Rotten: No Irish, No Blacks, No Dogs

Rotten: No Irish, No Blacks, No Dogs
by John Lydon, Keith Zimmerman, Kent Zimmerman

Rotten: No Irish, No Blacks, No Dogs
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Book Summary Information

Author: John Lydon, Keith Zimmerman, Kent Zimmerman
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-10-28
ISBN: 0312428138
Number of pages: 352
Publisher: Picador

Book Reviews of Rotten: No Irish, No Blacks, No Dogs

Book Review: Straight from the horse's ... mouth
Summary: 5 Stars

Rotten is an excellent autobiography. I was in high school and college at the time of the Sex Pistols. I never got to see the Pistols live since I lived in Florida (UF), but I connected with the music and message. The number of bands that spawned from the Pistols in the late 70's was amazing. I happened to be in Sydney in October of 1996 and caught their Filthy Lucre reunion tour, but they and I and the world had changed. Sadly most of the bands that came afterwards sold out and/or became part of the system.

I remember seeing "The Police" in a free concert at UF and the crowd went wild after the concert. The university and the town talked about banning punk and new wave. Now Sting is playing elevator music.

Since there was no internet and the press (and especially the music press) was full of crap during the late 70's, most of what you heard or read about the Sex Pistols was made up to sell print. It is priceless to have Johhny Rotten's first hand account. Adding the thoughts of the other Pistols and people associated with the scene was very enlightening. The best part is that the truth about the Sex Pistols is much more interesting than all of the lies. Malcolm McLaren is a POS for not taking better care of the band. Someday before I die, I would like to drink a pint or two of Watney's Red Barrel and take a P*ss on Malcolm's grave.

Summary of Rotten: No Irish, No Blacks, No Dogs

"I have no time for lies and fantasy, and neither should you. Enjoy or die."--John Lydon

Punk has been romanticized and embalmed in various media. It has been portrayed as an English class revolt and a reckless diversion that became a marketing dream. But there is no disputing its starting point. Every story of punk starts with its idols, the Sex Pistols, and its sneering hero was Johnny Rotten.

In Rotten, Lydon looks back at himself, the Sex Pistols, and the "no future" disaffection of the time. Much more than just a music book, Rotten is an oral history of punk: angry, witty, honest, poignant, and crackling with energy.


"Much has been written about the Sex Pistols. Much of it has either been sensationalism or journalistic psychobabble. The rest has been mere spite. This book is as close to the truth as one can get ... This means contradictions and insults have not been edited, and neither have the compliments, if any. I have no time for lies or fantasy, and neither should you. Enjoy or die."

So writes author John Lydon, a.k.a. Johnny Rotten, in his introduction to the book Rotten, an oral history of punk: angry, honest, and crackling with energy. Seventies punk has been romanticized by the media and the up-and-coming punk bands of today, but the sneering, leering disaffection of that time has been lost. Now, Lydon candidly and at times, dare we say it, fondly looks back at himself, the Sex Pistols, and the "no future" attitude of the time. Rolling Stone calls Lydon a "pavement philosopher whose Dickensian roots blossom with Joycean color," and the San Francisco Chronicle calls Rotten an "invaluable [book] ... sheds welcome light on that short period of great music and spasmodic cultural change."

Bollocks you say? Read, sneer, and enjoy or die.

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