Proust Was a Neuroscientist

Proust Was a Neuroscientist
by Jonah Lehrer

Proust Was a Neuroscientist
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Book Summary Information

Author: Jonah Lehrer
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-09-01
ISBN: 0547085907
Number of pages: 256
Publisher: Mariner Books
Product features:
  • ISBN13: 9780547085906
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of Proust Was a Neuroscientist

Book Review: Outstanding first effort
Summary: 5 Stars

This book is a terrific survey of 8 important artists of the late 19th/early 20th century whose work predicts, reflects, or takes advantage of neurological principles that would later be "discovered" by neuroscience. As such, it points a way to resolving the ugly divide between science and art in our culture.

It helps if you know something of the artists involved. If there is a shortcoming, it is that large canons of work have to be summarized in such short space, especially in the case of Proust. But even if not, the author gives a decent overview of each one which is enough to understand the point that they were making.

After reading the book and coming here and reading some of the negative reviews, I have to say I don't understand what those reviewers are talking about. I suspect that they either don't understand the modernist artists that are featured in the book, or perhaps couldn't make sense of the book at all.

That's okay, though, because for anyone with a real interest in art and science, this book will help you see some artistic contributions in a new light, and appreciate how truths about the human condition can be derived from sources other than science.

Based on the strength of this book, I'm really looking forward to reading "How We Decide", which is also in my queue.

Summary of Proust Was a Neuroscientist

In this technology-driven age, it?s tempting to believe that science can solve every mystery. After all, science has cured countless diseases and even sent humans into space. But as Jonah Lehrer argues in this sparkling debut, science is not the only path to knowledge. In fact, when it comes to understanding the brain, art got there first.
Taking a group of artists — a painter, a poet, a chef, a composer, and a handful of novelists — Lehrer shows how each one discovered an essential truth about the mind that science is only now rediscovering. We learn, for example, how Proust first revealed the fallibility of memory; how George Eliot discovered the brain?s malleability; how the French chef Escoffier discovered umami (the fifth taste); how Cézanne worked out the subtleties of vision; and how Gertrude Stein exposed the deep structure of language — a full half-century before the work of Noam Chomsky and other linguists. It?s the ultimate tale of art trumping science.
More broadly, Lehrer shows that there?s a cost to reducing everything to atoms and acronyms and genes. Measurement is not the same as understanding, and art knows this better than science does. An ingenious blend of biography, criticism, and first-rate science writing, Proust Was a Neuroscientist urges science and art to listen more closely to each other, for willing minds can combine the best of both, to brilliant effect.

Amazon Significant Seven, December 2007: Proust may have been more neurasthenic than neuroscientist, but Jonah Lehrer argues in Proust Was a Neuroscientist that he (and many of his fellow artists) made discoveries about the brain that it took science decades to catch up with (in Proust's case, that memory is a process, not a repository). Lehrer weaves back and forth between art and science in eight graceful portraits of artists (mostly writers, along with a chef, a painter, and a composer) who understood, better at times than atomizing scientists, that truth can begin with "what reality feels like." Sometimes it's the art that's most evocative in his tales, sometimes the science: Lehrer writes about them with equal ease and clarity, and with a youthful confidence that art and science, long divided, may yet be reconciled. --Tom Nissley

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