Shopgirl: A Novella
by Steve Martin
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Book Summary Information
Author: Steve MartinEdition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1900-01-01
ISBN: 0786891076
Number of pages: 144
Publisher: Hyperion
Book Reviews of Shopgirl: A Novella
Book Review: Love Steve Martin as an author
Summary: 5 Stars
I am generally leery of any book written by an actor or singer. Actually, I am leery of any medium made by an artist that usually does something else. I admit that I saw the movie first. I didn't think that I would like it, but the synopsis seemed interesting and I had recently realized that I liked Steve Martin and I love most of what Claire Danes does. I loved the movie, and I was blown away that Steve Martin could write such a gem.
I didn't rush out and by the book despite my appreciation for the movie . Whenever I was at a bookstore, I would pick it up and look at. I would flip through it and then put it down. Books seem to get more expensive, so I tend to be more selective of what I buy, and I didn't think that Shopgirl would be a wise investment. It's a short book, only 144 pages or so. I can rip through that many pages in a couple of hours. Eventually, I gave into the urge and picked it up and took it home. I didn't regret the purchase, like countless others that I have made in the heat of the moment.
Steve Martin can write. I grew to love all the characters in a matter of a few pages. Mirabelle is lonely and depressed and spends her days at Neiman Marcus selling gloves. She does little more than lean against the glass counter all day. She understands that she should be doing more in life, but she seems to have accepted a life where she is merely a bystander. She spends her nights drawing dead things and talking to her cats as she waits for her life to start. She dates Jeremy, who at first glance is the epitome of a loser, and then Ray Porter, a successful man who wants to possess her with no strings attached. Each interaction between the characters adds layers of dimension to all of them and at the end of the book, you are left with three very real people. Steve Martin truly has a talent with characterization, and his word choice and phrasing is wonderful. With such insight, it makes you want to crawl into Steve Martin's head and live in there for a while. The end of the book comes much too soon, but the ending leaves you "mostly" content with the future that seems to be laid out for the characters. It is a beautiful and well written little book. It's like a small bite of something delicious. It's worth it.
Summary of Shopgirl: A Novella
One of our country's most acclaimed and beloved entertainers, Steve Martin has written a novella that is unexpectedly perceptive about relationships and life. Martin is profoundly wise when it comes to the inner workings of the human heart.Mirabelle is the "shopgirl" of the title, a young woman, beautiful in a wallflowerish kind of way, who works behind the glove counter at Neiman Marcus "selling things that nobody buys anymore..."
Slightly lost, slightly off-kilter, very shy, Mirabelle charms because of all that she is not: not glamorous, not aggressive, not self-aggrandizing. Still there is something about her that is irresistible.
Mirabelle captures the attention of Ray Porter, a wealthy businessman almost twice her age. As they tentatively embark on a relationship, they both struggle to decipher the language of love -- with consequences that are both comic and heartbreaking. Filled with the kind of witty, discerning observations that have brought Steve Martin critical success, Shopgirl is a work of disarming tenderness.
Steve Martin's first foray into fiction is as assured as it is surprising. Set in Los Angeles, its fascination with the surreal body fascism of the upper classes feels like the comedian's familiar territory, but the shopgirl of the book's title may surprise his fans. Mirabelle works in the glove department of Neiman's, "selling things that nobody buys any more." Spending her days waiting for customers to appear, Mirabelle "looks like a puppy standing on its hind legs, and the two brown dots of her eyes, set in the china plate of her face, make her seem very cute and noticeable." Lonely and vulnerable, she passes her evenings taking prescription drugs and drawing "dead things," while pursuing an on-off relationship with the hopeless Jeremy, who possesses "a slouch so extreme that he appears to have left his skeleton at home." Then Mr. Ray Porter steps into Mirabelle's life. He is much older, rich, successful, divorced, and selfish, desiring her "without obligation." Complicating the picture is Mirabelle's voracious rival, her fellow Neiman's employee Lisa, who uses sex "for attracting and discarding men."
The mutual incomprehension, psychological damage, and sheer vacuity practiced by all four of Martin's characters sees Shopgirl veer rather uncomfortably between a comedy of manners and a much darker work. There are some startling passages of description and interior monologue, but the characters are often rather hazy types. Martin tries too hard in his attempt to write a psychologically intense novel about West Coast anomie, but Shopgirl is still an enjoyable, if rather light, read. --Jerry Brotton
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