Slow River

Slow River
by Nicola Griffith

Slow River
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Book Summary Information

Author: Nicola Griffith
Edition: Paperback
Published: 1996-08-20
ISBN: 0345395379
Number of pages: 352
Publisher: Ballantine Books

Book Reviews of Slow River

Book Review: Gtreat read
Summary: 5 Stars

Oh boy, am I happy to have read this book. I've read good things about Nicola Griffith, and I'm not sure why I bought this one first. It's science fiction as opposed to a mystery series she has that would, just by genre, be more up my alley. But I'm so glad I didn't dismiss this.

It's tells the story of Lore in the not so distant future in a world different but not so different from ours. There's a lot of technology, but it all seems like only a little more technology than we have now (that's scary, actually) and a lot of Big Brother going on. Homosexuality is not a big deal, in fact, there are a bunch of scenes in which people say things like 'your boyfriend or girlfriend', so it seems just as accepted as being straight. Refreshing that this is just the way it is and not further commented on. In fact, that's the style of the whole book. It starts toward the end of the story and there are three narrative elements. The first person narrator, Lore, who talks about the present and the not so distant past and a third person narrative that talks about Lore's childhood. These three time levels work together to unravel the mystery of who Lore is and solve a crime in the present.

It's not a pretty story. The gap between being the rich and the poor seems wider, the world for the poor seems very grey and poor and the things Lore has to do to survive aren't pretty.

The writing is exceptional. The characters are described beautifully, not quite focusing on their dark side to the extent that it denies a good side, but never denying it's there. She doesn't make excuses for bad deeds. The story has a nice flow to it, the balance between the different times worked for me.

I'm off now to check what else she has written.

Summary of Slow River

Slow River won both the Nebula Award and the Lambda Literary Award for author Nicola Griffith. The book's near-future setting and devices place it firmly on the science fiction shelves, and the characters' matter-of-fact sexuality further label it as lesbian SF. But make no mistake, Slow River is no subgenre throwaway. Griffith's skill at weaving temporal threads through the plot bring protagonist Lore van de Oest to tragic life, and you will genuinely care about her in the end.

Born into a bioengineering family made wealthy by cleaning up after humanity, Lore leads a life of privilege and power. Riches don't bring happiness, though, and the van de Oest family hides its share of dark secrets. Lore is kidnapped, but escapes from her captors when she realizes her family isn't going to pay the ransom. Naked, alone, and wounded, she is saved by the brutally street-smart Spanner, who teaches Lore to survive by exploiting the Net (and human) weaknesses. To learn to trust, though, Lore must face her demons, one by one, until she can begin again.

Griffith's biotech-science details are accurate, and she fits them smoothly into the story in the manner of a cyberpunk master. This novel's real strength is its characters, though. The van de Oest family, Spanner, even characters who appear only briefly, are all distinct and consistent--not to mention very human. Lore herself seems so personal that Griffith's note about the story's disturbing aspects not being autobiographical was probably wise. Slow River is more than good enough to transcend genre and appeal to both queer SF readers and a more broad audience looking for an excellent character-driven SF story. --Therese Littleton


She awoke in an alley to the splash of rain. She was naked, a foot-long gash in her back was still bleeding, and her identity implant was gone. Lore Van Oesterling had been the daughter of one of the world's most powerful families...and now she was nobody, and she had to hide.

Then out of the rain walked Spanner, predator and thief, who took her in, cared for her wound, and taught her how to reinvent herself again and again. No one could find Lore now: not the police, not her family, and not the kidnappers who had left her in that alley to die. She had escaped...but the cost of her newfound freedom was crime and deception, and she paid it over and over again, until she had become someone she loathed.

Lore had a choice: She could stay in the shadows, stay with Spanner...and risk losing herself forever. Or she could leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and creating a new future.

But to start again, Lore required Spanner's talents--Spanner, who needed her and hated her, and who always had a price. And even as Lore agreed to play Spanner's game one final time, she found that there was still the price of being a Van Oesterling to be paid. Only by confronting her family, her past, and her own demons could Lore meld together who she had once been, who she had become, and the person she intended to be...

Winner of the 1996 Nebula Award for Best Novel


Nicola Griffith, winner of the Tiptree Award and the Lambda Award for her widely acclaimed first novel Ammonite, turns her attentions nearer to the present in Slow River, the dark and intensely involving story of a young woman's struggle for survival and independence on the gritty underside of a near-future Europe.

She awoke in an alley to the splash of rain. She was naked, a foot-long gash in her back was still bleeding, and her identity implant was gone. Lore Van Oesterling had been the daughter of one of the world's most powerful families... and now she was nobody, and she had to hide.

Then out of the rain walked Spanner, predator and thief, who took her in, cared for her wound, and taught her how to reinvent herself again and again. No one could find Lore now: not the police, not her family, and not the kidnappers who had left her in that alley to die. She had escaped... but the cost of her newfound freedom was crime and deception, and she paid it over and over again, until she had become someone she loathed.

Lore had a choice: She could stay in the shadows, stay with Spanner... and risk losing herself forever. Or she could leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and creating a new future.

But to start again, Lore required Spanner's talents -- Spanner, who needed her and hated her, and who always had a price. And even as Lore agreed to play Spanner's game one final time, she found that there was still the price of being a Van Oesterling to be paid. Only by confronting her family, her past, and her own demons could Lore meld together who she had once been, who she had become, and the person she intended to be...


"A dark and intensely involving story... In Slow River, Griffith -- with language brilliant and clear as sun-glittered water -- delineates a woman's struggle to remain herself and to stay alive."
   THE PHOENIX GAZETTE

"Griffith's heroine, Lore van de Oest, is a futuristic lesbian Patty Hearst. Kidnapped from her wealthy family shortly before her eighteenth birthday, Lore is abused, degraded, and ultimately left half dead on the streets of an unnamed European city. Salvation comes in the form of Spanner, a charismatic outlaw, who both seduces and manipulates Lore.... This is a character who always knows who she is. And that puts Lore, along with her creator, among the most intriguing women in sci-fi."
   DENEUVE

"With her first novel Ammonite... Griffith revealed herself to be fluent in presenting realistic science and its implications, capable of cinematic clarity in her prose, insightful with emotions and character.... Replicating many of her debut's themes and strengths, Slow River nonetheless expands into new territory."
   THE WASHINGTON POST

"With its persuasive characters trying to form identities in an unstable society, its midnight streets and shabby apartments, and its vast industrial engines, Slow River is a powerful prose poem on issues that are already with us.... It's a worthy and radically different successor to its author's acclaimed debut."
   LOCUS


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