets, reuniting with fellow Asylum inmates, and be at extreme odds with one other?General Books
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