Roses Are Red (Alex Cross)

Roses Are Red (Alex Cross)
by James Patterson

Roses Are Red (Alex Cross)
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Book Summary Information

Author: James Patterson
Reader: Jason Culp
Reader: Keith David
Edition: Music CD
Audio: English (Original Language); English (Unknown); English (Published)
Format: Abridged, Audiobook
Published: 2000-11-01
ISBN: 1570429227
Number of pages: 4
Publisher: Hachette Audio

Book Reviews of Roses Are Red (Alex Cross)

Book Review: Roses are Red
Summary: 5 Stars

James Patterson is one of my favorite reads. His Alex Cross series is sensational. I purchaced 3 different books on this series from you and love everyone.

Summary of Roses Are Red (Alex Cross)

Roses Are Red, James Patterson's sixth Alex Cross thriller, openswith the District of Columbia detective attempting to mend his nearly unraveledfamily. The year-long kidnapping of one's intended (1999's Pop Goes the Weasel) will dothat to a relationship. Christine, the kidnappee, is amenable with onereasonable condition: that her family's horizon remain uncluttered by homicidalmaniacs. How unfortunate, then, that the joyous christening of their newborn sonis rudely interrupted by the FBI bearing news of several heinous murdersrequiring the attention of detective (and doctor of psychology) Cross."Three-year-old boy, the father, a nanny," Kyle said one more timebefore he left the party. He was about to go through the door in the sun porchwhen he turned to me and said, "You're the right person for this. They murdereda family, Alex."As soon as Kyle was gone, I went looking for Christine. My heart sank. She hadtaken Alex and left without saying good-bye, without a single word.Which leaves Cross free to hunt the Mastermind, the barbarous brains behind awidening series of bank robberies in which employees or their family members areheld hostage and, when instructions aren't followed to the finest iota,slaughtered. Given the cases' glaring and unfathomable inhumanity, Cross's long- time DCPD partner (the wonderful giant, John Sampson) gives way to the warm,attractive, and fiercely intelligent FBI Agent Betsey Cavalierre.The longer and harder Cross and Cavalierre remain on his trail, the bolder andmore brutal--and shiveringly close to home--the Mastermind's strikes become.And, thanks mostly to lightning-short paragraphs and a point of view thatrappels from the first-person Cross to the third-person Mastermind, the taleprogresses at hot-trot speed to a bona fide doozy of a denouement. It'll be overbefore you know it, so sit back, hold your breath, and enjoy the show. And staytuned for the next one. --Michael Hudson
Roses Are Red, James Patterson's sixth Alex Cross thriller, opens with the District of Columbia detective attempting to mend his nearly unraveled family. The year-long kidnapping of one's intended (1999's Pop Goes the Weasel) will do that to a relationship. Christine, the kidnappee, is amenable with one reasonable condition: that her family's horizon remain uncluttered by homicidal maniacs. How unfortunate, then, that the joyous christening of their newborn son is rudely interrupted by the FBI bearing news of several heinous murders requiring the attention of detective (and doctor of psychology) Cross.
"Three-year-old boy, the father, a nanny," Kyle said one more time before he left the party. He was about to go through the door in the sun porch when he turned to me and said, "You're the right person for this. They murdered a family, Alex."

As soon as Kyle was gone, I went looking for Christine. My heart sank. She had taken Alex and left without saying good-bye, without a single word.

Which leaves Cross free to hunt the Mastermind, the barbarous brains behind a widening series of bank robberies in which employees or their family members are held hostage and, when instructions aren't followed to the finest iota, slaughtered. Given the cases' glaring and unfathomable inhumanity, Cross's long- time DCPD partner (the wonderful giant, John Sampson) gives way to the warm, attractive, and fiercely intelligent FBI Agent Betsey Cavalierre.

The longer and harder Cross and Cavalierre remain on his trail, the bolder and more brutal--and shiveringly close to home--the Mastermind's strikes become. And, thanks mostly to lightning-short paragraphs and a point of view that rappels from the first-person Cross to the third-person Mastermind, the tale progresses at hot-trot speed to a bona fide doozy of a denouement. It'll be over before you know it, so sit back, hold your breath, and enjoy the show. And stay tuned for the next one. --Michael Hudson

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