R. Crumb: Conversations (Conversations With Comic Artists Series)

R. Crumb: Conversations (Conversations With Comic Artists Series)

R. Crumb: Conversations (Conversations With Comic Artists Series)
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Book Summary Information

Editor: D. K. Holm
Edition: Hardcover
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2004-05-17
ISBN: 1578066360
Number of pages: 244
Publisher: University Press of Mississippi

Book Reviews of R. Crumb: Conversations (Conversations With Comic Artists Series)

Book Review: "My work is full of sweating, nervous uneasiness..."
Summary: 5 Stars

So says R. Crumb (p. 163) from a 1989 interview included in this intriguing collection of conversations with him (including one joint conversation with Crumb and his wife-occasional collaborator Aline Kominsky). Part of the University of Mississippi's Conversations with Comic Artists series, the collection contains 18 interviews with Crumb. They first was conducted when he was 24, the last in his 59th year (Crumb turns 65 this year, hard as it is to believe!).

The interviews shed a lot of light on what makes Crumb tick. In them, he discusses his miserable childhood, growing up as the son of a career Marine and a diet-pill popping mom. The family moved a lot (following the dad's career), the parents fought constantly, the three brothers (there were also two sisters, about which almost nothing is said except that one once broke a banjo over Crumb's head) were all unbelievably dysfunctional although also arguably geniuses. Crumb finally escapes the family, gets a job at the American Greeting Card Corporation, marries, moves to San Francisco, drops LSD, and almost overnight, his creative juices flowing, becomes the "father of underground comics."

Crumb's journey from hippie hero to serious social satirist, confessional comics artist, and family man (sort of) is chronicled interview-by- interview. Always a deliberate outsider, a despiser of corporate America and the "artsy" crowd, Crumb has even separated himself from his own work whenever he's sensed that it was becoming mainstream: Fritz the Cat, Mr. Natural (although he's recently put out a Mr. Natural Mystic Comic), the obnoxious "Keep on Truckin'" slogan.

In many ways, Crumb has been one of the most perceptive--and surely one of the most honest--voices of my lifetime. He chronicles the weirdness of human existence, a weirdness that he alternately finds fascinating, hilarious, hideous, enraging, fearsome, and celebratory. Perceptive readers of Crumb's fans will discover information in the interviews collected in R. Crumb: Conversations that enhance appreciation of his "sweaty, nervous, uneasy" work.

I've only one caveat: the collection contains numerous typos, many more than one would expect from a university press publication. Almost all of them are mere annoyances, but one (p. 163) changes the meaning of an entire sentence. The sentence reads "I'm not so alienated from the culture that my work doesn't reflect the collective consciousness of the period, and many people find the work I'm doing now extremely dark." The "not" should be "now."

Summary of R. Crumb: Conversations (Conversations With Comic Artists Series)

R. Crumb's illustrations have appeared on the covers of albums by Big Brother and the Holding Company, on bootlegged T-shirts, and in several underground newspapers. He is, however, first and foremost, known as the father of underground comics and for work that paved the way for both satirical comics and autobiographical work in the comics medium.

He has been compared favorably to Brueghel, demonized as a misogynist, defended by feminists, and portrayed as the subject of Crumb, an award-winning documentary film. Having created such iconic characters as Mr. Natural, Fritz the Cat, and even himself as part of his cartoon universe, R. Crumb (b. 1943) is firmly established as one of the most significant, controversial, and technically gifted cartoonists of the second half of the twentieth century.

R. Crumb: Conversations collects interviews that span the late 1960s to the beginning of the twenty-first century. In these Crumb proves to be iconoclastic, opinionated, and--despite his celebrity--impervious to the commercial moods of the public.

Crumb appears alternately as neurotic, witty, acerbic, gentlemanly, cruel, verbose, and reticent. His persona in comics form (as an unattractive, continually nervous, lecherous, obsessive man) is both confirmed and challenged by the person who emerges from these interviews.

Gathered here are interviews and profiles that extend over the various periods and events in his life and work, including his early days as a countercultural figure in San Francisco, his verging on a nervous breakdown after the release of the X-rated film Fritz the Cat, his editing the groundbreaking comics anthology Weirdo, his move to France in the 1990s, and the resurgence of his popularity when Crumb was released.

D. K. Holm lives in Portland, Oregon. He is the author of Pocket Essentials: Robert Crumb. His work has been published in the New York Times Book Review, Creative Screenwriting, and Film Quarterly.

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